Feature Friday 4th November 2017; Antoine Loncle

For many of our second year Bachelor of Photography students who went to the Obscura Festival of Photography this year, they hadn’t been to Malaysia before, however one of our international students Antoine Loncle was born in Penang and was living there before he moved to Melbourne to undertake his studies at PSC. We sat down with Antoine to chat about his experience at Obscura and his perspective on his town.

Antoine Loncle, ‘ Put To Work’, 2017


How was the festival and workshop?
It was good. The workshops and the festival itself, two very different things, but both equally amazing. Just being in an environment so saturated with photography, photobooks and photographic conversation was an incredible experience.


What was it like going back to your hometown for an international Photography Festival?
When I first heard of the trip, it was a little disappointing to be honest, haha. It’s like there’s all these places in the world we could go but, guess what: you’re going back to a place you’ve been for 20 years. But as it got closer I thought it was alot more exciting. I got to introduce my new friends to my old friends, and show them around where I grew up. It was also like a little holiday back home for me as well. In retrospect I’m pretty happy that it was in Penang because I feel I got something extra out of the trip. Not just in the sense of going home for a bit, but it made me look at my home differently and to see it in new ways and I’m really grateful for that opportunity


Did you learn anything about yourself/photography?
My biggest take away was just experiencing so much in such a short time. I feel it really tested me, but in doing so also affirmed my love for photography and showed me what an incredible community the photo-world can be. I took away quite a bit from talking to Leonard about this folio. Mostly how to be harsh on yourself and really be strict, both when shooting and also when editing down the images. I also learned that Wawi is a mad DJ.

What was your favourite moment?
One of my favorite moments (in retrospect) was when I got roughed up and kicked out by security from a construction site I was shooting on. At the time it was infuriating if anything, I called my workshop teacher- Leonard– and when I told him what had happened he just chuckled and said: “Nice.”

Who was your workshop teacher?
“Leonard Pongo from Congo”. I more or less begged Daniel to put me on Team Pong. Mainly because it was a bit of a fan-boy thing, I love his work and alot of it resonates with me. He was great and I really valued his insight into how I can better my practice.

Did it change your perception?
The main thing that I felt was a bit of a turning point was the folio review. It was kind of intimidating at first but once it started it wasn’t too bad.  It was basically a photography speed date session. It was great having people from all over look at my work and give me feedback.


What was your series about?
My project was primarily looking at the rapid development of Penang through the “tools” used in these massive construction projects, i.e: the worker. In much of Asia, the workers are sourced from overseas and are often just regarded as cogs in the machine. That whole idea was what I wanted to look at and how I approached the topic photographically.


Antoine Loncle, ‘Put To Work’, 2017


How did you arrive at this idea?
It was something that had been on my mind for a while. Malaysia, like many other places in Asia are really starting to now have an influence on the world. To be more recognized they to develop; to develop they have to build; and to build, you need the builder. Through that thought process I knew I wanted the focus to be on the people who literally built the country, but are so often overlooked.

What were some of the challenges you faced?
My main challenge was actually the fact that I was from Penang in the first place. A lot of the trip was focused on how we would “experience new places”, but in my case, it was like having a walk in my backyard. I had to try to find a new way to look at what had been my home for most of my life. It was pretty tough initially, seeing the same things I had seen for years, but once I locked on to my project it was definitely easier.


What are you working on right now?
My work now is also based on Penang. I started the project before Obscura and was shooting it alongside the workshop. The current folio “I’ll Love You and Leave You” is something I’ve been shooting over roughly the past year and a half; it looks at the common notion that many Malaysians have where the ‘end goal’ of the vast majority is to move overseas to work or to study, and ultimately stay there

The project is my personal exploration into why many people look outward for change and a better life, rather than inward at the problems they’re trying to get away from. I interviewed a few people and asked a few friends and family some of their opinions: it’s mostly a government thing. There’s a lot of corruption, shady business going on and people are just fed-up to a point. Theres a lot of injustice in much of the system, as well as heavy censorship, any available scholarships are only given to certain races. Many just think the county is ‘un-savable’ I left cause that was always ‘the plan.’ from young you’re sort of already set in a path. People just tell you the usual “make sure you get good grades, so you can study overseas”. So it kind of just happened. But also because I believe that you only learn so much by being in one place. The way I see it, the ideal solution would be to go and learn, study, work abroad, but then come back and put all that knowledge to good use by making things better.

