Award Winning Graduates of 2015

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During the spellbinding graduation ceremony held at ACMI on the 6th of May, we applauded our students who had made their mark in the field of photography, with our sponsored awards of the evening. Let’s take another look at our winners and thank our sponsors who played a big role in enhancing their future.

Ilford Imaging is a premium image processing and production company that was established in 1879 (U.K) and is one of the ‘earliest adopters of digital imaging technology for photographic and commercial wide format markets’. With technology partners in countries such as Germany, Switzerland, Japan and Australia, Ilford has won the TIPA award for Best Inkjet Photopaper for two years in a row. Elena D. San Roman (advanced diploma ’15) and Sophie Pigram (bachelor of arts, photography ’15) were the winners of the prestigious award for ‘excellence in art’.

Elena D San Roman with Julie Moss

Elena D San Roman with Julie Moss

Sophie Pigram with Julie Moss

Sophie Pigram with Julie Moss

The next award went to two highly prolific photographers who have seen their work published in numerous commercial magazines. Jessica Hollingsworth (advanced diploma ’15) and Cassandra Tzortzoglou (bachelor of arts, photography ’15) received the award for the ‘excellence in commercial photography major’ award by Sunstudios – the providers of the best lighting and camera equipment in the country. Jessica Hollingsworth and Cassandra Tzortzoglou are worthy of such an amazing award, with their work printed in publications such as Jute Magazine, Fashion Weekly, Archive Collective Magazine, Culture Magazine, MOD and Fashion Journal Magazine.

Jess LaFrankie with Julie Moss

Jess LaFrankie with Julie Moss

Cassandra Tzortzoglou with her Father

Cassandra Tzortzoglou with Andrew Miller from Sunstudios.

Supplying the best products that support our photographers and provide imaging solutions, Borges ImagingBowens and Kayell Australia have been prominent names in the Australian photography industry for the past thirty three to forty years. They are three companies that have always kept their pulse on the latest technologies available for our students.  For ‘excellence in the photojournalism major’ Borges Imaging and Bowens presented the award to Adam Kemp (advanced diploma ’15) and Clare Steele (bachelor of arts, photography ’15) received her award from Kayell Australia. Adam Kemp recently had his folio ‘Skateboarding Culture’ presented as part of an Australian Photographic Gallery series (by Echo Publishing). On the other hand, after having her photobook acquired by the National Library of Australia a few weeks before graduation, Clare Steele is on her way to be a part of PhotoIreland this year for an eventful period.

Adam Kemp with his family

Adam Kemp winner of the Borges Imaging & Bowens award with the team from Borges Imaging

Clare Steele

Clare Steele with Michael Marlborough (Kayell Australia)

Peter Petty played a major role in the development of Neurosurgery in Australia, from the time of his appointments as Assistant Neurosurgeon at both The Royal Melbourne Hospital and Prince Henry’s Hospital in 1967 until January 2010. He was appointed Senior Lecturer in Anatomy at The University of Melbourne in 1962, and was an extraordinary anatomist and teacher.  As with everything he did, he brought both a practicality and intense scientific interest to his teaching.  Fortunately for us – he was also a student here at PSC. In recognition of this passion, his daughters Susie and Liz have established a special graduation award in honour and in memory of their father, after his demise. 2016 marks the last year that we present the ‘Peter Petty Memorial Award’ and the talented recipients of the award were Timothy Allen (advanced diploma ’15) and Lucie McGough (bachelor of arts, photography ’15).

Timothy Allen with Julie Moss

Timothy Allen with Julie Moss

Lucie McGough with her Mother

Lucie McGough with her Mother

This year, we were pleased to have Ian van der Wolde – the chair of the compliance committee of AIPP who also served as the national president for the AIPP- an organisation that ‘advocates for excellence in imaging and is the membership organisation of choice for professional and aspiring image makers’. Ian is in fact, a former graduate of PSC. The AIPP and our college have a long standing relationship with many of our teachers holding AIPP memberships and students who win awards at competitions hosted by them. This year, Mr. Wolde presented Vicki Moritz (advanced diploma ’15) with the award for ‘conceptual excellence and photographic innovation’. Vicki was the 2015 AIPP Australian Student Photographer of the Year in 2015.

