Anthony Basheer Gets Published Within Months of Graduating From PSC

Anthony Basheer for Belle Magazine

Anthony Basheer for Belle Magazine

Resembling a glamorous set of a classic Italian film, Anthony Basheer creates a timeless look with surreal lighting that showcases the decadent quality of the objects in the frame. His photographs clearly show us the power of layered storytelling; something that is rare and extremely important in commercial and creative industries today. Published in the most recent issue of Belle Magazine (the no.1 magazine in Australia for interior design), it is the first time that Anthony’s work has been featured in a periodical journal. Graduating from PSC with an Advanced Diploma in photography just in May 2015, this is a mammoth achievement.

Anthony received a significant amount of training from PSC, majoring in commercial photography as a part time student. According to him, this education allowed him to complete his shoot for Belle magazine with utmost ease and confidence.

 

Belle Magazine publishes Anthony Basher

Belle Magazine publishes Anthony Basheer

As magnificent as his images are, it is worthy to note that Anthony’s passion for photography emerged only recently. Working as a database analyst for twenty years, he found himself confronting the unhappiness he felt with his day-to-day routine. In search for a career change to do something more fulfilling, Anthony signed up for a graduate diploma in horticulture and almost went onto study landscape architecture, when he came across PSC. He had reached a crossroad in his life at this point. Spurred by the curiosity of photography, he took the leap and enrolled himself in something he had no prior experience with.

 

It was very exciting for me to join the college. I wanted to immerse myself with new knowledge. I started learning about basic art concepts and principles of design, before going on to experiment with light and colour… and the placement of objects. We were taught concepts that brought out our vision, purpose and style. It was remarkable to grow my understanding of this field along with a group of really supportive students.

 

Within the first few weeks of his first semester, Anthony learnt that photography was a rare mix of technical and artistic elements, something that truly complemented his personality. It was the perfect fit. Hailing from a family of business-minded people, this new direction was a surprise to him and to those who were close to him.

Anthony Basheer Shoots for Establishment Sudios, 2014

Anthony Basheer Shoots for Establishment Sudios, 2014

 

Anthony’s perspective transformed everyday while he was gaining an education in photography. Contrary to focusing on the ‘end result’, he realised that the process and journey of life was far more important to keep in mind, in order to be happy. His new outlook was a slight adjustment for the people in Anthony’s life, but they began to support his way of thinking when he proved that he could make a successful career out of simply doing what he loved.

 

I always wanted to do something different in life. I knew that changing my career to become a photographer was going to be a little difficult… Growing up in a family where no one was artistically inclined, I focused on conforming to the expectations of others and ended up working in a field that I had no passion for, just to please people. Now as a photographer, I’m glad to be on a journey that is meaningful and fulfilling.

Rippon Lea shoot. Anthony's assignment for National Trust of Victoria

Rippon Lea shoot. Anthony’s assignment for National Trust of Victoria

 

Being curious and inquisitive from childhood, Anthony continues to seek new stories with his photography. He is currently working with three different architects, recently completing an assignment for the National Trust of Victoria. Covering buildings of national importance and unearthing the heritage of Melbourne in his wonderful portfolio for the organisation, Anthony’s stunning work that captures the grandeur of Rippon Lea house and Gardens will be placed in brochures and promotional material for years to come. This is a grand honour for an emerging photographer whose work was also printed in The Age not too long ago.

 

Julie Wajs was a very influential teacher while I was at PSC. She helped me to define and create my portfolio in a way that caught the attention of people from the industry. She taught me the technique of crafting a story that could be woven into my photographs, giving my work substance. This allowed me to communicate my intent in a unique and clear manner to clients.

 

Working with the award winning architecture firm in Melbourne, MRTN Architects, Anthony was able to build his niche in architectural photography with his shoot for Trentham House. This allowed him to get noticed by the architecture and design circuit, winning him contacts who booked him for various projects such as: Mariner Lounge (for Melbourne City Council) and Beaumaris House (for Diana Scully) – just to name a few. Anthony is now on a path filled with countless assignments, enriching his career as a professional photographer. You can keep updated with his journey to see upcoming projects.

