Friday Feature; Melissa Cachia

With quite a number of PSC students, past and present exhibiting at the Ballarat International Foto Biennale this year, we thought we would take a closer look at their work. Featured today, Friday the 18th of August is stage 2 Advanced Diploma of Photography student Melissa Cachia who will be having a solo exhibition titled ‘Frozen Flowers’ at The Elephant Patch (location) opening Saturday August 19th at 3pm.

Melissa Cachia, Frozen Flowers

 

 

Why did you decide to present this work?  
After a few inquiries, interest & sales of my frozen flowers series I decided that this was a good enough incentive to get them from the computer screen to print for exhibitions.
What got you started in photography?
I have always loved Photography, my late father & his partner were keen photographers  so after his passing I decided to take it further!
When you started at PSC, did you have an idea of the kind of photographer you want to become?
I love documenting events, exploring regional towns & markets, showcasing what they have to offer.
What is the most beneficial thing you have learned up to this point? 
 Life is short. If you have a passion or interest-go for it  It is the best therapy.
What has been your most challenging moment at PSC so far?
The Digi lab!!! Im still at layering the pizza stage!!lol
What has been your most rewarding moment at PSC so far?
Way too many to mention, meeting so many talented artists, the friendships that have been made, the tutors & the expertise they bring to class, just to name a few!
How has your style developed? 
Thinking outside the square in terms of  Photography, 2nd year has pushed me beyond just taking a “photo” it’s the image, processing & printing that I take into account now, how I want my audience to feel. Evoke emotions
So far, what body of work have you been most proud of?
Frozen Flowers, Yr2 Semester 1, This was a product of exploring my creative side encouraged by my tutor.
What are you working on at the moment?
My industry folio & personal expression folio
What do you do when you’re not taking photos?
Go to work (nursing) cooking, “thinking about my folio”, photography workshops!
Where do you find your motivation?
Not sure, I surprise myself most days lol
Who/what inspires you?
Many people inspire me, but mainly people who just get out there & pursues their dreams regardless of age & or capabilities!
What is your dream job/shoot?
To one day own a home studio & do freelance work. Did I mention a café/ gallery!!
Remember to head along to the festival-opening tomorrow- to see more work by other PSC students, including Kathryn Vinella and Sean Mc Donald’s exhibition , Sharon Hughes, Stella Nguyen, Marie Watt, Project 17 Collective, Todd Walker, Ian Kemp, and the PSC Alumni.

Melissa Cachia, Frozen Flowers

Feature Friday: Noah Thompson

The July 21st Feature Friday is a quick insight of second year bachelor student Noah Thompson. Earlier this year Noah was a finalist in the National portrait prize, he was involved in an exhibition at the Melbourne Immigration Museum titled “They Cannot Take The Sky” which was made into a book. Noah was also successful in receiving the Maribyrnong City Council art grant that allowed him to have a solo exhibition at the Trocadero Art Space in Footscray and put his work”Footscray Hair” into a book.

 

We had a chat with the busy artist and learned about where he is now and where he wants to be as he prepares for his fourth semester at PSC.

 

Noah Thompson, 2017, ‘Footscray Hair’

 

Why did you choose photography?
I moved around quite a bit growing up, going from Tasmania to remote parts of the Northern Territory to living overseas for a couple of years, I think this gives anyone impressions of places and people that are hard to articulate with words. Which I think is what photography allows me to do, though I’ve only realised this recently. I also like people and am interested in their stories and how individual circumstance often relates to wider social, environmental, economic or political situation. I completed a BA in International Studies which involved studying sociology, international development, conflict studies, etc. It has always been my intention to combine these two interests.
Where do you want to go with photography?
I want to get involved with photojournalism and NGO work as well as work on longer-term documentary projects. At the moment I’m interested in exploring a wide variety of subjects relating to social justice, war, migration, economics, refugees and community. I think photography is an important tool in generating discussion around difficult, controversial or important issues and also invaluable in disseminating untold aspects of a given issue.
Who/what inspires you?
Kind people, my mum.
What do you enjoy about photography?
I like that it gets me out and about, talking to people, asking questions, out of my comfort zone.
Stay up to date on Noah’s work by following him on Instagram

Noah Thompson, 2017, ‘Footscray Hair’

Feature Friday: Project 17

This July 7th Friday Feature is the introduction to Project 17; a collective of part-time bachelor students.

