Feature Friday 9th June 2017; Anna Salzmann

Today’s student feature is on Anna Salzmann, a current Level 5 Advanced Diploma student at PSC. Earlier this year Anna received a silver award at the AIPP Epson State Awards for her series ‘Sei Bellissima’.

 

Anna Salzmann, ‘Sei Bellissima’

 

What got you started in photography?
My first memory of loving photography was when my uncle who is a photographer in Geneva, Switzerland, introduced me to the world of photography and I have been obsessed ever since. A year ago he invited me to join him and 18 other photographers from across the world (most based in Geneva) to be apart of their ‘Une photo par jour’ blog where we upload a photo per day.
When you started at PSC, did you have an idea of the kind of photographer you want to become? 
All I knew is that I wanted to travel and work with other creatives doing great things, and I hoped that photography would give me these opportunities.

What is the most beneficial thing you have learned up to this point?
That planning and research is your friend!

What has been your most challenging moment at PSC so far?
Probably this semester, knowing that I now only have 1 more semester in this college surrounded by so much support is hard, and I am trying to soak it up as much as I can!

What has been your most rewarding moment at PSC so far?
Presenting my work at the end of each Semester is always great, I love seeing peoples reactions and hearing their thoughts on my work, whether it’s praise or critique.

 

 

Anna Salzmann, ‘Sei Bellissima’

 
How has your style developed?
My style is always changing and it is interesting to see my work from 2 years ago to now. It has changed a lot in regards to technique and colour, however the content has stayed similar.

So far, what body of work have you been most proud of?
My ‘Sei Bellissima’ series where I documented the life of my Nonna Franca in stills as well as a short film. You can read my experience photographing her in my class’s upcoming magazine XPSD.

What are you working on at the moment? 
My mid Year Folio, I have been focusing on developing my portrait skills and have been photographing my friends and family.

Where do you find your motivation?
A lot of my motivation comes from the support of my family. They see my passion and hard work and keep me determined in creating a successful life for myself with photography.

What is your dream job/shoot?
I would love to find work with a publication of some sorts. Or anything that takes me travelling and includes working with a great team, I love the idea of working with others and photographing new and different locations.

 

To see more of Anna’s work, check out her Behance or Instagram 

 

 

 

Anna Salzmann, ‘Sei Bellissima’

Feature Friday 2nd June 2017; Jules Perrenot

Remember this name; Jules Perrenot, we don’t doubt you’ll be hearing it quite a bit over the next few years. Jules is a current first year student here at PSC, and before he has even presented his first semester folio he is already 1 of 40 international photographers to have won a spot in the Los Angeles Centre for Digital Art Top 40 exhibition. 

 

Outstanding Jules!!

We caught up with Jules to ask him about his relation to photography.

 

Jules Perrenot, 2017

 

Hey Jules, you’re in your first year at PSC; how did you come to be interested in photography?

 I can remember a few photographs that have stuck around in my mind, from Ellen Von Unwerth, Erwin Olaf, Sakae Takahashi. It probably contributed to my photography interest. I had a photographer friend in Paris, I would look at his pictures, watch him shoot. That surely contributed. Finally, when I got to Australia, I stayed with my sister and her boyfriend for a few months. I had acces to his DSLR and started to use ot often. After moving to Sydney, it didnt take me long to buy my own camera. Overall, it might just come from a sense of visual aesthetic, with no skills whatsoever in crafting or drawing to bavl it up. Photography was my savior: press the trigger, make a picture.
Did you have an idea of the kind of photographer you want to become when you started here? 
 In my mind, I could see myself drawn to the art practice in photography, while being aware I did like the idea of playing with commercial aesthetic and tools. At the same time, I have been willing to try everything: in school I knew I’d have the luxury to explore photography and that I should cease this opportunity without being to rigid on my aspirations. I mean, I might end up falling in love with photo-journalism!

