Feature Friday; Jules Perrenot

Remember this name; Jules Perrenot, we don’t doubt you’ll be hearing it quite a bit over the next few years. Jules is a current first year student here at PSC, and before he has even presented his first semester folio he is already 1 of 40 international photographers to have won a spot in the Los Angeles Centre for Digital Art Top 40 exhibition. 

 

Outstanding Jules!!

We caught up with Jules to ask him about his relation to photography.

 

Jules Perrenot, 2017

 

Hey Jules, you’re in your first year at PSC; how did you come to be interested in photography?

 I can remember a few photographs that have stuck around in my mind, from Ellen Von Unwerth, Erwin Olaf, Sakae Takahashi. It probably contributed to my photography interest. I had a photographer friend in Paris, I would look at his pictures, watch him shoot. That surely contributed. Finally, when I got to Australia, I stayed with my sister and her boyfriend for a few months. I had acces to his DSLR and started to use ot often. After moving to Sydney, it didnt take me long to buy my own camera. Overall, it might just come from a sense of visual aesthetic, with no skills whatsoever in crafting or drawing to bavl it up. Photography was my savior: press the trigger, make a picture.
Did you have an idea of the kind of photographer you want to become when you started here? 
 In my mind, I could see myself drawn to the art practice in photography, while being aware I did like the idea of playing with commercial aesthetic and tools. At the same time, I have been willing to try everything: in school I knew I’d have the luxury to explore photography and that I should cease this opportunity without being to rigid on my aspirations. I mean, I might end up falling in love with photo-journalism!

 

When you entered this competition what was going through your head. 
I felt like it was important to start applying to things out there. I want things to happen and not just wait to be graduated. I actually change last minute what I wanted to show because I wasn’t sure if they’d pick just one or the 3 images, and my other series had to be seen as a triptych.
Were you feeling confident?
 I guess I thought I was showing something good, so I wasnt surprise when I got in (I have no idea how many applicants there were), but I wouldnt have been surprised if I wasnt in either, and I wouldnt have been depressed about it. It felt like throwing a dice, and luckily it worked.
What is the most beneficial thing you have learned up to this point?
 I’m pretty bad with rankings, I’ll make a list:
 -A specific environment can limit you to the self you were when you encountered it. Travelling to new places allow you to be the self you have become. Though, being aware of this is a big step to be able to stick yourself updated anywhere. In my case, it’s being loud.
-Don’t be afraid to ask for help or for an opportunity. I used to be too worried about the image it’d send of me. But people don’t mind, and they can’t help you if they don’t know what you’re thinking.
-School wise (thanks to my previous uni experience): get rid of the highschool mentality about assignments. Keep thinking until you find how to make them exciting for you, even if to do so you have to play with the lines. It’s just way less effective to create something just for the sake of the grading.
 -Have a goal or a direction: it makes you move forward, even if you end up changing it (which you should as many time as needed). Sitting around with no purpose for too long is just depressing.
 -Giving too many life advices make you sound like an old geezer. But I’ve accepted my fate.
 -There’s nothing wrong leaving the ‘highway of life’ : highschool, uni, job, promotion, house, dog, kids. If you don’t feel at ease in your life, I’d advise to shake things up. If it turns bad, please don’t sue me.

Jules Perrenot, 2017

What has been your most challenging moment at PSC so far? 
 The accumulation of all the assignements in a 2 weeks period can be tough. Especially since I end up being excited by my projects, it can easily become too time consuming to juggle it with the rest of my life.
 What has been your most rewarding moment at PSC so far? 
 During the first week, I bonded really quickly with a few people from my class, that was such an exciting feeling, I felt ” Your time at Psc is going to be great, you made the right choice”.
How has your style developed? What have you noticed is different? Your aesthetic? Way of thinking? Approach? 
 Hmmm, Im still really unsure about all lf the above. I tend to go in lots of directions, and Im not sure it’ll change. It is fine at the moment as I am exploring possibilities in 1st year, but I can see it getting in the way in the future. Im just a bit over the idea we always have to brand ourselves, which often requires to specialize, keep it cohesive, to create an overall story-telling for the audience. I’d rather do anything and everything I feel like doing, without much marketing thinking.
So far, what body of work have you been most proud of? 
 I guess I really enjoyed my first assignement in Sarina’s class: in two weeks I managed to pull off something I really enjoy, that was fun. I’ve seen it too much though, I’m a bit over it at the moment.