Anthony's Shoot for Trentham House (MRTN Architects) was published in The Age, 2015

Anthony’s Shoot for Trentham House (MRTN Architects) was published in The Age, 2015

I love to shoot interiors, gardens and architecture. The structure involved in the principles of design really intrigues me. In my photography, I aim to bring out the details of the spaces I shoot and layer it with my own style, with lighting techniques I learnt to finesse at PSC.

Anthony Basheer's earlier work.

An example of Anthony Basheer’s Early Photography Work

 

His advice for those who are breaking into the competitive industry of landscape and architectural photography is:

 

  • Find people whose work you love and approach them.
  • Immerse yourself in the area of photography that interests you. Be a part of these communities and get to know other people in the field.
  • Build and email your contact list in the last few months of your degree or diploma so you have assignments by the time you graduate.
  • Be persistent and regular with the people you contact; they often have opportunities for you after 3 to 6 months.
  • Know what you want to photograph before setting out your shoot.
  • Be prepared to put in a lot of work towards building your career as a professional photographer.
  • Be prepared to enjoy the life of adventure and freedom as a photographer.
Click to read more about Anthony Basher from Southbank Local News

Click to read more about Anthony Basheer

Australian Art Industry Shines the Spotlight on Another PSC Staff Member: Brie Trenerry

PSC Lecturer Brie Trenerry just presented her work ‘Total Field’ in a solo exhibition at the Australian Experimental Art Foundation (AEAF) in Adelaide, for an entire month from November to mid December.

Brie Tenery: Total Field Screen Installation at AEAF

Brie Trenerry: Total Field Screen Installation at AEAF

The AEAF has been dedicated to new breakthroughs in visual arts since 1974, by artists who wanted to bring about a new approach to art. Believing that art is experimental, reflecting life in certain ways that should be open to public criticism, the AEAF has exhibited works of only prominent artists who are making history with their work and styles. Their focus on research-driven projects that extend themselves to debates and movements in contemporary culture, signifies that Brie’s latest showcase was critical in the current art movement of Australia.

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Brie Trenerry has specialised in screen-based media since 2002, being a major exhibitor in festivals such as Westspace, White Night, Artspace and has grown her international presence at renowned galleries in cities like Santiago, New York, Berlin and London. Being the co-founder of Moonlight Cinema Adelaide and Kings ARI, Brie has taught video and post production at VCA and RMIT, before coming to PSC. Her project ‘Total Field’ has been described as an ‘experimental installation’ which makes use of cinematic elements. It looks at the relationship between the experience of moving images and altered states of consciousness. Involving concepts such as ‘vertical editing’, Brie experiments with the use of spatial montages and continuity.

Brie Tenerry's Installation at AEAF 2015

Brie Trenerry’s Installation at AEAF 2015

 

Having influential artists as part of our teaching cohort is one of the things that makes the PSC community so special.  This gives students an opportunity to learn from important game-changers in the field of visual arts as they journey into their own careers in photography.  As the nature of the photography industry becomes more technology driven and competitive, students at PSC are constantly encouraged to adapt to new concepts and create work that drives new trends.

PSC Course Director Daniel Boetker-Smith Gets Chosen By Photo-eye USA

PSC’s Bachelor of Photography Course Director, Daniel Boetker Smith, has been chosen by Photo-eye USA to shortlist the best photobooks of 2015. Photo-eye is a prolific journal of international photography excellence and the world’s largest online photography bookstore, based in Santa Fe. For the past 6 years, Photo-eye has put together a multi-contributor list comprising a range of photographers to recommend their favourite books of the year. The hope is to increase awareness of new artists and to allow people in the photography community to discover and explore the published works of artists from around the world.
Daniel Boetker Smith at Fresh15

Daniel Boetker Smith at Fresh15

As most of you already know, Daniel has been the frontrunner of photobook promotions, being the director of the Asia-Pacific Photobook Archive and the co-founder of the Photobook Melbourne Festival. He curates photobooks exhibitions and events internationally, for National Gallery of Victoria (Melbourne), Artspace (Sydney), the Museum of Contemporary Art (Sydney), Angkor Photo Festival (Cambodia), Obscura Photo Festival (Malaysia), Aarhus (Denmark), Photo Ireland (Dublin), the Leica Centre (Washington DC) and RayKo Photo Center (San Francisco). Every year PSC Degree students are encouraged to publish their own photobooks for exhibition and presentation. For those who have attended the PSC End of Year Exhibition and more recently the graduate show Thirty One, you would have seen an extensive display of books created by our students.
Students and guests looking at photobooks at PSC's End of the Year Exhibition

Students and guests looking at photobooks at PSC’s End of the Year Exhibition

Photobooks are one of the trends in the current industry that allows students to express strong narratives and stories. At PSC we’re delighted to be at the forefront of this growing trend and excited to have the right people guiding our students in this domain.