 

When you entered this competition what was going through your head. 
I felt like it was important to start applying to things out there. I want things to happen and not just wait to be graduated. I actually change last minute what I wanted to show because I wasn’t sure if they’d pick just one or the 3 images, and my other series had to be seen as a triptych.
Were you feeling confident?
 I guess I thought I was showing something good, so I wasnt surprise when I got in (I have no idea how many applicants there were), but I wouldnt have been surprised if I wasnt in either, and I wouldnt have been depressed about it. It felt like throwing a dice, and luckily it worked.
What is the most beneficial thing you have learned up to this point?
 I’m pretty bad with rankings, I’ll make a list:
 -A specific environment can limit you to the self you were when you encountered it. Travelling to new places allow you to be the self you have become. Though, being aware of this is a big step to be able to stick yourself updated anywhere. In my case, it’s being loud.
-Don’t be afraid to ask for help or for an opportunity. I used to be too worried about the image it’d send of me. But people don’t mind, and they can’t help you if they don’t know what you’re thinking.
-School wise (thanks to my previous uni experience): get rid of the highschool mentality about assignments. Keep thinking until you find how to make them exciting for you, even if to do so you have to play with the lines. It’s just way less effective to create something just for the sake of the grading.
 -Have a goal or a direction: it makes you move forward, even if you end up changing it (which you should as many time as needed). Sitting around with no purpose for too long is just depressing.
 -Giving too many life advices make you sound like an old geezer. But I’ve accepted my fate.
 -There’s nothing wrong leaving the ‘highway of life’ : highschool, uni, job, promotion, house, dog, kids. If you don’t feel at ease in your life, I’d advise to shake things up. If it turns bad, please don’t sue me.

Jules Perrenot, 2017

What has been your most challenging moment at PSC so far? 
 The accumulation of all the assignements in a 2 weeks period can be tough. Especially since I end up being excited by my projects, it can easily become too time consuming to juggle it with the rest of my life.
 What has been your most rewarding moment at PSC so far? 
 During the first week, I bonded really quickly with a few people from my class, that was such an exciting feeling, I felt ” Your time at Psc is going to be great, you made the right choice”.
How has your style developed? What have you noticed is different? Your aesthetic? Way of thinking? Approach? 
 Hmmm, Im still really unsure about all lf the above. I tend to go in lots of directions, and Im not sure it’ll change. It is fine at the moment as I am exploring possibilities in 1st year, but I can see it getting in the way in the future. Im just a bit over the idea we always have to brand ourselves, which often requires to specialize, keep it cohesive, to create an overall story-telling for the audience. I’d rather do anything and everything I feel like doing, without much marketing thinking.
So far, what body of work have you been most proud of? 
 I guess I really enjoyed my first assignement in Sarina’s class: in two weeks I managed to pull off something I really enjoy, that was fun. I’ve seen it too much though, I’m a bit over it at the moment.

Jules Perrenot, 2017

What are you working on at the moment? 
 I want to enter Bowness and a few prizes in June. We had a talk with Hoda and she talked me into creating a series out of a few images I already had. It’ll be a sort of sad gay sexy shrine to myself. Funtime.
What do you do when you’re not taking photos?
It’s mostly keeping my life social and keeping in touch with friends I now have less time to see. And then I Netflix and die in my bed: I can be quite the extraverted guy but I need my alone time with my computer. I guess it’s how milennials get introspective: getting lost on the internet.
Where do you find your motivation? 
 Keeping things interesting ? Immobilism alienates me, I like things to move and evolve.
What is your dream job/shoot? 
 Being exhibited and going full art-wank in fancy places, a glass of champaign at hand. Being French, Im already pretentious, I just need to be successful now.   Also, if I end up with a commercial practice, I want to be hired for my concepts, not to capture someone else’s ideas.
To keep up to date with Jules’ work, follow him on Instagram 

2016 Graduate Feature: Sonja Broersen

Two days until graduation!!

 

Today let’s have a quick chat with graduating art photographer Sonja Broersen;

 

Sonja Broersen, 2016

 

Who and/or what inspires you?
I’m inspired by the physical space around me, the body I inhabit and how the two exist in relation to one another.
What was your graduating folio about?
My graduating folio was a reflection on my experience with femininity, and my attempt to better understand my conflicting thoughts around female identity.