Jules Perrenot, 2017

What are you working on at the moment? 
 I want to enter Bowness and a few prizes in June. We had a talk with Hoda and she talked me into creating a series out of a few images I already had. It’ll be a sort of sad gay sexy shrine to myself. Funtime.
What do you do when you’re not taking photos?
It’s mostly keeping my life social and keeping in touch with friends I now have less time to see. And then I Netflix and die in my bed: I can be quite the extraverted guy but I need my alone time with my computer. I guess it’s how milennials get introspective: getting lost on the internet.
Where do you find your motivation? 
 Keeping things interesting ? Immobilism alienates me, I like things to move and evolve.
What is your dream job/shoot? 
 Being exhibited and going full art-wank in fancy places, a glass of champaign at hand. Being French, Im already pretentious, I just need to be successful now.   Also, if I end up with a commercial practice, I want to be hired for my concepts, not to capture someone else’s ideas.
To keep up to date with Jules’ work, follow him on Instagram 

Mac Lawrence in British Journal of Photography

The sixth edition of the Talent Issue by the British Journal of Photography features one of our recent fine art graduates; Mac Lawrence.

What got you started in photography?
My early interests in photography started many years ago as away to mainly document my surroundings. Pretty banal kind of images   of my day to day, lots of photos of friends and family that kind of thing. More diaristic I guess.
When you first started at PSC, what kind of photographer did you imagine you would become? 
Well before studying I just wanted to be able to use photography as a way to share stories. Through learning about the language of photography my interests and understanding became more focused.
What is the most beneficial thing you have learned? 
It’s important to take the time to learn from your failures.

Mac Lawrence, ‘Hidden Dispositions’, 2016

What was your most challenging moment at PSC?
Being able to push through stagnating self-criticism.
What was your most rewarding moment at PSC?
Seeing all the hard work that everyone put in throughout the final year coming together on display at the graduate exhibition.
How has your style developed?
I would say through spending time reflecting and visually analysing the things I feel work and don’t work in the pictures I’m making. Asking myself if the pictures are saying the things I want them to, and thinking about why that is. If I’m making photographs that don’t seem to be working I try to digest them and understand where the issues are. I also learn a lot from the works of others that I find interesting and thinking about why I engage with their work. I don’t feel I have any one specific style and I try to challenge myself with new approaches. I try not to limit myself to just shooting film, or digital or only black and white or whatever it is, I just try to focus on what feels right for the work I’m making.
What was your graduating folio about? How did you arrive at this idea?
It’s bout ideas of masculinity and representation in Australia. It’s quite a personal work, which developed through self-reflection and engaging with the social dialogue.

Mac Lawrence, ‘Hidden Dispositions’, 2016

What are you working on at the moment? 
Still focusing on ideas of masculinity I’m currently writing proposals to exhibit a new work, which is in development, hoping to be able to show that somewhere in Melbourne. Also spending a lot of my time finalising a collaborative work with Sarah Walker, which is being exhibited at junior Space gallery in Collingwood towards the end of June. I’ll be heading to Malaysia for a bit shortly after that to help out my friends at Obscura Festival of Photography. 
What advice would you give to current students?
Embrace the process. Rome wasn’t built in a day. Taking a photograph is just one step in the process of making a cohesive body of work. In my final year I learnt just as much from making c**p photos as I did making ones that were interesting.

Mac Lawrence, ‘Hidden Dispositions’, 2016

What do you do when you’re not taking photos?
Most of my days are spent in my studio, which is not too far from my house in Brunswick. Each day is different; one day might be spent doing research or writing and others my focus might be spent working on files, making prints, planning shoot logistics etc.… I work for the man during my nights so I try to have a routine to my days to breed good creative habits, being in the studio at specific times helps that. Having structure in my practice is really important.
Where do you find your motivation?
Seeing development in my work, which drives me to reach my personal goals, motivates me.
Who/what inspires you?
Lots of things, I get a lot of inspiration from seeing the hard work others around me are doing. I try to surround myself with people that are have a ‘can to attitude’ and don’t try to complicate their lives by focusing to much on hurdles in front of them.

 

See more of Mac’s work on his website here.