Paul Ewins

 

Where did you come up with the name ‘Project 17’? Why did you decide to form this group?

The ‘Project 17’ collective was created in Summer 2016 by the Part-time Bachelor students from PSC for their first magazine release of the same name. It represents the amount of students in the class at the time, and also relates to the many and various projects we hope to complete together over time. These include exhibitions, publications and smaller collaborations within the group. We use the group as a way to reconnect despite our busy lives, and be a positive support network. The collective showcases and celebrates difference in a world where conformity is the norm. Project 17 aims to counter this view – to reveal, empower and inspire as one voice.

Project 17 Magazine (Still available)

 

What sort of individuals do you have in your collective?

Project 17 consists of men and women from various ages and cultural backgrounds providing varied views of the world. We have photojournalists, commercial photographers such as fashion and lifestyle, as well as artists, and photographers who choose to fuse some of those genres together. For example, there’s Lindi Forde, a well-travelled artist who documents details in artist spaces, and Taylor-Ferné Morris, a commercial photographer chasing the strength of the human body and mind within the ballet world.

Lindi Forde

Do you have a particular focus?

We decided for each project we would tackle a new theme exploring it’s challenges or advantages with our own brands of photography. Our graduate exhibition last year explored the theme ‘Pathways’ to celebrate the differences that make up who we are, and the idiosyncratic world we may want to chase or change in the future. This year for our second exhibition, a slightly smaller number of us will be participating in the Ballarat International Foto Biennale. We will be revealing our interpretations of the word ‘Silence’ for the general public, providing a range of works that we believe best suits our individual beliefs of the word.

What is the collective working on at the moment? What plans do you have for the future? Exhibitions? Projects? Publications?

Recently a joint Instagram was created for the group in order to cross promote our individual and joint projects. It will feature behind the scenes of our photographic work and the events we complete in the future. This includes being the main social media for our group exhibition for the BIFB in the Ballarat Trades Hall in a few weeks time. In between, we enjoy gathering at various Melbourne galleries for inspiration, entering the 2017 AIPP Awards (with Rebecca Conci winning three silvers for her raw portrayal of her daughter’s health), and even plan to visit Kevin O’Daly, another Project 17 member, in Tasmania later this year. A smaller group of us would also like to continue publishing our work in Photo Books together, collaborating on a smaller scale until another full group opportunity comes our way.

Friday Feature; Shannon Ogrizek

Today we catch up with level 5 Advanced Diploma of Photography student Shannon Ogrizek

Shannon Ogrizek

 
What got you started in photography?
I love taking photos and wanted to learn how some of the famous photographers created their photos, but also I wanted to do it because there are endless possibilities and ideas on how to create images.

When you started at PSC, did you have an idea of the kind of photographer you want to become?
I had no idea what kind of photographer I wanted to become, I just really wanted to create my images, express my emotions and feelings through my images, as well as create images that I would love. I also really enjoy making images for clients; I like going through the process with clients seeing what they want, progression through that and then the final result. I’m a photographer of everything, I never turn down a job or an idea I’ll always give it a go, it doesn’t matter if it’s completely different to what I have done previously.

What is the most beneficial thing you have learned up to this point?
Most beneficial would have been to just create images that you want to create, create images that you will be proud of and happy with at the end of the day.

 

Shannon Ogrizek

 

What has been your most challenging moment at PSC so far?
Finding ideas for folio work and pushing those each and every shoot to get a magnificent photo and have it be something that I’m proud of, knowing I worked hard for.

What has been your most rewarding moment at PSC so far?
Most rewarding moment at PSC is always end of year finals, seeing my hard work and effort go into my folios every trimester and being able to see the final result at the end of it is just a really rewarding experience for me.

So far, what body of work have you been most proud of?
My most proud body of work I have made was my movement images and my domestic violence posters that went up around Melbourne.

 

Shannon Ogrizek

 

What are you working on at the moment?
At the moment I’m working on a body of images that is of the natural world, but incorporating slow shutter speeds with that. However I’m just constantly shooting with models and products, being active with my photography.

What do you do when you’re not taking photos?
If I’m not taking photos I’m usually on Instagram getting inspiration for a shoot I’d like to do in the near future.

Where do you find your motivation?
I find my motivation from other photographers work, being given encouragement and feedback.