‘A Country Big Enough to Disappear In’ – Katrin Koenning Gets Featured

Getting your work featured on the Festival Issue of Yen Magazine is a really big deal. Our teacher Katrin Koenning has made her mark with a profound series that tells you so much about the vastness and diversity of Australia, seen through the eyes of the German born artist.

Yen Magazine Cover Dec 2015

Yen Magazine Cover Dec 2015

 

Katrin has been creating waves this year with publications such as Times Magazine, and now to see her most recent project ‘A Country Big Enough to Disappear In’ highlighted by the arts community, we are nothing but proud of having such distinguished members like her in our teaching staff.

 

Image: Katrin Koenning

Image: Katrin Koenning

Our students learn about the integrity of having narrative in their work and know the power of developing their photography with dedication as well as passion. Thanks to Katrin Kenning, we get to see a new perspective of the space we live in. Read on to learn more about the inspiring photographer:

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We’re so excited about the possibilities of seeing more work featured of our staff and students. Industry exposure is important to us, especially as the field of photography gets more action packed!

CCP Salon 2015 is Accepting Entries Now!

PSC and the Print Shop are delighted to yet again sponsor the fashion prize for the CCP summer Salon.

The Centre for Contemporary Photography (one of Australia’s leading exhibition venues for photography) is hosting the biggest open-entry competition and exhibition for the CCP Salon 2015. Presented by Leica and Ilford, this event is celebrating its 23rd anniversary with promises of a huge  turnout. Calling out across Australia for submissions in photo media, entrants stand a chance to win awards worth up to $20,000 for over 29 categories and have their worked exhibited in a high-profile gallery.  Previous years have seen the CCP gallery flooded with spectators and participants alike on opening night, with visitors keen to take part in the bestowing of votes for the Crumpler People’s Choice award.

The Photography Studies College Best Fashion Work award, is particularly prestigious as winners receive $750 worth of printing services and consultation at the PSC Printshop. We look forward to hearing the winners announced and encourage our wonderfully talented students to partake in one of the biggest exhibition events of the year!

CCP

Details for the CCP Salon:

Exhibition Dates:
Friday 27 November—Saturday 19 December 2015

Entries Close : Friday 6 November 2015, 6pm

Artwork to be delivered to CCP, printed and ready to install:
Thursday 19 and Friday 20 November 2015 between 9am—5:30pm

Exhibition opening and announcement of prize winners: 
Thursday 26 November 2015 6—8pm (exhibition opening) Wednesday 2 December 2015 (CCP online)

Entry Fees:

Student card holders / CCP members – $35 per entry
CCP non-members – $65 per entry
(Limit of six entries per artist)

Additionally, the CCP Salon will be running an Instagram competition where Instagrammers will be encouraged to upload posts that respond to one-word  theme prompts, including #diyccpsalon with each image. Follow @ccp_australia and @leica_australia to take part in this.

Student Profile – Daniel Pockett

Photojournalism Major student Daniel Pockett was one of the 3 finalists for the 2015 AIPP Australian Student Photographer of the Year at the recent Australian Professional Photography awards (APPAs).  Taking home both Gold and Silver Distinction awards, and in the process one of the highest overall scores in Australia for a student, Daniel shares his experience with us below:

Initially I wanted to be a cinematographer (being a big film buff) and studied film & TV, but moving overseas meant I never got to finish that course.   Then around 2007 I was given my first decent camera and this prompted my move into stills.  

Out of all the genres I shoot, sport and music are the two I absolutely love working in. Being up so close to it all, and capturing the action as it unfolds as creatively as possible are the reasons I love it. It’s often an adrenaline rush, and chasing that ever-elusive perfect frame is what keeps drawing me back for more.
Australian Gymnastic Championships by Daniel Pockett

Since enrolling at PSC in mid-2011, my photography has gone from strength to strength. The theory and design classes early on, combined with digital and studio along the way, have really fleshed out my work and made me a photographer who can now confidently get the picture on any brief.  I also think the on-going support and regularly being around like-minded people really helps your work develop.