 

 

Mac Lawrence, ‘Hidden Dispositions’, 2016

Feature Friday; Mathew Molloy

Today (May 26th) we caught up with former PSC student Mathew Molloy who is currently in Europe with his camera.

 

 

Mathew Molloy

 

 

What got you started in photography? 
I always loved photography as a kid but never had the chance to do anything about it. When I returned to Australia after living abroad I had the chance and decided to jump in and give it a go.
When you first started at PSC, what kind of photographer did you imagine you would become? 
I think at that stage I was just hoping that I could be a professional photographer shooting anything, but I love shooting people so it was always going to be related around fashion and portraits.
What is the most beneficial thing you have learned? 
I think to take nothing for granted in life or in your career, the smallest thing can impact both be it positive or negative. It’s how you respond to that action that will set you apart.

 

Mathew Molloy

What was your most challenging moment at PSC?
I was studying part time and to be honest the photography side of things I always felt in control of, but the lack of time to polish off a concept to the standard I would be happy to submit was the tough one, and I do admit that work was submitted that I wouldn’t want to be seen today.

What was your most rewarding moment at PSC? 
I don’t know that I can pinpoint one moment, but the most rewarding moments for me were looking at a folio first presented to my classmates and comparing it to a completed folio at the end of semester and taking in the transformation.

How has your style developed?
Everyone tends to put a lot of emphasis on style in photography. I like to shoot clean, crisp images, is that a style? Maybe, maybe not. I would like to think my style is adaptable to my clients needs.

 

Mathew Molloy

What are you working on at the moment? 
I have just completed back to back fashion weeks in Europe and now have a few editorial shoots for a spring/summer magazine publications.

What do you do when you’re not taking photos? 
Look at photos other photographers have taken, I know, soooo bad!
I love to travel and spending time with my family.
Where do you find your motivation?
On the street in everyday situations. Seeing the little old lady crossing the road holding hands with her hunched over husband, both so neatly dressed. Taking in the architecture when I go for a walk. Going to art galleries, Instagram, everywhere.

Who/What inspires you?
In regards to photography, there are so many great fashion photographers like Richard Avedon, but I tend to be more inspired by photographers like Khalil Hamra, who is trying to make a difference for his people and country by taking pictures that tell a story of change needed. James Nachtwey is also amazing and much more recognised, both as equally brave and courageous.

 

See more of Mathew’s work! 

 

 

Matthew Molloy

2017 Graduate Feature; Keely Farrugia

Today is it! Our final 2017 graduate feature before the graduation ceremony tonight.

 

Art photographer Keely Farrugia sat down and spoke to us about her three years at PSC.

 

Keely Farrugia, 2016

 

Hey Keely, after three years it’s all come to an end; when did you first start getting into photography? Why did you pursue it?

Well, when I was a child, I was always playing with the family camera. I’d often be in the backyard photographing plants, bugs and magpies, there was never a concept as too why, I guess I photographed whatever popped into the backyard and made it interesting. I was even more enthused by my friend’s father who happened to be a professional portrait photographer. This spiked my interest further when I got to hold his camera (Canon EOS 1D Mark IV), I was given the opportunity to photograph his daughters and watch over some of his portrait sessions. This was my first inspiration to become the photographer I am today.

 

Did you imagine you would become a portrait photographer like him?

Upon entering PSC, I aimed to be a creative fashion photographer. I had the goal of bringing a whole new concept and influence to the commercial/ editorial industry but also having the dream to one day be Annie Leibovitz’s assistant. I believe the most beneficial thing I’ve taken in so far is; it doesn’t hurt to slow down. Whilst learning how to drive a manual car, my great instructor said “You don’t have to go so fast as long as you get there at your own pace, everything will be fine”. I’ve lived by those words ever since, and as the days go by I’m just taking my time and enjoying life at my own pace.

 

Was that a challenge for you? Figuring out how to slow down?

No, the challenging moment was standing in front of people and talking about my work.

My most rewarding moment was receiving silver award in the APPAs and making friends during the course.

 

How did your style develop over the years you spent here?

To be honest I’m still trying to figure out what exactly is my style. It’s a work in progress, I’m inspired everyday whilst browsing through Pinterest and always finding a new challenge or wanting to appropriate an image. My style is all over the place, ask this question in 10 years, maybe I might have an answer but for now I’m still searching.

