Samantha Everton Visits PSC

Our Advanced Diploma of Photography art major students were treated to an artist talk today by Melbourne-based artist Samantha Everton. With incredible attention to detail in her images, Samantha discussed her practice; using a series of hidden wires and support harnesses – every element and movement within her images is captured in-camera.

Samantha Everton, ‘Marionettes’

 

With the students in their final year, Samantha also spoke about how necessary commitment, determination and drive are to sustaining a long-term artistic practice, while also speaking about how she manages her practice as a business.

 

This was an invaluable insight for our final year Advanced Diploma of Photography students! Thank you very much for dropping in Samantha!

See work by our art major students, and please contribute to their Pozible for their end of year exhibition.

Mac Lawrence in British Journal of Photography

The sixth edition of the Talent Issue by the British Journal of Photography features one of our recent fine art graduates; Mac Lawrence.

What got you started in photography?
My early interests in photography started many years ago as away to mainly document my surroundings. Pretty banal kind of images   of my day to day, lots of photos of friends and family that kind of thing. More diaristic I guess.
When you first started at PSC, what kind of photographer did you imagine you would become? 
Well before studying I just wanted to be able to use photography as a way to share stories. Through learning about the language of photography my interests and understanding became more focused.
What is the most beneficial thing you have learned? 
It’s important to take the time to learn from your failures.

Mac Lawrence, ‘Hidden Dispositions’, 2016

What was your most challenging moment at PSC?
Being able to push through stagnating self-criticism.
What was your most rewarding moment at PSC?
Seeing all the hard work that everyone put in throughout the final year coming together on display at the graduate exhibition.
How has your style developed?
I would say through spending time reflecting and visually analysing the things I feel work and don’t work in the pictures I’m making. Asking myself if the pictures are saying the things I want them to, and thinking about why that is. If I’m making photographs that don’t seem to be working I try to digest them and understand where the issues are. I also learn a lot from the works of others that I find interesting and thinking about why I engage with their work. I don’t feel I have any one specific style and I try to challenge myself with new approaches. I try not to limit myself to just shooting film, or digital or only black and white or whatever it is, I just try to focus on what feels right for the work I’m making.
What was your graduating folio about? How did you arrive at this idea?
It’s bout ideas of masculinity and representation in Australia. It’s quite a personal work, which developed through self-reflection and engaging with the social dialogue.

Mac Lawrence, ‘Hidden Dispositions’, 2016

What are you working on at the moment? 
Still focusing on ideas of masculinity I’m currently writing proposals to exhibit a new work, which is in development, hoping to be able to show that somewhere in Melbourne. Also spending a lot of my time finalising a collaborative work with Sarah Walker, which is being exhibited at junior Space gallery in Collingwood towards the end of June. I’ll be heading to Malaysia for a bit shortly after that to help out my friends at Obscura Festival of Photography. 
What advice would you give to current students?
Embrace the process. Rome wasn’t built in a day. Taking a photograph is just one step in the process of making a cohesive body of work. In my final year I learnt just as much from making c**p photos as I did making ones that were interesting.

Mac Lawrence, ‘Hidden Dispositions’, 2016

What do you do when you’re not taking photos?
Most of my days are spent in my studio, which is not too far from my house in Brunswick. Each day is different; one day might be spent doing research or writing and others my focus might be spent working on files, making prints, planning shoot logistics etc.… I work for the man during my nights so I try to have a routine to my days to breed good creative habits, being in the studio at specific times helps that. Having structure in my practice is really important.
Where do you find your motivation?
Seeing development in my work, which drives me to reach my personal goals, motivates me.
Who/what inspires you?
Lots of things, I get a lot of inspiration from seeing the hard work others around me are doing. I try to surround myself with people that are have a ‘can to attitude’ and don’t try to complicate their lives by focusing to much on hurdles in front of them.

 

See more of Mac’s work on his website here.

 

 

Mac Lawrence, ‘Hidden Dispositions’, 2016

2017 Graduate Feature: Sonja Broersen

Two days until graduation!!

 

Today let’s have a quick chat with graduating art photographer Sonja Broersen;

 

Sonja Broersen, 2016

 

Who and/or what inspires you?
I’m inspired by the physical space around me, the body I inhabit and how the two exist in relation to one another.
What was your graduating folio about?
My graduating folio was a reflection on my experience with femininity, and my attempt to better understand my conflicting thoughts around female identity.