Amongst our array of distinguished guests, Reymond Chapman (the partnership sales manager of Adobe Australia) attended our graduation ceremony to present the ‘Adobe Award for determination and creativity in final year’. PSC is thankful to have this award, with our students working entirely on Adobe systems and software to produce their award winning work in college and for the industry, worldwide. Our deserving winner this year was Jordan Madge (bachelor of arts, photography ’15). Jordan wasn’t present to receive the award due to being in Tokyo, Japan for his own exhibition opening ‘Shokai‘. He was also the winner of the Photobook Melbourne Award of 2015.

Jordan

Reymond Chapman and Daniel Boetker-Smith (Jordan Madge was in absentia)

The wonderful and incredibly influential Sally Brownbill was also present at our event. She is the founder and owner of The Brownbill Effect – the industry’s unique and most comprehensive creative directory for photographers and businesses. Sally Brownbill has been an active course advisory committee member of PSC since 2013 and has an extensive experience in the international filmmaking scene – having worked in the U.K and Europe. She gave the renowned ‘Sally Brownbill Award for great potential in commercial photography’ to Marisa Ho (advanced diploma ’15). Marisa Ho already has a successful string of commercial clients – working on weddings, architecture and for dance companies such as the Australian Ballet.

Marisa Ho and Sally Brownbill

Marisa Ho and Sally Brownbill

Julie Moss also presented a special award from Exetel – ‘Australia’s largest independent internet service provider’. Olivia Mroz (bachelor of arts, photography ’15) won the Exetel award for ‘excellence in reflection and self expression in photography’ – a quality that we hone in our students while they develop projects at PSC. Olivia Mroz has been recognised as one such student who has exemplified her penchant for making her work highly expressive and reflective of her style. She won the Silver Award for AIPP Epson State Awards, Melbourne for her photobook ‘Amelia’ in 2015 and has had her work published in DEW and Y.AMB Magazine in the same year.

Olivia Mroz

Olivia Mroz

The PSC community was glad to have Robert McLaren, from Irwin & McLaren Bookbinders at the ceremony. Robert is the descendant of Jim McLaren, who established ‘James McLaren Pty Ltd’ in 1903. The company offers the finest paper manufacturing and binding services in the country and we are pleased that they play an active part in our students’ journeys. Robert McLaren presented the prestigious award for the ‘excellence in documentary photography’ to Daniel Pockett (advanced diploma ’15) – one of our most successful students, who was selected for an internship with The Age late last year. Daniel was also assigned by Getty Images to cover fun and mayhem on the tennis courts of The Australian Open. He was also a finalist for the AIPP student photographer of the year Gold Award in 2015, where he also received a silver distinction.

Daniel Pockett and Robert McLaren

Daniel Pockett and Robert McLaren

We were also happy to have Debi Mac with us to present the Heartfelt award for using photography to make a difference. Heartfelt is a volunteer organisation of professional photographers from all over Australia and New Zealand dedicated to giving the gift of photographic memories to families that have experienced stillbirths, premature births, or have children with serious and terminal illnesses. Ebony Finck (advanced diploma ’15) won this award for her series ‘Juncture’ that was described by GUP Magazine as ‘a meditation on mortality as life comes to a close’.

Ebony Finck

Ebony Finck with Debi Mac

Finally we had two PSC sponsored awards for the evening that recognised our winning students’ potential in professional photography while reflecting on their dedication to learning and creativity at PSC. The PrintShop at PSC Award for ‘commitment to learning’ went to Marie Watt (bachelor of arts, photography ’15) and the overall PSC award for ‘creativity and enterprise’ went to Sarah Maslan (advanced diploma ’15) as well as to Emma McEvoy (bachelor of arts, photography ’15).

Marie Watt with Julie Moss

Marie Watt with Julie Moss

Sarah Maslan with Julie Moss

Sarah Maslan with Julie Moss

Emma McEvoy with Julie Moss

Emma McEvoy with Julie Moss

The graduation ceremony was a success, with our staff and students feeling proud of their accomplishment in the field of photography. Every year PSC increasingly sends out award winning photographers into the industry. We thank our sponsors and look forward to many more years of incredible growth and know that our students are prepared for the exciting and competitive world out there! Their foundation and newfound skills in photography were developed and supported by the Academic Board, members of which have taken continuous care in ensuring the best photographic education provided to students, in Australia.

The PSC Academic Board

The PSC Academic Board

Celebrating PSC’s Winning Students of AIPP VPP

This year for the 2016 state-wide AIPP Victorian Epson Professional Photography Awards, PSC students submitted their work to one of the most prestigious competitions in the photography industry. 47 photographs from PSC received silver and gold awards, with students Neville Jones and Robert Palmer receiving notably high points at the awards – not to mention Allison Rose’s overall highest scoring point in print in the entire state!