 

Keely Farrugia, 2016

 

What was your graduating folio about?

My graduating folio was literally about Breasts. It’s a debatable topic going on right now whether you know about it or not. My folio focused around the controversial issue of breasts and breast feeding in public. An exploration of society’s multiple outlooks on the female breast, using the body part as a confrontation towards public, social media and censorship but most importantly how it’s differentiated against it’s natural purpose. This idea came about, when scrolling through Facebook and watching several videos of social experiments of breastfeeding in public and the ‘Free the Nipple’ campaign spiralling to an internet phase. I decided to take this on, in the form of a fine art project, at first it did start out as a joke but after thorough research and careful imaging there was a sense of guilt in the end. The amount of insults and injustice that attacks the female breasts was beyond what I first imagined but it pushed the project forward to show the viewer how natural and pleasant breasts can be rather than a sexual object.

 

Do you have any advice for current students?

Pinterest is your friend, use it and abuse it. Inspiration is the most important thing, if you don’t have it, how are you going to meet your goal without it?

 

What have you been up to since you left  PSC?

 

I’ve been picking up on film photography, using my Pentax Spotmatic and Ilford 400 film. Recently I’ve been photographing portraits and spiders, using double exposure technique. It’s weird and random, I know. Whatever floats your boat, so far I’m sailing into a new direction of interest. Challenge accepted.

 

Brilliant! So when you’re to taking photos of spiders on film, what do you do?

I either browse Pinterest to find motivation and/or inspiration or read a Jane Austen novel. Sometimes you find creative ideas and influences in the most inconvenient moments.

 

What inspires you?

I’ve probably said this twice now but anything and everything on Pinterest inspires me, although when talking about photography I’m always inspired by Annie Leibovitz, Cindy Sherman, Carrol Jerroms and Richard Alvedon. Everyday I’m truly inspired by my parents putting others first before themselves, going out their way to make my brother and I happy.

 

Do you have a dream job or shoot?

I have not given up on one day being Annie Leibovitz assistant, I vow to make it happen.

 

 

If you want to see what else Keely has been up to, check out her Instagram 

 

Keely Farrugia, 2016

2017 Graduate Feature: Sonja Broersen

Two days until graduation!!

 

Today let’s have a quick chat with graduating art photographer Sonja Broersen;

 

Sonja Broersen, 2016

 

Who and/or what inspires you?
I’m inspired by the physical space around me, the body I inhabit and how the two exist in relation to one another.
What was your graduating folio about?
My graduating folio was a reflection on my experience with femininity, and my attempt to better understand my conflicting thoughts around female identity.

Sonja Broersen, 2016

What are you working on at the moment?
Lately I’ve been experimenting with other creative outlets and how I can eventually tie them back into my photographic practice. At the moment I’ve been playing with textile work, and plan to try other mediums such as sculpture.
What has been the most rewarding part of your career so far?
Having the opportunity to be around other like-minded people throughout this course has been incredibly rewarding. Being surrounded by people who share the same passion and interest in photography has really solidified my own understanding of why I was pursuing a career in art photography.
To see more of Sonja’s work, take a look at her website!

Sonja Broersen, 2016

2017 Graduate Feature; Rachel Hickey

To kick off our last week of graduate features, we’re catching up with photojournalist Rachel Hickey to hear more abut her time at PSC.

Rachel Hickey, ‘Beyond Bikes’, 2016

Hey Rachel, what got you started in photography?
I’m not sure if there was a particular moment that inspired me… But I realised photography was a part of me when I wore out my first camera, a point and shoot Olympus. I was obsessed with images, always trying to get a different perspective and do something different. Actually, I remember the first ever photography job I did was on that little camera; it was at our local racecourse, photographing the horse racing. I had no idea what I was doing, but running from place to place and meeting new people was incredibly exciting and at the end of the day, to have a story of the events and little details that so many people would have missed was really an honour.
When you first started at PSC, what kind of photographer did you imagine you would become? 
Ha! I was convinced that I would be a stills photographer for films. However I have never once been on a movie set.
What is the most beneficial thing you have learned?
The worst someone can ever say is no.
I have learned to accept that no one sees the same thing in the exact same way, I have also learned to not be pressured by “should”. That is when people say “You should photograph like that” or “You should do that”.