Who/what inspires you?
There’s so many photographers that I’d like to talk about for this particular question but I really love Lindsay Adler and her work. A few Melbourne photographers, in particular a friend of mine Andy Swann, as well as scrolling through Instagram.

What is your dream job/shoot?

I really do love taking portraits/football photos/weddings and debutantes as well as landscapes/light trails, really anything that’s fashion or has animals.

 

To see more of Shannon’s work, like her Facebook page.

Shannon Ogrizek

 

Feature Friday; Anthony Mayze

The Australian Professional Photography Awards are coming up, which means our students are now preparing their state award-winning images for the national competition.

One such student is Anthony Mayze who studies the Advanced Diploma of Photography. Now with an incredible achievement of three silver awards, Anthony sat down to have a quick chat about his journey so far at PSC.

 

Anthony Mayze, 2017, (AIPP Victorian silver award)

 

Where did your interest in photography start? 
I joined studio arts in high-school which led me to focus on seascape photography as well as some astrophotography and I grew my love from there.
Back when you started at PSC, did you have an idea of what sort of photographer you wanted to become?
I had no idea where I wanted my photography to lead me, but always thought that I would alway choose a commercial path.
What is the most beneficial thing you have learned up to this point?
The most beneficial lesson in life is; what ever you put in, you get out, so always try your hardest. Photographic-wise would have to be learning to project emotions and personality into my work.
What has been your most challenging moment at PSC so far?
 My most challenging moment at PSC would have to be the folios; having a short time to execute everything and then to present it was rather difficult but I have always managed to prevail!
What about your most rewarding moment so far? 
My most rewarding moment would have to be when I won a silver award in the VIPPY awards.
How has your style changed? Have you noticed anything different? Your aesthetic? Way of thinking? Approach?
I have noticed that I am putting more consciousness behind my images in terms of looking out for distractions, as well as looking at ways to put my own twist on images. I have also realised that I love simplicity in my work.
So far, what body of work are you most proud of?
My trimester 4 folio on personal experiences with stress, frustration and sadness.

Anthony Mayze, 2017, (AIPP Victorian silver award)

What are you working on now?
 I’m about to start working on building from my ‘Stress, Frustration and Sadness’ concept with editorial fashion techniques.
What do you do when you’re not taking photos?
When I’m not taking photos I’m either working, spending too much money with friends or watching Netflix.
Where do you find your motivation?
 I find my motivation everywhere, whether it be a film or in life I can always find ways that sparks my imagination.
What or who inspires you?
Two major inspirations in the photographic world are Annie Leibovitz and Gregory Crewdson, their work is amazing. Another huge inspiration is my Nan who always wished for me to hold on to my dreams until I have achieved them
What is your dream job?
Ever since starting my journey in photography, my dream shoot has always been to recreate scenes from Beauty and the Beast with a Gregory Crewdson style.
 To stay up-to-date with Anthonys work, follow him on Instagram! 

Anthony Mayze, 2017, (AIPP Victorian silver award)

Friday Feature; Emily Skelton

Currently in her second-last semester at PSC, Advanced Diploma of Photography student Emily Skelton is already setting up her career; working with her local football club, as well as becoming a well-known figure around her hometown of Bacchus Marsh.

We caught up with Emily to learn more about her journey so far.

 

 

Emily Skelton

 

 

 

When you first started at PSC, what kind of photographer did you imagine you would become? 

At the end of year 12 and the start of PSC I had this idea of being a famous fashion photographer, the one who takes incredible Vogue cover shots. I wanted to control the day, the shoot and get all creative, but as I started to learn at PSC it was becoming harder for me to see that for myself. My ideas started to change, I still wanted to do really creative things, but I wanted to be able to capture moments people would have for a lifetime.

 

What got you started in photography?

My mum and dad handing me a 35mm camera at the age of 2. That’s how it started, taking photos for mum and dad when they wanted to be in the picture. Mum has a particular photo in an album at home of herself and my sister, under the photo the caption says “photo by Emily”; I was 2.
I was never was really good at English and Math at school, so art was always my favourite subject. I was a very good painter, but I realise now that whenever we went out I would end up with the camera in my hands and I would be taking photos of everything from the ground, to the plants, to my family. Then as I got older I wanted to do more, so I would plan out photoshoots and get my friends to model for me. I still remember the first photoshoot I did; I borrowed a Canon camera off a friend, I pinned a white sheet up in my grandmothers granny flat with my friends in front of it wearing white t-shirts. We had bright-coloured paint and used it to paint my friends hands, then print it onto their face. I loved it and that for me was the beginning of everything, but I wanted more.