The three top winning students all come from our part time group of classes, signifying the enriching photographic experience they receive from our award winning college.

PSC is excited to celebrate the achievements of all students at the AIPP awards, on Thursday (April 7) with a special toast to our talented students. Here are some thoughts from Neville, Robert and Allison:

 

Images by Allison Rose

Images by Allison Rose

“I was overwhelmed by the positive responses to my recent series “The Readymade” selected for exhibition over summer at PSC, then at the show for Emerging Women Photographers at Queen Victoria Centre as part of International Womens Day Celebrations & finally awarded the highest score for a print in the Victorian State AIPP Awards.

The series itself is a futuristic view of the ultimate consumerism, readymade babies, raising questions about the hollowness of technology, balanced against the natural sweetness of creation.  The language, imagery & colour palette reference the pop & dada movements.

The images were created as still life arrangements using a digital Xray machine as the camera, & then coloured in photoshop.  I was concerned in the first instance about where they would fit in the scheme of the AIPP awards.  Clearly they arise from an alternative process, but this avenue, in the AIPP awards is restricted to processes with an analogue output.  As a conceptual series, the images are not easy to interpret without contextualisation, again not part of the awards system, so I was uneasy about the reception in the illustrative category. Thanks to advice from (PSC teacher) Julie Wajs I printed a grid of the images to aid in the appreciation of the narrative.  Indeed 3 judges left the panel at the time of judging because they felt unable to contribute (my heart fell as I watched the live stream) and Julie Ewing, a grand master, stepped in.  She awarded the highest of the judges scores, but also gave an excellent explanation about what she believed the series was about, so I was very excited to hear that someone actually understood what it was that I was trying to say.  

The exposure & commentary has given me the further confidence to pursue conceptual art photography as a medium for me to have my say.   It is a rare privilege to be able to do this in any small way & this recent success has been huge in my purview.”


– Allison Rose

'Serenity' by Neville Jones

‘Serenity’ by Neville Jones

“I credit Neil Stanyer, my second year teacher PSC, for transforming my approach to photography. I commenced second year practicing photography as a technology-driven pursuit. By the end of second year I was seeing through the camera not looking at it.”

– Neville Jones

Image by Robert Palmer

Image by Robert Palmer

‘PSC has been instrumental in getting me here, at this level & experience of photography.’
– Robert Palmer

We will keep you updated about our celebrations and stories from our AIPP VPPY award winning students. To find out more learning photography with us part time, click here.

 

 

PSC’s Women Photographers at Queen Victoria Women’s Centre

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The Queen Victoria Women’s Centre is a haven of organisations and groups dedicated to empowering and helping women in all walks of life. From arranging emotional support to getting political and professional networks in place for supporting causes, the centre has worked on all fronts to build a stronger community of women in Melbourne. Having graduates and students exhibit their work in such an important centre is therefore a great achievement. Selected by Julie Wajs, each series reflects some aspect of womanhood, spanning over generations.

PSC teacher/curator Julie Wajs with PSC students Margaret Lim and Cassandra Tzortzoglou

PSC teacher/curator Julie Wajs with PSC students Margaret Lim and Cassandra Tzortzoglou

Patricia Saca, the venues coordinator for the centre was pleased to see the public’s reception of work that went up last week. According to her, the strength of the exhibition lies in the variety of styles in photographs that are already drawing widespread appreciation from those who pass through the corridors. Encouraging an open-policy approach to circulating fresh artwork by emerging artists, Patricia never places restrictions on the nature of work, often refusing to take down images even when the most seldom of complaints are expressed. She is proud to promote and support such spectacular talent from PSC.

QVWC venues coordinator, Patricia Saca and Margaret Lim

QVWC venues coordinator, Patricia Saca and Margaret Lim

Margaret Lim:

Margaret Lim with her Family

Margaret Lim with her Family

Margret Lim has one of the largest installations at the exhibition. Using materials and objects from Op-Shops around Melbourne, she created a series that signifies the dynamic nature of women. According to her, women reinvent themselves continuously throughout their lives and build upon their understanding and wisdom of the world and themselves, with time.

 Cassandra Tzortzoglou:

Cassandra Tzortzolgou with her work

Cassandra Tzortzolgou with her work

Cassandra Tzortzolgou on the other hand, takes us on a path that is mysterious and focused on elements of nature. Inspired by Greek mythology and tales revolving around bees and the symbolism of honey for her series Natural Phenomena, Cassandra exhibits the second part of the series with the ‘complex relationship between man and nature’.