Sonja Broersen, 2016

What are you working on at the moment?
Lately I’ve been experimenting with other creative outlets and how I can eventually tie them back into my photographic practice. At the moment I’ve been playing with textile work, and plan to try other mediums such as sculpture.
What has been the most rewarding part of your career so far?
Having the opportunity to be around other like-minded people throughout this course has been incredibly rewarding. Being surrounded by people who share the same passion and interest in photography has really solidified my own understanding of why I was pursuing a career in art photography.
To see more of Sonja’s work, take a look at her website!

Sonja Broersen, 2016

2016 Graduate Feature; Jarred Mullenger

Today we are featuring graduating art photographer Jarred Mullenger, Jarred is our second 2017 graduate to be featured in Son Of A Gun Magazine. We caught up with Jarred to find out more about his connection to photography and his graduating folio “It’s 11am And I’m Still In My Dressing Gown”.

Jarred Mullenger, ‘It’s 11am And I’m Still In My Dressing Gown’, 2016

What attracted you to photography?
Well I was always a creative person growing up. Anything creative that used imagination and was out of the ordinary I was drawn to. I started off sketching. While everyone else was outside playing at lunchtime, I was in the art room having drawing lessons. It was my time to escape the routines of school and let my imagination run free. Moving forward a handful of years, I discovered the film camera and the darkroom; then my lunchtimes continued to be spent inside developing film and experimenting in the darkroom, so that’s where the interest in photography started.

 

Did you have an idea when you first started at PSC of the kind of photographer  you wanted to become?
I envisioned becoming the complete opposite to what I am today. I always imagined being a fashion photographer for magazines and runway and then slowly moving into being a designer.

 

What is the most beneficial thing you have learned?
Accepting uniqueness and allowing time to grow.

 

Jarred Mullenger, ‘It’s 11am And I’m Still In My Dressing Gown’, 2016

 

 

What was your most challenging moment at PSC?
Overcoming self doubt, growing a voice and being confident in my own unique practice.

 

What was your most rewarding moment at PSC?
Making a strong group of friends that all share the same interest, teachers included! My confidence in my practice and also myself has grown a lot, as well as having a strong final series that I’m proud of.

 

 

How has your style developed?
My style has developed immensely and will always continue to do so. Through years of experimenting and questioning everything you’re doing and through trial and error your style will change naturally.

 

Jarred Mullenger, ‘It’s 11am And I’m Still In My Dressing Gown’, 2016

 

 

What was your graduating folio about? How did you arrive at this idea?
The work I presented for the final folio focussed on the family dynamics in my house and interprets my view on the family aura in my household, looking at the changes that have occurred over time. I focussed on the strong female presence in the house following the separation of my parents and the repercussions it’s had on myself. Through this project I have begun to accept the disconnect that has established over time and now looking into the future for what lies ahead outside of the four walls I call home.

Unconsciously all my previous work had been very personal or a reflection of myself without me intentionally doing so, so I wanted to flip that around and see what would happen if I made work that is a self reflection of myself and go from there.

 

 

What are you working on at the moment?
I’m continuing with my final folio work which has the potential for me to work on for am lifetime, so who knows.

 

Jarred Mullenger, ‘It’s 11am And I’m Still In My Dressing Gown’, 2016

 

What advice would you give to current students?
You only get out as much as you put in!

 

What do you do when you’re not taking photos?
When my mind is not on photography, it’s either on fashion, family and friends, or being with nature.

 

Where do you find your motivation?
Motivation comes from a lot of things; everyday mundane activities can cause me to get a possible image in my end which I create into a digital image over time. Seeing other people succeed helps me stay motivated to achieve at the same level.

 

Who/what inspires you?
Friends and the family, the changes in our environment and other more established photographers.

 

What is your dream job/shoot?
Being a renowned artist exhibiting unique and personal work at a high standard in galleries locally and also internationally.