I’ve always had a visual eye with a background in Architectural Drafting – I guess it’s mainly shadows and shapes that I am drawn to.  In my second year of study at PSC (part-time) I started building my freelance business, and now in my final year at PSC I’ve given myself an enormous workload while I transition from my day-job into photography as my primary career. I have managed to pickup several clients including Getty Images, and even though in 2016 I won’t be working on PSC assignments any longer, I can see next year being even busier for me. My plan is to be able to drop the drafting job completely within the next 1-2 years.
St Kilda Sharks by Daniel Pockett
I didn’t get to watch the judging live at this year’s national APPAs – I was away on a shoot that weekend – but I did get to watch most of the replay. When the judges find reason to discuss your work it is always a great listen, they all know their stuff and I often take their feedback and apply it to my future work and will this year too.
When I realised I became runner up in the Australian Student of the Year category, I was completely blown away. Being in consideration for the award had honestly never crossed my mind, I just wanted to enter 3 different type of sports photos and see how I went against the best in the industry. In hindsight, I wish I had selected a different image for my 3rd entry but that’s history now and I am stoked with how I went! And to receive one of only 3 Gold awards handed out in the Sport category is something I’m also very proud of.
Having the experience from this year, I think in 2016 I will enter more of a ‘series’ than individual prints.  That will be in the Emerging Photographer category too – you never know how you will go so you have to give it a shot!
AAMI Park by Daniel Pockett
You can view more of Daniel’s work on his website:  www.pockettphoto.com

Student Profile – Vicki Moritz

Final year student Vicki Moritz was one of the finalists for the 2015 AIPP Australian Student Photographer of the Year at the Australian Professional Photography awards (APPAs) this week. Vicki achieved silver awards for all three of the images she entered which is an amazing achievement – well done Vicki!

Read about Vicki’s APPAs experience and see her stunning images below:

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I loved going to the APPAs and have been for the last three times it has been in Melbourne. I love watching judging and particularly enjoy the debate where a judge can see something in the image that others cannot and so the judges have a discussion about the image and its elements.  To watch the judging and hear this is a huge learning experience for anyone as they are so knowledgeable.
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It was very pleasing to enter and get rewarded for my landscape work, which happens to be stuff I enjoy doing outside of class.  I’m especially pleased that the Lake Mountain image got a silver as I have an emotional attachment to that image being from Marysville. I was wondering whether I should put it in because I had an emotional attachment to the area or whether it was a good image – so I was pleased to have it confirmed that it was deserving a silver award. I feel that with this image it makes beauty out of the destruction caused by the fires.
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You can find out more about Vicki and her photography on her website www.marysvillephotography.com.au

Student Profile – Elena D. San Roman

Congratulations to PSC student Elena D. San Roman who received a Gold Award at the Canon AIPP Australian Professional Photography Awards. As well as achieving gold status, Elena’s print was the highest scoring print in the portrait category which is an outstanding achievement!

Originally from Spain, Elena is currently completing the art major in her final year of studies at PSC. Find out about her award winning image below and read about her photography journey and experience as a student at PSC.

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Image by Elena D San Roman – Gold Award & Highest Scoring Print in Portrait category of AIPP Australian Professional Photography Awards

This photograph is part of my final year folio, which will be exhibited as part of the Fresh15 exhibition towards the end of the year. It’s part of a series of work which deals with the experience of remembering childhood trauma and the emotional transformation that comes from it.

I feel very grateful to have received this award, especially for the acknowledgement of an image that means so much to me. I’m also very grateful for the encouragement I received from my teachers to enter the awards.

I remember being interested in photography since I was a child. I took photographs almost every day for fun and as a way of expression/documentation of events. However, I started to have quite ambitious ideas about the work I wanted to make but couldn’t accomplish because of my lack of technical skill – that’s where PSC came in!

As a world traveller I had also been wanting to come to Australia for a very long time, and getting accepted into PSC allowed me to not only study and focus on one of my passions, but also to experience this beautiful country and grow my roots.

Being at PSC has been a very unique journey, the highlight being the amount of support you get from teachers and professionals in the industry. Folio classes have always been my favourite – I think it’s very important to explore the creative process, to be able to talk freely about ideas and receive honest feedback and critique.