 Elma Gradascevic:

 Elma Gradascevic with her work

Elma Gradascevic with her work

Elma Gradascevic constructed a project based on how technology can overpower or diminish the innate nature of women. She believes that ‘our natural world is largely disappearing from our daily lives, but its symbolism in cultural motifs demonstrate how integral it is to our internal and creative selves.’ She uses feathers to represent hope.

Elena D San Roman:

By Elena D San Roman

By Elena D San Roman

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by Elena D San Roman

 

Elena D San Roman based her series ”Point of Entry’ on ‘the experience of remembering’. From her artist’s statement she expresses: ‘I’m exploring the process of recall, accessing a memory and the transformation that comes from reliving an experience of childhood trauma.No matter how much time passes, the fear and anxiety that comes from trauma is always present, it hides in the shadows, haunting you every day. Ugly images flash before your eyes when you least expect it, making you question what is real and what is not.’

Allison Rose:

by Allison Rose

by Allison Rose

Allison 2

By Allison Rose

Allison Rose creates a vibrant series that ‘explores the contradictions of a readymade life from conception to birth – futuristic, convenient, mass-produced and fast.’ Each piece of artwork conveys a message about how the basic human need to create is now so ‘automated’ and often described in a language that mirrors the process of manufacturing.  Objects used in her work represent ‘a part of the cycle of creation’ and have been captured by x-ray machines.

Emma McEvoy:

Copyrighted, Emma McEvoy

Copyrighted, Emma McEvoy

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Copyrighted, Emma McEvoy

From a section of Emma McEvoy’ artist statement, we can definitely note how she deals with metaphor in her photography language: ‘(This is) a series which embraces the hues of authenticity via femininity and nakedness, and the water’s symbolic ebb and flow, through the thought-provoking palette of photography. Each photograph attempts to surface the fear of fragility. Bare skin emerging from a body of water – canvasing a reflection of Mother Nature, and sculpting a refuge for surrender: a place where vulnerability enfolds.’

Sophie Pigram:

Photograph of Sophie Pigram taken by Cassandra Tzortzolgou

Photograph of Sophie Pigram taken by Cassandra Tzortzolgou

Aesthetically driven and inspired by the physical molecular basis of memory itself captured by The Albert Einstein College of Medicine in early 2014, Blank Spaces is an exploration into the abstract realm of memory. Through self portraiture and object the work creates a physical representation of  the physiological workings of the mind, focusing on retained and recollective thought that have been confabulated over time and its effect on the subconscious. [From Sophie Pigram’s website].

Claire Blankendaal:

Images by Claire Blankendaal

Images by Claire Blankendaal

‘The Autonomous is a series of photographs born from a conceptual idea of self and what it means to be a female artist in Australia engaging with feminist issues in 2015. Approaching my camera like I would a diary and allocating time and space to each entry, I use methods of automatism, ritual, endurance and the performative body. In these I have found my position in the discussion—freedom of choice, celebration of differences and above all personal autonomy, these are the scaffold that structure my outlook and actions. By stripping back pre-conceived notions of femininity and being conscious in my influences and environment I have found freedom. In the act of creation and immersing myself in my practice, in these moments I am completely autonomous.’

Sarah Maslan:

Sarah Maslan with her work and Elma Gradascevic

Sarah Maslan with her work and Elma Gradascevic

‘The idea that people from different parts of the world, with completely different cultures, religions and life experiences can share the same dream is fascinating. In fact, some psychologists believe that our shared dream experiences serve to connect us as a human race. We can find meaning in everything. Even the everyday shapes and symbols that repeat in nature, and our world around us, can convey a message. When we dream, the conscious reality of today disappears and all that existed beyond the bounds is brought forward so time seems to be just a notion that slowly fades, leaving the past and the present intertwined. Herein resides our true awareness.’

 

PSC is proud of these students who come from a range of the course we provide (Bachelor of Photography, Advanced Diploma and Part Time cohorts). It is wonderful to see such talents come together and their work to reflect something so meaningful.

We will be updating this page soon with statements from other artists of PSC who are exhibiting. It would be great for you to come by and see the exhibition during March. If you’d like to exhibit your work at the Queen Victoria Women’s Centre, feel free to contact them.