 

 

Follow Jarred and his ongoing work on his Instagram

 

 

Jarred Mullenger, ‘It’s 11am And I’m Still In My Dressing Gown’, 2016

2016 Graduate Feature; Shannon MacKenzie

Feature Friday!! Today we are catching up with Shannon MacKenzie who studied commercial photography at PSC.

 

Shannon MacKenzie, ‘Jodie’, 2016

 

What got you started in photography?
I started in photography because I needed to get out of my career as a criminologist and felt my art was confining me indoors. I wanted to get out into the world and see beauty.
When you first started at PSC, what kind of photographer did you imagine you would become? 
When I first started at PSC I imagined I would become a wedding photographer. A new career with beauty and happiness.
What is the most beneficial thing you have learned?
The main thing I learnt was photography can be fine art, I was inspired by readings and constructive advise from one teacher, even if it was negative.
What was your most challenging moment at PSC?
The most challenging time I had at PSC was staying true to me, it’s easy to get lost or intimidated by others work.
What was your most rewarding moment at PSC?
The most rewarding moment at PSC was gaining my idol as my mentor.
I have moved so far away from an aspiring wedding photographer it’s unbelievable what I can achieve through a camera lens instead of on canvas.

Shannon MacKenzie, ‘Jodie’, 2016

What was your graduating folio about? How did you arrive at this idea?
My graduating folio was about social demographics and how we portray ourselves in public where we receive such criticism but behind closed doors we all live the same, we are one society. I came to this idea after looking into what the census was about.
What are you working on at the moment?
At the moment I am back in criminology work and working on forensic photography. I am also laying down the initial sketches for a mixed media art/photography exhibition by spring.
What advice would you give to current students?
Experiment with all avenues of photography and pick the one that feels right and gets your creative side pushing you to do more. Stay true to that and aim for your work to shine.
What do you do when you’re not taking photos?
When I’m not taking photo’s I study for my master’s and work. But I’m always planning.

Shannon MacKenzie, ‘Jodie’, 2016

Where do you find your motivation?
My motivation is everywhere. It can be a moment that makes you take note or turn back to get this image on your phone while taking down a note of time and place. I have gone from wedding to surrealism but still have that element of beauty.
Who/what inspires you?
I’m inspired by my mentor Brooke Shaden, she understands the way I see things and I understand her direction.
What is your dream job?
My dream job would be to create a large piece of work for a corporate/commercial/cultural buildings foyer.
To follow Shannon’s work on Instagram click here

Shannon MacKenzie, ‘Jodie’, 2016

2016 Graduate Feature; Morgan Hancock

Today’s graduate feature is photojournalist Morgan Hancock who has taken up a position at The Standard; a fairfax newspaper delivering the latest news and events in Warrnambool and south-west Victoria. We asked him a few questions about his time at PSC and now working in the industry straight out of study.

Morgan Hancock, 2016

What got you started in photography?
I got started in photography during high school, I took it as an elective as I had always enjoyed taking photos, during the school year I quickly realised how much I loved photography, and the creative scope that it allowed for.
When you first started at PSC, what kind of photographer did you imagine you would become?
When I first started at PSC, I imagined that I would become an all round better photographer. I had always enjoyed photographing sport so I wanted to see myself as a sport photographer, having completed my degree it made me a better photographer in every aspect.
What is the most beneficial thing you have learned?
PSC taught me a lot of time management skills, as well as thinking outside of the box which is ultra important in the photography industry.

Morgan Hancock

 What was your most challenging moment at PSC?
The most challenging moment at PSC would be the very beginning; I found it quite hard to get my head around all of the new aspects, including thinking of a folio, getting used to how PSC works and getting to know all of the new faces.
What was your most rewarding moment at PSC?
The most rewarding part was right at the end, when it was possible to have a look at the folio that I had created in the final year, which was a culmination of hard work over the prior years.
How has your style developed?
My photographic style has developed into a lot more of a documentary style. When I first began, I had attempted to create documentary works, however at the end of the three years my style was certainly a lot clearer.
 What was your graduating folio about? How did you arrive at this idea?
My graduating folio was based around spending a year inside a football club; this came about from my huge passion for football, and the simple fact that it quite often isn’t documented in such a way.
What are you working on at the moment?
I am currently working at the Warrnambool Standard as a photographer, I am also working on some personal projects on the side; ranging from more sport photography work, to photographing abandoned sites.