Although it might sound a bit cliché, I believe it’s very important to be true to yourself, without worrying about what others think or say, be ready to work hard, break your own rules, celebrate accidents and get out of your comfort zone.

The best work comes when you’re not afraid to dig deeper and are truly honest about what you find.

You can view more of Elena’s work on her website  www.reflectivestate.com

PSC Wins 2015 AIPP Tertiary Institution of the Year

We are excited to announce that PSC has won the Tertiary Institution of the Year award for the fifth consecutive year at the 2015 AIPP Australian Professional Photography Awards (APPAs). This is a fantastic achievement and a well deserved honour for our students and staff!

“This is such a wonderful achievement for PSC! These industry awards judge student work from all over Australia and for the fifth year running to take out the top national education award is such a huge endorsement of what we do and the fantastic skills and unique vision of our students and teachers. We are so proud of our amazing students who are the new, upcoming creative professionals of the future.” Julie Moss – Managing Director of PSC

Congratulations to all students and a special mention to Elena D. San Roman who received a gold award and produced the highest scoring print in the portrait category and Vicki Moritz and Daniel Pockett whose great results saw them as finalists for the Australian Student Photographer of the Year award.

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Managing Director Julie Moss with some of the PSC team

The APPAs are held annually and provide a great opportunity for photographers to connect and showcase their images, challenge themselves and receive feedback on their work. Photographers from all disciplines compete in a variety of categories including portrait, fashion, commercial, documentary, illustrative and landscape photography.

The Who’s Who of the PSC Symposium

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Welcoming the second PSC Symposium at the Ballarat International Foto Biennale, are highly famous figures in the arts circuit. Our speakers are united in their interests in subject matters pertaining to ‘culture’, which is what our main point of discussion will be for the event. The concept of ‘Borderless Futures – Reimaging the Citizen’ points to a very crucial issue that affects everyone in our present day society, as populations shift about, lending a majority of people to live in places disconnected to their ethnic roots. Moreover, the role of photography and visual imagery today is more powerful than ever, as the individual now has total control over how he or she is represented. We look at the way visuals in the past have taught us to learn about our own histories, and question the protrayal of certain cultures by those who were given the power to capture identities.

At the PSC Symposium, the experts will take the floor, talking about their work and the question of what it means to be a ‘global citizen’ today.

Here’s our list of some people to watch out for:

Daniel Boetker-Smith

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  • Co founder of Photobook Melbourne, Director of Asia Pacific Photobook Archive
  • Writes for Vault Magazine, Photoeye and Photofile
  • Winner of Bowness Photography Prize, Australian Centre for Contemporary Photography Award (documentary) and the Substation Art Prize
  • Curated two international photobook events for NGV (Victoria) and MCA (New South Wales)
  • Has been on the jury list for the Kassel Photobook Award in Germany

Anat Cossen

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  • Born in Israel, where she exhibited work at the Tel Hai Museum of Photography
  • Certified in fine arts (she’s highly skilled in pencil sketching and interior design) receiving her MFA in Fine Art Photography from RMIT
  • She’s a professional commercial portrait photographer
  • Exhibited work at the Linden Gallery, Edmund Pearce Gallery and Open Space Gallery
  • Influenced by themes of ‘identity’ in her work

Philippa (Pip) Kelly

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  • Creative producer for Asialink Artists in Residency Project Exhibition
  • Worked for ABC, SBS, Lonely Planet TV as producer/writer
  • Has a background in Anthropology (University of Western Australia)
  • Directed community on-screen projects for The Queensland Museum and Oxfam
  • Apart fro freelancing, she works as a filmmaker for The State Library of Queensland

Sanja Pahoki

VCA & MCM staff

  • Croatian born Australian photographer
  • Winner of 9 grants-awards including The Helsinki Studio Residency (Australian Council for the Arts), The Ian Potter Cultural Grant, The Australian Postgraduate award and the award for Critical Merit from the George Paton Gallery (University of Melbourne)
  • Her work has been exhibited more than 80 times, at venues such as Project Space (Melbourne), Sarah Scout Gallery, The Centre for Contemporary Photography (Melbourne) and at Centre Place (Melbourne) and the Melbourne Exhibition Centre
  • Her work observes elements concerning the idea of ‘self’, identity and anxiety
  • Currently is a lecturer at the Victorian College of the Arts and The University of Melbourne