Antonia Hempel Inspires Artists at St. Kilda Town Hall

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Antonia Hempel graduated with a Bachelor of Photography at PSC in June 2015. Barely a year later, she has been given the opportunity to have her work showcased at the very prestigious exhibition space for national artists; The Gallery (St. Kilda Town Hall).
Antonia Hempel spent three years hiking and kayaking her way to remote bodies of water, in Australia and overseas, for her exhibition “Renewal”. The series was developed while Antonia was at PSC, allowing her to receive guidance from her tutors who helped finesse her vision with this particular piece of work . The stunning video and photographic images she captured of these little- visited locations are accompanied by the recorded sounds of running water and pristine tones of a crystal Tibetan singing bowl.
Antonia on location

Antonia Hempel

Antonia uses water as a symbol of the connectivity of all living things as well as a tool for exploring a meditative calming response.
“Water is the connector of life, the common denominator that weaves all living things together. As it is a powerful symbol of connectivity, water is a perfect tool for exploring a meditative, calming response. My inspiration comes directly from nature and my love for the land. I hope my work will encourage people to celebrate and bond with nature and feel peaceful, even if just for a short time.”
– Antonia Hempel

Antonia worked closely with sound healer Ami Hasson, who used a singing bowl and Native American medicine drum to produce the distinctive soundtrack. Her husband, Gaston Freddi, accompanied her on location to record the sound of water and contributed original compositions to the soundtrack.

‘Renewal’ can be viewed at The Gallery, St Kilda Town Hall, from 6 January – 3 February, with an official opening at 6pm on Thursday, 14 January.

Antonia on location_2

Antonia Hempel on Location while shooting ‘Renewal’.

 

Antonia lives and works as a practicing photographer in Melbourne, she works in a variety of other mediums including video and painting. Her works are a response to capturing the beauty of the natural environment. Shooting entirely in remote and sometimes inaccessible locations that are largely untouched by human intervention. She shot Renewal over a period of three years filming and photographing bodies of water around Australia and Overseas. All of her photographs were printed by Peter Hatzipavlis at ThePrintShop @ PSC.

Highlights from the Thirty One exhibition

The Thirty One Exhibition opening night on Thursday 17 December at the OKLA Gallery was the highlight of the year for the graduating Bachelor students. A wonderful evening was had by all, filled with good cheer and celebration.

After much dedication and hard work throughout the year, it is so rewarding to finally see their finished images on display. The diversity of work was a testament to the focus of the students in exploring their own creative paths as they focussed on their chosen specialisations – Photojournalism, Art and Commercial photography.

Emily Tucci

Emily Tucci with her work

Emily Tucci, one of the exhibiting students, agreed saying “It’s been a really good experience being able to collaborate as an entire group on this project. Usually group exhibitions are much smaller so having 30 photographers involved has been really different and a lot of fun to have everyone all together mixing the specialisations.”

We also had the opportunity to chat to Jordan Madge and Piers Fitton about their work and experiences this year.

Jordan Madge

Jordan Madge with his work

“It’s amazing to be finished the Bachelor course and to have been part of this exhibition. For me it wasn’t just about photography in terms of learning, there were a lot of other different steps along the way.  There’s personal growth and friendships and its the way you think as well because its not necessarily just taking photos, its the way you look at everything in life now.” – Jordan Madge

Piers Fitton

Piers Fitton with his work

Piers Fitton – “This year I did something that I really wanted to do, it wasn’t just part of an assignment, it was my own path to explore and build my creative ideas further.  I’m really happy because I have accomplished what I set out do.”

 

Laura Scholfield

Laura Scholfield with her work

“Studying at PSC has been the best 3 years of my life and the friendships I’ve made are friends for life.  The last three weeks without PSC have actually been so boring and I miss it so much every day … but it is an amazing feeling to be finished and i’m really excited about what the future holds.” – Laura Scholfield

If you missed the exhibition at OKLA Gallery @The Compound Interest then you can still see the work on show here at the PSC End of Year Exhibition and pick up a copy of the exhibition catalogue.  The exhibition is open Monday to Friday 9am – 5pm from 4 January at PSC, 65 City Road, Southbank.

PSC Staff

PSC staff (Left to Right): Carmen Edwards, Communications & Students; Daniel Boetker-Smith, Bachelor Course Director; Jim Davidson, Chair PSC Governing Council; Katrin Koenning, Photojournalism Major teacher; Julie Moss, Managing Director; Melina Rookes, Communications & Students

Congratulations to all of the students involved and also to the staff and teachers that have supported them on their journey.

Raquel

Raquel Betiz with her work

 

 

 

Louisa Bufardeci’s Series Purchased by NGV

Congratulations to Louisa Bufardeci, one of our very talented teachers at PSC for not only holding a solo exhibition last month, but having her entire series purchased by the National Gallery of Victoria.