Sonja Broersen, 2016

What are you working on at the moment?
Lately I’ve been experimenting with other creative outlets and how I can eventually tie them back into my photographic practice. At the moment I’ve been playing with textile work, and plan to try other mediums such as sculpture.
What has been the most rewarding part of your career so far?
Having the opportunity to be around other like-minded people throughout this course has been incredibly rewarding. Being surrounded by people who share the same passion and interest in photography has really solidified my own understanding of why I was pursuing a career in art photography.
To see more of Sonja’s work, take a look at her website!

Sonja Broersen, 2016

2017 Graduate Feature; Jarred Mullenger

Today we are featuring graduating art photographer Jarred Mullenger, Jarred is our second 2017 graduate to be featured in Son Of A Gun Magazine. We caught up with Jarred to find out more about his connection to photography and his graduating folio “It’s 11am And I’m Still In My Dressing Gown”.

Jarred Mullenger, ‘It’s 11am And I’m Still In My Dressing Gown’, 2016

What attracted you to photography?
Well I was always a creative person growing up. Anything creative that used imagination and was out of the ordinary I was drawn to. I started off sketching. While everyone else was outside playing at lunchtime, I was in the art room having drawing lessons. It was my time to escape the routines of school and let my imagination run free. Moving forward a handful of years, I discovered the film camera and the darkroom; then my lunchtimes continued to be spent inside developing film and experimenting in the darkroom, so that’s where the interest in photography started.

 

Did you have an idea when you first started at PSC of the kind of photographer  you wanted to become?
I envisioned becoming the complete opposite to what I am today. I always imagined being a fashion photographer for magazines and runway and then slowly moving into being a designer.

 

What is the most beneficial thing you have learned?
Accepting uniqueness and allowing time to grow.

 

Jarred Mullenger, ‘It’s 11am And I’m Still In My Dressing Gown’, 2016

 

 

What was your most challenging moment at PSC?
Overcoming self doubt, growing a voice and being confident in my own unique practice.

 

What was your most rewarding moment at PSC?
Making a strong group of friends that all share the same interest, teachers included! My confidence in my practice and also myself has grown a lot, as well as having a strong final series that I’m proud of.

 

 

How has your style developed?
My style has developed immensely and will always continue to do so. Through years of experimenting and questioning everything you’re doing and through trial and error your style will change naturally.

 

Jarred Mullenger, ‘It’s 11am And I’m Still In My Dressing Gown’, 2016

 

 

What was your graduating folio about? How did you arrive at this idea?
The work I presented for the final folio focussed on the family dynamics in my house and interprets my view on the family aura in my household, looking at the changes that have occurred over time. I focussed on the strong female presence in the house following the separation of my parents and the repercussions it’s had on myself. Through this project I have begun to accept the disconnect that has established over time and now looking into the future for what lies ahead outside of the four walls I call home.

Unconsciously all my previous work had been very personal or a reflection of myself without me intentionally doing so, so I wanted to flip that around and see what would happen if I made work that is a self reflection of myself and go from there.

 

 

What are you working on at the moment?
I’m continuing with my final folio work which has the potential for me to work on for am lifetime, so who knows.

 

Jarred Mullenger, ‘It’s 11am And I’m Still In My Dressing Gown’, 2016

 

What advice would you give to current students?
You only get out as much as you put in!

 

What do you do when you’re not taking photos?
When my mind is not on photography, it’s either on fashion, family and friends, or being with nature.

 

Where do you find your motivation?
Motivation comes from a lot of things; everyday mundane activities can cause me to get a possible image in my end which I create into a digital image over time. Seeing other people succeed helps me stay motivated to achieve at the same level.

 

Who/what inspires you?
Friends and the family, the changes in our environment and other more established photographers.

 

What is your dream job/shoot?
Being a renowned artist exhibiting unique and personal work at a high standard in galleries locally and also internationally.

 

 

Follow Jarred and his ongoing work on his Instagram

 

 

Jarred Mullenger, ‘It’s 11am And I’m Still In My Dressing Gown’, 2016