Rachel Hickey, ‘Beyond Bikes’, 2016

Rachel Hickey, ‘Beyond Bikes’, 2016

What was your most challenging moment at PSC?
 To be honest; going through a breakup three weeks before a folio was due when that was my subject matter, was possibly the most stressful.
What was your most rewarding moment at PSC?
Presenting my final folio and being genuinely proud of myself and the amount of dedication and persistence I put in to every single image. It was an overwhelming moment of emotion when I realised I had presented my last ever folio at PSC- huge accomplishment!
How has your style developed?
My style is always developing. It started with being very formally composed, but it’s now more focused on details of something to add insight to the larger picture, without actually showing the larger picture. I like to think it’s less biased in that sense.
What was your graduating folio about? How did you arrive at this idea?
My graduating folio ‘Beyond Bikes’ is looking deep into the community of cycling, specifically track racing. I grew up around cycling and after moving to Melbourne, I noticed whenever I was talking to non-cycling friends about the velodrome and the thrill of riding that they didn’t have any idea of what I was going on about. I wanted to show that there is more to cycling than bikes.

Rachel Hickey, ‘Beyond Bikes’, 2016

Rachel Hickey, ‘Beyond Bikes’, 2016

What are you working on at the moment? 
I’m brainstorming ideas for new projects, but also taking some time away from the camera to broaden my eye. In saying that I am a part of the PSC Alumni in which we hope to have a group exhibition in the next couple of months. I’m also doing a bit of freelancing.
What advice would you give to current students?
Have a go! You are in the best environment to learn and make mistakes, don’t be concerned that anyone will ever think less of you because you don’t know everything about photography. Go ahead and make the mistakes.
What do you do when you’re not taking photos?
I love to ride my bike! Either on the velodrome or on the road.
Where do you find your motivation?
From being around like-minded people, that is something I loved about PSC.
Who/what inspires you?
Looking at other photographers’ work and not limiting myself. Thinking about future possibilities is huge inspiration for me, it makes me look a little more internally to what I actually want to do.
What is your dream job/shoot?
I would love the opportunity to photograph a professional cycling race team for a season. I also dream of/plan on living in Europe or Canada and creating smaller bodies of work in my downtime.
To see more of Rachel’s work, check out her website! 

 

 

Rachel Hickey, ‘Beyond Bikes’, 2016

Rachel Hickey, ‘Beyond Bikes’, 2016

 

2017 Graduate Feature; Tayla Nuss Soeharto

Today we are catching up with Australian Student Photographer of the year (2016), Tayla Nuss Soeharto; learning about her journey in photography, and what she is up to now after winning the highest award a photography student can get in Australia.

 

 

Tayla Nuss Soeharto, 2016

 

What got you started in photography? 
I still don’t really know what sparked my interest in photography, but I think it all began when my mum gave me her film camera and sifting through all the photographic memories she captured with it when I was growing up. I then bought my own little point and shoot from an op shop around the corner and started taking photos of my sister with it and experimenting with film and double exposures.
When you first started at PSC, what kind of photographer did you imagine you would become?
At the time I was really interested in analogue photography so I guess I was expecting to make progress with film techniques and develop my style through that. However, even though I still enjoy using film, I think the digital world won me over!
How has your style developed?
Looking back through my work, I have always used a lot of colour in my images and been very interested in objects, especially ones found in the everyday household. All the series I made while at PSC were also set up in some kind of way, either in a studio setting or around the house. Compared to my early works, my lighting technique is much more resolved and my images are a lot cleaner. Throughout my studies I began working with fashion students, which has slowly warmed me up to the idea of photographing people and not just objects.

Tayla Nuss Soeharto, 2016

What are you working on at the moment?
At the moment I’m working with a few RMIT fashion students and taking photos for their publication, as well as starting a mini out-of-space inspired still life series, which is still a work in progress!
What advice would you give to current students?
Don’t be afraid to show all of your work in progress images even if you hate all of them, they can be the beginning of something brilliant!
What do you do when you’re not taking photos?
I intern at The Photo Studio two days a week, work my casual job and watch weird space videos every now and then.