Louisa for PSC

Louisa’s series ‘The Sea Between A and I’, is an ongoing project, from which eight ‘needlepoints’ were exhibited at the Anna Schwartz Gallery. The needlepoints reflect the space between Indonesia and mark the coordinates of eight tragedies that have occurred on the Indian ocean. Louisa incorporated new technology from Google Earth to base her image on. The series touches upon a very topical issue related to the journey of people who travel across the ocean to Australia, often falling victim to maritime disasters:

“This work reflects on the asylum seekers lost in the sea between Australia and Indonesia.  I found the media reports on the issue had become increasingly abstract — less information about the number of people drowned, less information about where they were from, less information about whether they were men or women, young or old, and less information about why they were risking the journey.”

Artwork by Louisa Bufardeci

Artwork by Louisa Bufardeci

The project covers a mix of different media; photographs, video, drawings and the use of fibreglass screens with needlepoints on them. Materials used are subject to interpretation.

Artwork by Louisa Bufardeci

Artwork by Louisa Bufardeci

Artwork by Louisa Bufardeci

Artwork by Louisa Bufardeci

“I am very happy for the work.  It gives me great pleasure to know that art reflecting this serious topic is deemed valuable by our main cultural institution.” – Louisa Bufardeci

We are so glad that our teachers play such prominent roles in the arts industry. Our students get the best exposure and real-world experience as a result of learning from talented, practicing professionals.

CCP Salon 2015 is Accepting Entries Now!

PSC and the Print Shop are delighted to yet again sponsor the fashion prize for the CCP summer Salon.

The Centre for Contemporary Photography (one of Australia’s leading exhibition venues for photography) is hosting the biggest open-entry competition and exhibition for the CCP Salon 2015. Presented by Leica and Ilford, this event is celebrating its 23rd anniversary with promises of a huge  turnout. Calling out across Australia for submissions in photo media, entrants stand a chance to win awards worth up to $20,000 for over 29 categories and have their worked exhibited in a high-profile gallery.  Previous years have seen the CCP gallery flooded with spectators and participants alike on opening night, with visitors keen to take part in the bestowing of votes for the Crumpler People’s Choice award.

The Photography Studies College Best Fashion Work award, is particularly prestigious as winners receive $750 worth of printing services and consultation at the PSC Printshop. We look forward to hearing the winners announced and encourage our wonderfully talented students to partake in one of the biggest exhibition events of the year!

CCP

Details for the CCP Salon:

Exhibition Dates:
Friday 27 November—Saturday 19 December 2015

Entries Close : Friday 6 November 2015, 6pm

Artwork to be delivered to CCP, printed and ready to install:
Thursday 19 and Friday 20 November 2015 between 9am—5:30pm

Exhibition opening and announcement of prize winners: 
Thursday 26 November 2015 6—8pm (exhibition opening) Wednesday 2 December 2015 (CCP online)

Entry Fees:

Student card holders / CCP members – $35 per entry
CCP non-members – $65 per entry
(Limit of six entries per artist)

Additionally, the CCP Salon will be running an Instagram competition where Instagrammers will be encouraged to upload posts that respond to one-word  theme prompts, including #diyccpsalon with each image. Follow @ccp_australia and @leica_australia to take part in this.

The Who’s Who of the PSC Symposium

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Welcoming the second PSC Symposium at the Ballarat International Foto Biennale, are highly famous figures in the arts circuit. Our speakers are united in their interests in subject matters pertaining to ‘culture’, which is what our main point of discussion will be for the event. The concept of ‘Borderless Futures – Reimaging the Citizen’ points to a very crucial issue that affects everyone in our present day society, as populations shift about, lending a majority of people to live in places disconnected to their ethnic roots. Moreover, the role of photography and visual imagery today is more powerful than ever, as the individual now has total control over how he or she is represented. We look at the way visuals in the past have taught us to learn about our own histories, and question the protrayal of certain cultures by those who were given the power to capture identities.

At the PSC Symposium, the experts will take the floor, talking about their work and the question of what it means to be a ‘global citizen’ today.