 

What has been your most rewarding moment at PSC?

Not that I’m big on grades and all, but receiving a mark which I didn’t think I would get really showed me that if I push myself more I can truly achieve what I want. Being a part of open days and career expos has also been really rewarding too, as I can tell people my story and my experience here, as well as being able to meet potential students and make new friends.

 

What is the most beneficial thing you have learned? 

Before I came to PSC I was self-taught; I shot jpegs in my backyard on a little Sony camera. I have benefited  from everything; starting with the basic stuff in first-year, to all the studio set-up now. I have learned how to capture an image with the correct light and what angles to shoot from, I have learned how to use my camera and control it so I can get the very best out of images. If you had told my high-school self this, I would not have believed you at all. This course and school has changed me for the better, I have grown so much in my work and myself and I have truly found something I love.

 

 

Emily Skelton

 

 

What was your most challenging moment at PSC?

Everything has been challenging in its own way and of course some things will be harder than others, some things take more time to learn, or sometimes you don’t have an idea and you have to work with what you’ve got and go for it.

 

What are you working on at the moment? 

At the moment I’m working on lots! I’m shooting every Saturday for the Bacchus Marsh Cobras (local footy club) which is a thing I keep growing and manage to get a new angle every week. I’m also working on building up my clients by shooting a few weddings. I have done a few jobs that have been printed onto glass and have now been installed into peoples new kitchens. I am always working on the next creative shoot I could be doing. It’s a good thing I have two sisters; one that wants to be a special effects makeup-artist, and the other who wants to be model. We are always coming up with new ideas and things we can work on together.

 

Where do you find your motivation?

Myself, and my life which includes my family and friends, as well as any events that happen.

 

Emily Skelton

 

Where do you want to take your photography?

Everywhere! I want to take it from within my hometown to overseas. I want to create or capture moments. As long as I’m creating and exploring the world with my camera; I’ll be happy. I want my photos to help people remember their moments in life because if you have an image, you know you’re not going to forget it.

 

Who/what inspires you?

Everything inspires me; I draw elements of life events into my work, from random creative ideas that happen to personal things that have happened. Watching movies also give me ideas as does the music I listen to.

 

How has your style developed?

Well my style has developed from shooting with natural light, with a white sheet in my backyard (which I still do) to setting up studio lights and controlling everything. My style has grown with me and we both have changed over the years as I try to find myself and where I belong in the photography world.

 

What do you do when you’re not taking photos?

I’m either at my local cafe with friends drinking coffee, or I’m at home sleeping, but sometimes I work with my dad.

 

What advice would you give to current students?

You can make it! Keep pushing and build up your foilo, believe in yourself and just keep working hard because hard work can get you anywhere.

 

 

 

To keep up to date with Emily, follow her on Instagram 

 

Emily Skelton

Mac Lawrence in British Journal of Photography

The sixth edition of the Talent Issue by the British Journal of Photography features one of our recent fine art graduates; Mac Lawrence.

What got you started in photography?
My early interests in photography started many years ago as away to mainly document my surroundings. Pretty banal kind of images   of my day to day, lots of photos of friends and family that kind of thing. More diaristic I guess.
When you first started at PSC, what kind of photographer did you imagine you would become? 
Well before studying I just wanted to be able to use photography as a way to share stories. Through learning about the language of photography my interests and understanding became more focused.
What is the most beneficial thing you have learned? 
It’s important to take the time to learn from your failures.

Mac Lawrence, ‘Hidden Dispositions’, 2016

What was your most challenging moment at PSC?
Being able to push through stagnating self-criticism.
What was your most rewarding moment at PSC?
Seeing all the hard work that everyone put in throughout the final year coming together on display at the graduate exhibition.
How has your style developed?
I would say through spending time reflecting and visually analysing the things I feel work and don’t work in the pictures I’m making. Asking myself if the pictures are saying the things I want them to, and thinking about why that is. If I’m making photographs that don’t seem to be working I try to digest them and understand where the issues are. I also learn a lot from the works of others that I find interesting and thinking about why I engage with their work. I don’t feel I have any one specific style and I try to challenge myself with new approaches. I try not to limit myself to just shooting film, or digital or only black and white or whatever it is, I just try to focus on what feels right for the work I’m making.
What was your graduating folio about? How did you arrive at this idea?
It’s bout ideas of masculinity and representation in Australia. It’s quite a personal work, which developed through self-reflection and engaging with the social dialogue.