Antoine Loncle, “I’ll Love You and Leave You”, 2017


To see more of Antoine’s work and stay up to date, follow him on Instagram 


Mid Year Exhibition review

With a range of stunning work, our students have brought together family history, environmental issues, sports, fashion, and an array of people with stories so unique they often slip under the radar. Created by students in the Bachelor of Photography course, Advanced Diploma of Photography course, and the Pathway Program, our mid year exhibition is an amazing showcase of our talented and passionate students. Visit the college to see even more work!


James Thorn is a final year Bachelor of Photography student, majoring in commercial photography. James’ series ‘Found” is a photographic exploration of the life of a gold prospector, shot in a non-traditional documentary method, the series is an abstracted look at the average day of a prospector. Recently James was awarded a silver with distinction from the AIPP for his abstract work. Go to his website to see more of his diverse skill set or follow him on Instagram.


“Seeing Ourselves” is a series of introspective biographical portraits of women for women, which explores with playfulness and irony what it means and feels like to identify as  ‘woman’ and a ‘creative’, in the face of the ever-present ‘culture of domesticity’. Juliana Rudewych is a current Advanced Diploma of Photography student, she seeks to reveal the similarities and differences in the challenges and experiences faced by women today. Follow Juliana on Instagram 



Advanced Diploma of Photography student Luke Rush has centred his final year folio around the use of denim and sex appeal in fashion. Inspired by Beyonce’s Lemonade film (6 Inch Heels) Luke has utilised his skills in studio lighting to create a story line around his subject being hysterical from the isolation of the apartment in which the photographs are taken. Earlier this year Luke won his second silver award at the APPAs, read more about Luke’s practice here, or follow him on Instagram.



Second year Bachelor of Photography student Noah Thompson has once again created a wonderful example of his documentary skills by photographing the community of people who race pigeons in Victoria; “My desire (is) to create a documentary series around a small community of people who share in the same passion, while exploring individual personalities and stories”. With the approach of giving the subjects involved the appropriate level of respect, Noah has stepped back and allowed the viewers to draw their own conclusions about the sport and people involved. Read more about what else Noah got up to in 2017, or follow him on Instagram.




In June 2017, Ruby Henshall completed the pathway program to receive a Bachelor in Photography, following on from five years earlier when she graduated from our Advanced Diploma of photography. After making the decision to undertake a degree in photography, Ruby came back to PSC after working as a commercial photographer to work on a more personal, fine art project; in doing so she created “Re-Wild”. The series explores the complexities of nature and challenges the notion of ‘wild’, it examines how nature is capable of existing in forgotten landscapes called novel eco-systems, reclaiming and re wilding out of sight of humans. To see more of Ruby’s work, follow her on Instagram.

Malaysia Monday; Monica Wilmott

Wanderlust, that deep desire to travel to a place far away, is a familiar feeling in so many of us. What if you had the opportunity to travel overseas and do a workshop with renowned photographers, then sit down and have a drink and chat with them afterwards, all the while improving your photography? Of course you would go! That’s exactly what some of our second year Bachelor of Photography students did. We recently caught up with Monica Wilmott who went to Malaysia’s premiere photography festival; Obscura.


Monica Willmot, 2017


What did you learn about photography?
When I was in Malaysia I learned that photojournalism is something that I wish to explore more in my work. I had some interest in PJ before the trip, but after being there and meeting with (Leonard) Pongo, it is definitely something I want to try out more in the future.

What was your favourite moment?
I had lots of great moments but my favourite would have been seeing my work at the screening, it was really short but I just had this great feeling of pride.

Who was your workshop teacher?
Leonard Pongo, he was great at giving feedback and I feel like I clicked with him a lot.

Did it change your perception on anything?
Being over there made me realise how big the photography scene is in other countries, especially in Asia. Photography is more main stream and in a way more accepted and celebrated over there which I found really cool.