Here’s our list of some people to watch out for:

Daniel Boetker-Smith

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  • Co founder of Photobook Melbourne, Director of Asia Pacific Photobook Archive
  • Writes for Vault Magazine, Photoeye and Photofile
  • Winner of Bowness Photography Prize, Australian Centre for Contemporary Photography Award (documentary) and the Substation Art Prize
  • Curated two international photobook events for NGV (Victoria) and MCA (New South Wales)
  • Has been on the jury list for the Kassel Photobook Award in Germany

Anat Cossen

Anat Cossen

  • Born in Israel, where she exhibited work at the Tel Hai Museum of Photography
  • Certified in fine arts (she’s highly skilled in pencil sketching and interior design) receiving her MFA in Fine Art Photography from RMIT
  • She’s a professional commercial portrait photographer
  • Exhibited work at the Linden Gallery, Edmund Pearce Gallery and Open Space Gallery
  • Influenced by themes of ‘identity’ in her work

Philippa (Pip) Kelly

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  • Creative producer for Asialink Artists in Residency Project Exhibition
  • Worked for ABC, SBS, Lonely Planet TV as producer/writer
  • Has a background in Anthropology (University of Western Australia)
  • Directed community on-screen projects for The Queensland Museum and Oxfam
  • Apart fro freelancing, she works as a filmmaker for The State Library of Queensland

Sanja Pahoki

VCA & MCM staff

  • Croatian born Australian photographer
  • Winner of 9 grants-awards including The Helsinki Studio Residency (Australian Council for the Arts), The Ian Potter Cultural Grant, The Australian Postgraduate award and the award for Critical Merit from the George Paton Gallery (University of Melbourne)
  • Her work has been exhibited more than 80 times, at venues such as Project Space (Melbourne), Sarah Scout Gallery, The Centre for Contemporary Photography (Melbourne) and at Centre Place (Melbourne) and the Melbourne Exhibition Centre
  • Her work observes elements concerning the idea of ‘self’, identity and anxiety
  • Currently is a lecturer at the Victorian College of the Arts and The University of Melbourne

 

Les Horvat

  • Commercial photographer with over 20 years of experience in the advertising industry
  • Winner of the Kodak Professional Achievement Award, the Ilford Trophy for Black and White excellence and various Silver Awards at The APPA’s
  • Established ‘Twilight Zone Studios’ as the centre of commercial photography in the professional world
  • Has had his work exhibited in Korea
  • Is currently a Senior Fellow at PSC

 

Alasdair Foster

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  • Was Founding Director of Fotofeis (Scotland)
  • Former Director of Australian Centre for Photography
  • Has worked on various media projects as artist, curator, writer, editor, policy advisor, researcher and photographer
  • Current ambassador for the Asia Pacific Photo forum
  • Founding Member of the International Network of Photography Centres

 

Kristian Häggblom

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  • Senior lecturer at La trobe University
  • Exhibited his work in more than 30 venues across the world; Tokyo, Finland, Switzerland, Malaysia and Los Angeles
  • Winner of 11 photography awards from The Nomura Cultural Foundation, The Leica Documentary Photography award (Centre for Contemporary Photography) and the Swiss Arts Council
  • Established and curated the RoomSpace gallery in Japan (Shinjuku)
  • Currently researching the role of photography in surveillance and its socio-political effects

 

Hugh Hudson

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  • Lecturer and Information-Research Development Coordinator for PSC and Honorary research Fellow for The University of Melbourne
  • Writer of the 1800 edition electric catalogue for publications in the Autograph Collection (15th – 20th Centuries) for The State Library of Victoria
  • He has been published 36 times in Art magazines, journals and books concerning Renaissance and Medieval art (Antiques and Art, Paregon, Arth Monthly)
  • Specialist in Medieval and Renaissance manuscripts in The State Library of Victoria, writing 11 records for the department’s research repository
  • A distinguished scholar, graduating with a Double Major, Master’s Degree and Doctorate in Art History, as well as a Postgraduate Diploma in Curatorship.
  • Researcher in subject matter pertaining to visual arts and culture in society, especially in issues regarding ‘cultural management’

Rita Lazaukas

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  • Winner of 5 art awards including the Wodonga Hume Acquisitive Contemporary Award, The Blackfriars Drawing Acquisitive and the Tallangatta Arts festival. She was also a finalist for 12 art prizes, for names like Citigroup Photographic Portrait Prize, Dominique Segan Drawing Prize, Hutchins Works on Paper and the Dobell Drawing Prize
  • She has exhibited work at Birds Gallery, Monash University Switchback Gallery, Beechworth, ArtSpace (Wodonga), The Art Gallery of NSW, The Bendigo Art Gallery, Maudespace and the Westpac Gallery (The Victorian Arts’ Centre)
  • She is currently the General Manager of the ‘Amazigh Cultural Tours’ program in Morocco, as a custodian of the arts-culture of Morocco.
  • She has had 20 years of experience working as a curator for well renowned galleries around the country
  • She is a visual artist who focuses on fine arts; her work is inspired by landscapes, cityscapes and architecture.