Tayla Nuss Soeharto, 2016

Where do you find your motivation?
I mostly pull inspiration from the random things around me or things that I watch.
What is your dream job/shoot?
My dream shoot would be to collaborate with American artists Alex Wallbaum and Aleia Murawski on some kind of fun and whacky still life project.
Who/what inspires you?
I sometimes get in a mood where everything inspires me, like a colour, a piece of fruit, or a weird object and i just need to set something up and photograph it!
To see more of Tayla’s work, check out her website

Tayla Nuss Soeharto, 2016

2017 Graduate Feature: Tom Rogers

Today we are catching up with Tom Roger graduating photojournalist.

 

Tom Roger, 2016

 

What got you started in photography?
Back in high school, one of my teachers showed us the darkrrom process and I instantly fell in love with the process, how you can take a piece of paper and dip it in some chemicals and magically these forms and lines and tones and all of it evolves and creates an image right in front of you.

 

When you first started at PSC, what kind of photographer did you imagine you would become?
I was definitely going to be a National Geographic photographer tackling dramatic social issues around the world.


What is the most beneficial thing you have learned?
 To trust your instincts and to be bold with decision-making.

 

What was your most challenging moment at PSC?
 Learning to drive myself along and shoot freely in my own specific way rather then leaning on tutors and photographing in a way to try and please them.

 

Tom Roger, 2016

 


What was your most rewarding moment at PSC?
Making my final photobook. I love the process, I love the finished outcome and I was proud of how far I’d come.


How has your style developed?
I’d stopped trying to be other people that I thought I wanted to be and just photographed from my heart and what was true to me. I know now how best I work and how to get what I want rather then try and emulate someone else.


What was your graduating folio about? How did you arrive at this idea?
My graduating folio was about searching for intimacy within myself whilst maturing into adulthood, experiencing the world around me. 

 

Tom Roger, 2016

 


What are you working on at the moment?
A couple of smaller projects, one continuing on from my graduating folio as it forms a kind of diary for me personally as well as a documentary on the hospitality scene in Melbourne.


What advice would you give to current students?
Just shoot the c**p out of the world and trust your tutor. Katrin was endlessly helpful and I can not speak more highly of her and how she helped not just me but for everyone in our class.


What do you do when you’re not taking photos?
I’m working behind a bar saving to do a Vietnam photo trip and then a European travel.

 

Tom Roger, 2016


Where do you find your motivation?
Everywhere from seeing other peoples images and stories on the internet to just walking down the street and discovering something new and unexpected, I want to share what I see with others


Who/what inspires you?
I am inspired by those around me, everyone has a story and everyones story deserves to be shared.


What is your dream job/shoot?
I would seriously love to be on long term assignments documenting society, whether it be social issues, minorities or just interesting people. I want to be immersed in something that’s different to my form of normal and to share that with the wider community.

 

To keep up to date with Tom, follow his work on Instagram

 

 

 

Tom Roger, 2016

2017 Graduate Feature; Jarred Mullenger

Today we are featuring graduating art photographer Jarred Mullenger, Jarred is our second 2017 graduate to be featured in Son Of A Gun Magazine. We caught up with Jarred to find out more about his connection to photography and his graduating folio “It’s 11am And I’m Still In My Dressing Gown”.

Jarred Mullenger, ‘It’s 11am And I’m Still In My Dressing Gown’, 2016

What attracted you to photography?
Well I was always a creative person growing up. Anything creative that used imagination and was out of the ordinary I was drawn to. I started off sketching. While everyone else was outside playing at lunchtime, I was in the art room having drawing lessons. It was my time to escape the routines of school and let my imagination run free. Moving forward a handful of years, I discovered the film camera and the darkroom; then my lunchtimes continued to be spent inside developing film and experimenting in the darkroom, so that’s where the interest in photography started.

 

Did you have an idea when you first started at PSC of the kind of photographer  you wanted to become?
I envisioned becoming the complete opposite to what I am today. I always imagined being a fashion photographer for magazines and runway and then slowly moving into being a designer.

 

What is the most beneficial thing you have learned?
Accepting uniqueness and allowing time to grow.

 

Jarred Mullenger, ‘It’s 11am And I’m Still In My Dressing Gown’, 2016

 

 

What was your most challenging moment at PSC?
Overcoming self doubt, growing a voice and being confident in my own unique practice.

 

What was your most rewarding moment at PSC?
Making a strong group of friends that all share the same interest, teachers included! My confidence in my practice and also myself has grown a lot, as well as having a strong final series that I’m proud of.