Morgan Hancock

What advice would you give to current students?
I would tell them to enjoy the challenge, and make the most of being able to choose their own folio ideas.
What do you do when you’re not taking photos?
When I’m not taking photo’s there is a high chance that I will be off watching sport, or exploring a new place.
Where do you find your motivation?
I find motivation from constantly looking at other photographers work; I love spending time looking through world class photographers’ photos. Nothing motivates me more than flicking through a magazine or Instagram, and seeing images that I can have the opportunity to create.
Who/what inspires you?
I am mainly inspired by the dream that I can one day spend my time traveling and photographing sport, whilst creating jaw dropping images.
What is your dream job/shoot?
My long term goal has always been to work at a newspaper and/or an agency like Getty Images. My dream shoot would be the opportunity to cover the Olympic Games.
See more of Morgan’s work here on his website 

Morgan Hancock

2016 Graduate Feature; Bella Johnson

This week we are featuring photojournalist student Bella Johnson in the lead up to graduation on May 19th; only two weeks away-Yikes!

Bella Johnson, ‘Curious Eyes’, 2016

What got you started in photography?
In year 11 I stepped into a darkroom, got taught the process and handed a Pentax k1000, I couldn’t believe (and still don’t) how Magic the process is.
When you first started at PSC, what kind of photographer did you imagine you would become?
I imagined I’d become a travel photographer.
What is the most beneficial thing you have learned?
To trust your gut. It’s said a lot, but so true, especially to documentary photography.
What was your most challenging moment at PSC?
The moments you question yourself and your practice.
What was your most rewarding moment at PSC?
Picking up my final project from the printers.
How has your style developed?
I still shoot 35mm colour film, I wont ever stop. But I’ve recently built a darkroom and am getting back into black and white photography. I shoot impulsively, it’s a feeling, not a thought, my style revolves around intimacy with moments.

What was your graduating folio about?
It was about youth. Capturing candid moments of intimacy. It was a diaristic approach to the world around me.
How did you arrive at this idea?
I found it really difficult choosing a folio theme, but trusted my gut, and shot what I was attracted to and what I was already shooting, my friends.
What are you working on at the moment?
Still the same body of work about youth, I don’t think it’ll end.

Bella Johnson, ‘Curious Eyes’, 2016

What advice would you give to current students?
Trust your gut.
What do you do when you’re not taking photos?
I make art, I write lots, watch documentaries, listen to vinyl and drink gin.

Bella Johnson, ‘Curious Eyes’, 2016

Where do you find your motivation?
Art, the street, people, conversations, music, film, travel, just about everything.
Who/what inspires you?
People, the world.
What is your dream job/shoot?
Travel photography, to travel the world, meet people and capture intimate moments to show the rest of the world.
See Bella’s website for more of her work on ‘Curious Eyes’ 

2016 Graduate Feature; Zac Dorio

Our graduate being featured today is photojournalist and surfer Zac Dorio.

Zac Dorio, 2016

 

What got you started in photography?
I got started in photography when I first realised that I could capture a moment and keep it forever as an image, being able to capture that slice of time really got me thinking.

 

When you first started at PSC, what kind of photographer did you imagine you would become?
When I first started at PSC I had NO idea what kind of photography genre I liked, what style or where I would see myself! I was just happy and open to try new things and experiment.

 

Zac Dorio, 2016 

What is the most beneficial thing you have learned?
Through studying at PSC throughout the years I learned to be versatile in my work, be willing to try new things and step outside my comfort zone.

 

What was your most challenging moment at PSC?
My most challenging moment at PSC was probably when I had to shoot fashion / editorial type of images, I had no experience in that field. It was tough but I came out with some really strong images.

 

What was your most rewarding moment at PSC?
My most rewarding PSC moment was seeing my work printed at our end of year exhibition ‘Always Already’. To know where I had come from and how hard I had worked for that, seeing my work on the wall just made me realise how far I had come and how worth it it all was.