Mac Lawrence, ‘Hidden Dispositions’, 2016

What are you working on at the moment? 
Still focusing on ideas of masculinity I’m currently writing proposals to exhibit a new work, which is in development, hoping to be able to show that somewhere in Melbourne. Also spending a lot of my time finalising a collaborative work with Sarah Walker, which is being exhibited at junior Space gallery in Collingwood towards the end of June. I’ll be heading to Malaysia for a bit shortly after that to help out my friends at Obscura Festival of Photography. 
What advice would you give to current students?
Embrace the process. Rome wasn’t built in a day. Taking a photograph is just one step in the process of making a cohesive body of work. In my final year I learnt just as much from making c**p photos as I did making ones that were interesting.

Mac Lawrence, ‘Hidden Dispositions’, 2016

What do you do when you’re not taking photos?
Most of my days are spent in my studio, which is not too far from my house in Brunswick. Each day is different; one day might be spent doing research or writing and others my focus might be spent working on files, making prints, planning shoot logistics etc.… I work for the man during my nights so I try to have a routine to my days to breed good creative habits, being in the studio at specific times helps that. Having structure in my practice is really important.
Where do you find your motivation?
Seeing development in my work, which drives me to reach my personal goals, motivates me.
Who/what inspires you?
Lots of things, I get a lot of inspiration from seeing the hard work others around me are doing. I try to surround myself with people that are have a ‘can to attitude’ and don’t try to complicate their lives by focusing to much on hurdles in front of them.

 

See more of Mac’s work on his website here.

 

 

Mac Lawrence, ‘Hidden Dispositions’, 2016

Feature Friday; Mathew Molloy

Today (May 26th) we caught up with former PSC student Mathew Molloy who is currently in Europe with his camera.

 

 

Mathew Molloy

 

 

What got you started in photography? 
I always loved photography as a kid but never had the chance to do anything about it. When I returned to Australia after living abroad I had the chance and decided to jump in and give it a go.
When you first started at PSC, what kind of photographer did you imagine you would become? 
I think at that stage I was just hoping that I could be a professional photographer shooting anything, but I love shooting people so it was always going to be related around fashion and portraits.
What is the most beneficial thing you have learned? 
I think to take nothing for granted in life or in your career, the smallest thing can impact both be it positive or negative. It’s how you respond to that action that will set you apart.

 

Mathew Molloy

What was your most challenging moment at PSC?
I was studying part time and to be honest the photography side of things I always felt in control of, but the lack of time to polish off a concept to the standard I would be happy to submit was the tough one, and I do admit that work was submitted that I wouldn’t want to be seen today.

What was your most rewarding moment at PSC? 
I don’t know that I can pinpoint one moment, but the most rewarding moments for me were looking at a folio first presented to my classmates and comparing it to a completed folio at the end of semester and taking in the transformation.

How has your style developed?
Everyone tends to put a lot of emphasis on style in photography. I like to shoot clean, crisp images, is that a style? Maybe, maybe not. I would like to think my style is adaptable to my clients needs.

 

Mathew Molloy

What are you working on at the moment? 
I have just completed back to back fashion weeks in Europe and now have a few editorial shoots for a spring/summer magazine publications.

What do you do when you’re not taking photos? 
Look at photos other photographers have taken, I know, soooo bad!
I love to travel and spending time with my family.
Where do you find your motivation?
On the street in everyday situations. Seeing the little old lady crossing the road holding hands with her hunched over husband, both so neatly dressed. Taking in the architecture when I go for a walk. Going to art galleries, Instagram, everywhere.

Who/What inspires you?
In regards to photography, there are so many great fashion photographers like Richard Avedon, but I tend to be more inspired by photographers like Khalil Hamra, who is trying to make a difference for his people and country by taking pictures that tell a story of change needed. James Nachtwey is also amazing and much more recognised, both as equally brave and courageous.

 

See more of Mathew’s work! 

 

 

Matthew Molloy

2017 Graduate Feature: Sonja Broersen

Two days until graduation!!