 

Les Horvat

  • Commercial photographer with over 20 years of experience in the advertising industry
  • Winner of the Kodak Professional Achievement Award, the Ilford Trophy for Black and White excellence and various Silver Awards at The APPA’s
  • Established ‘Twilight Zone Studios’ as the centre of commercial photography in the professional world
  • Has had his work exhibited in Korea
  • Is currently a Senior Fellow at PSC

 

Alasdair Foster

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  • Was Founding Director of Fotofeis (Scotland)
  • Former Director of Australian Centre for Photography
  • Has worked on various media projects as artist, curator, writer, editor, policy advisor, researcher and photographer
  • Current ambassador for the Asia Pacific Photo forum
  • Founding Member of the International Network of Photography Centres

 

Kristian Häggblom

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  • Senior lecturer at La trobe University
  • Exhibited his work in more than 30 venues across the world; Tokyo, Finland, Switzerland, Malaysia and Los Angeles
  • Winner of 11 photography awards from The Nomura Cultural Foundation, The Leica Documentary Photography award (Centre for Contemporary Photography) and the Swiss Arts Council
  • Established and curated the RoomSpace gallery in Japan (Shinjuku)
  • Currently researching the role of photography in surveillance and its socio-political effects

 

Hugh Hudson

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  • Lecturer and Information-Research Development Coordinator for PSC and Honorary research Fellow for The University of Melbourne
  • Writer of the 1800 edition electric catalogue for publications in the Autograph Collection (15th – 20th Centuries) for The State Library of Victoria
  • He has been published 36 times in Art magazines, journals and books concerning Renaissance and Medieval art (Antiques and Art, Paregon, Arth Monthly)
  • Specialist in Medieval and Renaissance manuscripts in The State Library of Victoria, writing 11 records for the department’s research repository
  • A distinguished scholar, graduating with a Double Major, Master’s Degree and Doctorate in Art History, as well as a Postgraduate Diploma in Curatorship.
  • Researcher in subject matter pertaining to visual arts and culture in society, especially in issues regarding ‘cultural management’

Rita Lazaukas

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  • Winner of 5 art awards including the Wodonga Hume Acquisitive Contemporary Award, The Blackfriars Drawing Acquisitive and the Tallangatta Arts festival. She was also a finalist for 12 art prizes, for names like Citigroup Photographic Portrait Prize, Dominique Segan Drawing Prize, Hutchins Works on Paper and the Dobell Drawing Prize
  • She has exhibited work at Birds Gallery, Monash University Switchback Gallery, Beechworth, ArtSpace (Wodonga), The Art Gallery of NSW, The Bendigo Art Gallery, Maudespace and the Westpac Gallery (The Victorian Arts’ Centre)
  • She is currently the General Manager of the ‘Amazigh Cultural Tours’ program in Morocco, as a custodian of the arts-culture of Morocco.
  • She has had 20 years of experience working as a curator for well renowned galleries around the country
  • She is a visual artist who focuses on fine arts; her work is inspired by landscapes, cityscapes and architecture.

 

Bella Capezio

Isabella Capezio

  • Teaches at The Photography Studies College and co-runs the Ruffian Gallery (Footscray)
  • Designed and ran the Footscray Foto Focus intensive photography workshop
  • Organiser of workshops and competitions for the Asia Pacific Photobook Archive
  • Her work adheres to cultural influences of Mexico, questioning spiritual practices and traditions.
  • She has published 7 photobooks which span her journeys to various countries (Cambodia and Ethiopia)

 

Claire Monneraye

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  • Curator of Exhibitions as well as the International and Satellite Projects at the Australian Centre for Photography
  • Previously worked at the Centre Pompiduo and Reunion de Musees Nationaux (Paris)
  • Recently curated a collaborative exhibition with curators based in Berlin and Budapest, titled ‘Ex & Post – Eastern Europe Under the Lens’
  • Graduated in literature, philosophy, history with a Masters in Cultural Heritage Studies
  • The themes she likes to work with are representations of culture in society and the female identity

We’re sure to have piqued your interest and know that coming along to the Symposium will be an eye opening event! Read more about it here: https://www.psc.edu.au/symposium/ and don’t forget to book your spot:  http://www.trybooking.com/Booking/BookingEventSummary.aspx?eid=148035