 

What was your graduating folio about? How did you arrive at this idea?
My graduating folio was about the ocean, the connection and interaction I have with the ocean via a passion of surfing and photography. I always enjoyed shooting surf and surf lifestyle, so I was automatically drawn to the sea. I wanted to document it in a way that was personal to me and also told a story and showed that connection.

 

Zac Dorio, 2016

 

What advice would you give to current students?
I would just say be passionate about what you do; always give 110% so that you know you gave it your very best. Push your boundaries and step outside your comfort zone

 

What do you do when you’re not taking photos?
I work in a busy little cafe making coffees, I surf and like to explore Victoria as much as possible .

 

What is your dream job/shoot?
My dream job is to work for a magazine / company following surfers around the world chasing adventures, good waves and good vibes.

 

To stay in the loop of what Zac is working on, follow him on Instagram.

 

Zac Dorio, 2016

Tuesday Feature 11th April 2017; Andrew Arismunandar

Today we are looking at third-year commercial student Andrew Arismunandar, who had one of his images included in Blow Up Photography Competition and Print Annual, issue 3.
Andrew’s image “Sea of Ash” was entered into the black and white category, and depicts Mount Bromo in East Java; an active volcano that is only accessible by foot or horse. The image was taken when Andrew was 15; he and his mother rode out to the 2329 metre high beast that constantly spews sulphuric smoke across the landscape, covering everything in a thin layer of ash.

“You need a gas mask because there is a lot of sulphur”

Andrew Arismunandar, 2017, ‘Sea of Ash’

 

When asked how this falls into his current work, he replied ‘It was the only black and white photo I have, so I thought “why not!” ‘. Andrew’s previous folio was titled “Decadence” that paired graphics and images to revolve around sacred geometry. i.e. The egg of life, the tree of life, etc. ” It is a critique of Christianity. I have been a Christian for the past 15 years. From all those years, I’ve witnessed the ugly/good side of the church community and I wanted to express it through my work.”

“I guess I’m not the standard commercial photographer, I’m interested in graphics” 

Andrew Arismunandar, 2016, ‘Egg of Life’

 

What got you started in photography?

The earliest I can remember is when I was 8, when I got my first cell phone. I used to play around with the phone’s camera and take photos of my friends and pretty much my daily activities. One of the things I would frequently do is to take photos of real life objects and obscure them, essentially abstracting them. It’s a neat little thing I would do if I don’t have any interesting objects/subjects. I only got serious when I was 13, my dad was working in marketing for his company at the time. He was working as a graphic designer and a photographer at the time. During his off time he would lend me his DSLR camera just to experiment with it. Honestly I’m convinced he did it just to get me off from playing too much video games.

 

When you first started at PSC, what kind of photographer did you imagine you would become?

I’ve always envisioned myself as a freelance photographer that occasionally do commercial work for clients, and sell my personal work on the side. I think it’s a good way to maintain my personal style while being able to make good money as well.

 

What is the most beneficial thing you have learned?

The most beneficial thing I’ve learned from PSC is realising that art is a lot more dynamic than I initially thought. Usually before I watch/play a movie or a game, I would check out the reviews on Metacritic or Rotten Tomatoes. In these sites they always have an overall score like say Fight Club has a 79% on Rotten Tomatoes. I’ve always thought that an artwork needs to follow a linear criteria. If a person follows the criteria well they will receive the much coveted 100%. This changed when I went to PSC, because that’s when I learned that there is no right or wrong in art. Art is very complex, and not to mention people have all these different reactions towards a work of art. The only failure in art is to not being able to attain your own goals. Like if you’re creating a work that explores the theme of depression, if your audience feels sad then you succeed. This is a very basic example, there are a lot of factors ranging from lighting, colours, models and etc that draws a specific emotions from viewers. If a person uses these elements wisely, they will surely succeed with their finished product.

 

What was your most challenging moment at PSC?