 

Bella Capezio

Isabella Capezio

  • Teaches at The Photography Studies College and co-runs the Ruffian Gallery (Footscray)
  • Designed and ran the Footscray Foto Focus intensive photography workshop
  • Organiser of workshops and competitions for the Asia Pacific Photobook Archive
  • Her work adheres to cultural influences of Mexico, questioning spiritual practices and traditions.
  • She has published 7 photobooks which span her journeys to various countries (Cambodia and Ethiopia)

 

Claire Monneraye

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  • Curator of Exhibitions as well as the International and Satellite Projects at the Australian Centre for Photography
  • Previously worked at the Centre Pompiduo and Reunion de Musees Nationaux (Paris)
  • Recently curated a collaborative exhibition with curators based in Berlin and Budapest, titled ‘Ex & Post – Eastern Europe Under the Lens’
  • Graduated in literature, philosophy, history with a Masters in Cultural Heritage Studies
  • The themes she likes to work with are representations of culture in society and the female identity

We’re sure to have piqued your interest and know that coming along to the Symposium will be an eye opening event! Read more about it here: https://www.psc.edu.au/symposium/ and don’t forget to book your spot:  http://www.trybooking.com/Booking/BookingEventSummary.aspx?eid=148035

Our Own Emma Rose on Being Selected for the BIFB

Emma Rose, our talented graduate of PSC who has returned to extend her journey with us through the Pathways Program, speaks about her experience in getting selected for the Projections Program at the Ballarat International Foto Biennale this year:
Image by Emma Rose

Image by Emma Rose

There have been 45 artists chosen, from 16 countries around the world.
My series, Fish Tank, includes 20 photographs exploring today’s rapidly shifting landscapes: the humdrum of daily routines, rise of solo lifestyles and the overall ease with which people are interacting with largely artificial spaces. As government surveillance heightens, there’s a looming presence and an overriding sense of isolation of the individual in an indifferent world.
Image by Emma Rose

Image by Emma Rose

I’m an Advanced Diploma graduate from last year’s fine-art major, with a background in journalism and theatre. My work has been significantly influenced by Melbourne’s distinct brand of architecture. I have a passion for people-watching and capturing fleeting everyday moments — particularly the dynamic between humans and inanimate objects and the modern landscapes they inhabit.
Image by Emma Rose

Image by Emma Rose

The Ballarat International Foto Biennale runs from August 22nd to Sept 20th, and the Projections Program loops on a big screen at the Ballarat Mining Exchange from 10am to 5pm daily throughout the festival.

PSC Teacher Wins Australia’s Biggest Photography Prize

PSC is delighted to announce that Bachelor of Photography teacher Hoda Afshar has won the National Photographic Portrait Prize 2015.

The National Photographic Portrait Prize exhibition held at the National Portrait Gallery (NPG) is selected from a national field of entries that reflect the distinctive vision of Australia’s aspiring and professional portrait photographers and the unique nature of their subjects. From 2500 entries the judges shortlisted 44 images to be exhibited at the NPG in Canberra. The exhibition opened last Friday and will be on display until the 8th June and will then travel to galleries all over Australia.

The winning image is from a series called ‘The Smell of Narenj’ that Hoda made during a recent trip to her country of birth, Iran. The photographs in this series reflect her personal view on contemporary Iranian society—a country whose reality is often either misrepresented, or hidden behind a heavy curtain. Hoda’s photographs do not claim to expose this reality; they are merely an attempt to capture the Iran that she knows — a knowledge that has been affected by the sense of nostalgia created through the distance caused by her migration to Australia. Her work deals with the impact of Iran’s complex history in the uncertain contemporary conditions of political life in Iran.

Hoda moved to Australia in 2007 and pursued her passion for photography. In 2010 she started a Masters in Fine Art at Curtin University and expanded her research into a PhD programme. Her work investigates the discourses around contemporary social issues including globalization, imperialism and power relations, displacement and post-identity politics. Her artwork also attempts to open lines of communication in a world both homogenized by global economy and unsettled by mass migration.

We are very proud of Hoda, a valued member of the PSC family, this is a great achievement that situates her at the forefront of contemporary photography in Australia.

Congratulations Hoda!

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‘Portrait of Ali’ by Hoda Afshar (2014) – Winner of National Photographic Portrait Prize 2015