 

 

How has your style developed?
My style has developed immensely and will always continue to do so. Through years of experimenting and questioning everything you’re doing and through trial and error your style will change naturally.

 

Jarred Mullenger, ‘It’s 11am And I’m Still In My Dressing Gown’, 2016

 

 

What was your graduating folio about? How did you arrive at this idea?
The work I presented for the final folio focussed on the family dynamics in my house and interprets my view on the family aura in my household, looking at the changes that have occurred over time. I focussed on the strong female presence in the house following the separation of my parents and the repercussions it’s had on myself. Through this project I have begun to accept the disconnect that has established over time and now looking into the future for what lies ahead outside of the four walls I call home.

Unconsciously all my previous work had been very personal or a reflection of myself without me intentionally doing so, so I wanted to flip that around and see what would happen if I made work that is a self reflection of myself and go from there.

 

 

What are you working on at the moment?
I’m continuing with my final folio work which has the potential for me to work on for am lifetime, so who knows.

 

Jarred Mullenger, ‘It’s 11am And I’m Still In My Dressing Gown’, 2016

 

What advice would you give to current students?
You only get out as much as you put in!

 

What do you do when you’re not taking photos?
When my mind is not on photography, it’s either on fashion, family and friends, or being with nature.

 

Where do you find your motivation?
Motivation comes from a lot of things; everyday mundane activities can cause me to get a possible image in my end which I create into a digital image over time. Seeing other people succeed helps me stay motivated to achieve at the same level.

 

Who/what inspires you?
Friends and the family, the changes in our environment and other more established photographers.

 

What is your dream job/shoot?
Being a renowned artist exhibiting unique and personal work at a high standard in galleries locally and also internationally.

 

 

Follow Jarred and his ongoing work on his Instagram

 

 

Jarred Mullenger, ‘It’s 11am And I’m Still In My Dressing Gown’, 2016

2017 Graduate Feature; Shannon MacKenzie

Feature Friday!! Today we are catching up with Shannon MacKenzie who studied commercial photography at PSC.

 

Shannon MacKenzie, ‘Jodie’, 2016

 

What got you started in photography?
I started in photography because I needed to get out of my career as a criminologist and felt my art was confining me indoors. I wanted to get out into the world and see beauty.
When you first started at PSC, what kind of photographer did you imagine you would become? 
When I first started at PSC I imagined I would become a wedding photographer. A new career with beauty and happiness.
What is the most beneficial thing you have learned?
The main thing I learnt was photography can be fine art, I was inspired by readings and constructive advise from one teacher, even if it was negative.
What was your most challenging moment at PSC?
The most challenging time I had at PSC was staying true to me, it’s easy to get lost or intimidated by others work.
What was your most rewarding moment at PSC?
The most rewarding moment at PSC was gaining my idol as my mentor.
I have moved so far away from an aspiring wedding photographer it’s unbelievable what I can achieve through a camera lens instead of on canvas.

Shannon MacKenzie, ‘Jodie’, 2016

What was your graduating folio about? How did you arrive at this idea?
My graduating folio was about social demographics and how we portray ourselves in public where we receive such criticism but behind closed doors we all live the same, we are one society. I came to this idea after looking into what the census was about.
What are you working on at the moment?
At the moment I am back in criminology work and working on forensic photography. I am also laying down the initial sketches for a mixed media art/photography exhibition by spring.
What advice would you give to current students?
Experiment with all avenues of photography and pick the one that feels right and gets your creative side pushing you to do more. Stay true to that and aim for your work to shine.
What do you do when you’re not taking photos?
When I’m not taking photo’s I study for my master’s and work. But I’m always planning.

Shannon MacKenzie, ‘Jodie’, 2016

Where do you find your motivation?
My motivation is everywhere. It can be a moment that makes you take note or turn back to get this image on your phone while taking down a note of time and place. I have gone from wedding to surrealism but still have that element of beauty.
Who/what inspires you?
I’m inspired by my mentor Brooke Shaden, she understands the way I see things and I understand her direction.
What is your dream job?
My dream job would be to create a large piece of work for a corporate/commercial/cultural buildings foyer.
To follow Shannon’s work on Instagram click here

Shannon MacKenzie, ‘Jodie’, 2016