 

Today let’s have a quick chat with graduating art photographer Sonja Broersen;

 

Sonja Broersen, 2016

 

Who and/or what inspires you?
I’m inspired by the physical space around me, the body I inhabit and how the two exist in relation to one another.
What was your graduating folio about?
My graduating folio was a reflection on my experience with femininity, and my attempt to better understand my conflicting thoughts around female identity.

Sonja Broersen, 2016

What are you working on at the moment?
Lately I’ve been experimenting with other creative outlets and how I can eventually tie them back into my photographic practice. At the moment I’ve been playing with textile work, and plan to try other mediums such as sculpture.
What has been the most rewarding part of your career so far?
Having the opportunity to be around other like-minded people throughout this course has been incredibly rewarding. Being surrounded by people who share the same passion and interest in photography has really solidified my own understanding of why I was pursuing a career in art photography.
To see more of Sonja’s work, take a look at her website!

Sonja Broersen, 2016

2017 Graduate Feature; Rachel Hickey

To kick off our last week of graduate features, we’re catching up with photojournalist Rachel Hickey to hear more abut her time at PSC.

Rachel Hickey, ‘Beyond Bikes’, 2016

Hey Rachel, what got you started in photography?
I’m not sure if there was a particular moment that inspired me… But I realised photography was a part of me when I wore out my first camera, a point and shoot Olympus. I was obsessed with images, always trying to get a different perspective and do something different. Actually, I remember the first ever photography job I did was on that little camera; it was at our local racecourse, photographing the horse racing. I had no idea what I was doing, but running from place to place and meeting new people was incredibly exciting and at the end of the day, to have a story of the events and little details that so many people would have missed was really an honour.
When you first started at PSC, what kind of photographer did you imagine you would become? 
Ha! I was convinced that I would be a stills photographer for films. However I have never once been on a movie set.
What is the most beneficial thing you have learned?
The worst someone can ever say is no.
I have learned to accept that no one sees the same thing in the exact same way, I have also learned to not be pressured by “should”. That is when people say “You should photograph like that” or “You should do that”.

Rachel Hickey, ‘Beyond Bikes’, 2016

Rachel Hickey, ‘Beyond Bikes’, 2016

What was your most challenging moment at PSC?
 To be honest; going through a breakup three weeks before a folio was due when that was my subject matter, was possibly the most stressful.
What was your most rewarding moment at PSC?
Presenting my final folio and being genuinely proud of myself and the amount of dedication and persistence I put in to every single image. It was an overwhelming moment of emotion when I realised I had presented my last ever folio at PSC- huge accomplishment!
How has your style developed?
My style is always developing. It started with being very formally composed, but it’s now more focused on details of something to add insight to the larger picture, without actually showing the larger picture. I like to think it’s less biased in that sense.
What was your graduating folio about? How did you arrive at this idea?
My graduating folio ‘Beyond Bikes’ is looking deep into the community of cycling, specifically track racing. I grew up around cycling and after moving to Melbourne, I noticed whenever I was talking to non-cycling friends about the velodrome and the thrill of riding that they didn’t have any idea of what I was going on about. I wanted to show that there is more to cycling than bikes.

Rachel Hickey, ‘Beyond Bikes’, 2016

Rachel Hickey, ‘Beyond Bikes’, 2016

What are you working on at the moment? 
I’m brainstorming ideas for new projects, but also taking some time away from the camera to broaden my eye. In saying that I am a part of the PSC Alumni in which we hope to have a group exhibition in the next couple of months. I’m also doing a bit of freelancing.
What advice would you give to current students?
Have a go! You are in the best environment to learn and make mistakes, don’t be concerned that anyone will ever think less of you because you don’t know everything about photography. Go ahead and make the mistakes.
What do you do when you’re not taking photos?
I love to ride my bike! Either on the velodrome or on the road.
Where do you find your motivation?
From being around like-minded people, that is something I loved about PSC.
Who/what inspires you?
Looking at other photographers’ work and not limiting myself. Thinking about future possibilities is huge inspiration for me, it makes me look a little more internally to what I actually want to do.
What is your dream job/shoot?
I would love the opportunity to photograph a professional cycling race team for a season. I also dream of/plan on living in Europe or Canada and creating smaller bodies of work in my downtime.
To see more of Rachel’s work, check out her website! 

 

 

Rachel Hickey, ‘Beyond Bikes’, 2016

Rachel Hickey, ‘Beyond Bikes’, 2016