The most challenging moment at PSC will always be coming up with an idea for a folio. You can do anything you want, but what do you want? Of course what I want to do is very hard to achieve, which requires a lot of knowledge in special effects and complex lighting. I remember my 2nd year folio being a failure, because I couldn’t achieve the special effects that I couldn’t possibly achieve with the skills I have at the time. There needs to be a balance in creating something you’re interested in and want to learn. In the same time it has to be realistic and too difficult to achieve them.

 

What was your most rewarding moment at PSC?

The most rewarding moment at PSC is every time I finish a folio and get good marks out of it. I look back and go: “Wow everything turned out a lot better than I thought, I can’t believe I was freaking about this few months ago”. Happens every semester, and that feeling of satisfaction never gets old.

 

Recently, Andrew has also won a silver award in the AIPP Victorian Commercial category – awesome work!

Andrew Arismunandar, 2017

 

How has your style developed?

Overall my interest lies in the surrealism genre, I’ve been exploring the genre in the past 2 and a half years. It started off from merely abstracting the architecture in Melbourne, to creating surreal landscapes and abstracting organic creatures. Overall I’m still experimenting with different styles and still figuring out my strengths and weaknesses.

What are you working on at the moment?

My current folio is Kronos, it is a heavily inspired from the short stories of H.P. Lovecraft and Hideo Kojima’s “Death Stranding”. It’s going to be a series of images that explores the fear of the unknown. I believe we are all created by a blind and uncaring chaos. The world can just take away your hard work in an instant if it wants to, like a sick joke with no punchline. It’s a genuine fear that I have and something I’ve been trying to actively suppress through religion. With this project I want to explore this idea in depth and hopefully overcome my fears.

Andrew Arismunandar, ‘Kronos’, 2017

What advice would you give to current students?

Don’t get cocky. It’s very easy to get cocky with the combination of DSLR cameras and social media. The photography medium is not crafted from scratch (like paintings), it is crafted through the photographer’s surroundings. With a good DSLR camera, you can shoot randomly and get an accidental masterpiece. The combination of social media doesn’t help either. Most people tend to confuse that their friends “like” the image, not because of the image quality, but because of the person themselves. Friends are always biased and will always be happy with what you do. Some guy’s badly composed photo of his lunch can get triple the “likes”, compared to a photographer that made a genuinely well composed photo (all due to how well acquainted the person is with most people).

What do you do when you’re not taking photos?

I usually just watch films on my spare time. Films and photography are similar, as it is a medium that relies on the environment (except for animation). The great thing about movies is that despite being a different medium I can still learn from it visually. So it’s like killing 2 birds with 1 stone, I’m entertained while in the same time I also get visually inspired by them.

What is your dream job/shoot?

My dream shoot is being able to craft a series of images that will immerse my audience and make them feel euphoric. I want to achieve a similar effect to the third final act of Kubrick’s “2001: Space Odyssey”. I want people to say: “I don’t know what the hell this is, but it’s goddamn beautiful”.

Stay tuned on his Instagram account 

 

 

Feature Friday 17th May 2017: Marvellous Melbourne

For the 6th year in a row, Melbourne has topped The Economist list of the worlds most liveable cities. (Yay)
Highlighting Melbourne’s love of sport, the arts, it’s beautiful parks and gardens, fashion, festivals, laneways and street-cafe life, transport, shipping industry and it’s distinctive architecture is ‘Marvellous Melbourne- It’s Art and Soul’ exhibition.

With 27 Victorian artists capturing the city in paintings, photographs, drawings and prints; this exhibition on display at the Hilton Melbourne South Wharf is a show of the uniqueness of Melbourne.

 

We’re proud to hear that former PSC students Angela Miller and Hiroki Nagahiro as well as current student James Thorn are involved in this exhibition. Open all day, every day and free of charge, this is a great opportunity to see some work by wonderful artists.

Marvellous Melbourne will be on display from now until May 25th at the Hilton Melbourne South Wharf (2 Convention Centre Place, South Wharf) where it is presented by OzLink Entertainment and Hilton Melbourne South Wharf.

 

 

 

 

Angela Miller