What was your work about?
My original plan before I went to Malaysia was to do a documentary series about a turtle sanctuary in Penang National Park. However Leonard gave me the challenge “Can you make it look post-apocalyptic, like turtles took over the world” which was something I really ran with in my series.

Monica Willmott, 2017

What were some of the challenges you faced?
The main challenge I think I faced was just time and navigating my way around an unfamiliar city. I also found it challenging to just focus on photography for an entire 2 weeks, but also being surrounded by like-minded people 24/7 was something I found really exciting; it was really good to have them around to bounce ideas off at all hours of the day.


Now back in Melbourne, in your second half of second year (over half way through the degree), what are you working on? 
For this folio I am currently working on a photojournalistic series focusing on abandoned farm houses in northern Victoria. I came to this idea because I live in an area that is constantly expanding, I often see farm houses that are full of history, being knocked down and replaced with new estates. My aim with this project is to show people how lovely some of these old houses are and in a way presvere them before they are gone. To find some of the houses I had to do some digging, I focused most of my research on looking at local reports, newspapers, some tourist information brochures and heritage listings for diffrent councils.


Monica Willmott, ‘Historic’ (working title), 2017


To see more of Monica’s work, follow her on Instagram.

Feature Friday 6th October 2017; Shelby Eade

Today we are featuring second year Bachelor of Photography student Shelby Eade and her experience at the Obscura Festival of Photography earlier this year.


Shelby Eade, “Pink”, 2017

How was your experience at Obscura? What did you learn about yourself or your photography?
It was good but it was intense, my workshop teacher was Wawi Navarroza. I learned a lot about my work flow, and my work ethic as a photographer, as well as how much work goes into every little thing. I also learned how to develop an idea and push it in a short space of time which was helpful to see what kind of drive you have to have.

What was your favourite moment?
My favourite thing was the end of the workshops, at the projection screening of what everybody did and created in those five days. We all came together like one big family.

Did it change your perception of photography?
It changed how I approach photography as a medium, I think more about my concept and how to approach the images themselves. Not just snap shots but thinking and planning for each image.


Shelby Eade, “Pink”, 2017

What was your body of work about?
My work was about the colour pink and my relationship with the colour itself. I looked at the colour and the architecture of the place I was in, finding the similarities between the buildings and my body-the familiar colours and shapes. At the age of six I begged for a Barbie pink room, everything had to be pink. As I grew older the stereotypical association with the colour pink of being weak and sensitive, caused me to dislike it.

Arriving in Penang the bold use of pink covering the buildings is what re-sparked my interest in the colour. The unfamiliar clash of strong shapes used with bold colours, are not common aspects within suburban Melbourne. Discussing ideas and bouncing things off of Wawi helped me push and develop my idea into what it became.

The main challenge I faced was the limitations of such a specific concept. I struggled trying to get it past just the colour, then when it came down to buildings and bodies, I struggled to make my body in the shape of the architecture.


Shelby Eade, “Maribyrnong/Mareingalk”, 2017

What are you working on right now?
My second semester folio. It’s about the Maribyrnong River, memory and home; I grew up near the Campaspe River and used to camp with my family along the Murray. Since moving to Melbourne, I’ve become homesick so I’m using the river as a reflection on my memories and my home.

This folio is a work-in-progress, how has it developed? How have you developed?
I’ve done a fair bit of research on the river and some pretty interesting things have happened. There used to be a meat packing business, and tea gardens; there is now a detention centre which you can see but can’t get to. I now also have more respect for the Indigenous history.


See more of Shelby’s work on her website.

Feature Friday 15th September 2017; Kaitlyn Church

Today we are catching up with second year Bachelor of Photography student Kaitlyn Church who recently went to Malaysia’s premiere photography festival; Obscura in George Town, Penang. Kaitlyn was also selected as having one of the best projects in the Visual Document class, taught by Alana Holmberg and Bella Capezio.

Broken Wind, Kaitlyn Church, 2017

What was your visual documentary about?
A man named Stewart who repairs musical instruments in Thomastown at a place called Broken Wind. My brother and I grew up in band rooms, orchestra pits, and grand theatres. Music dictated our lives and we regularly opted to attend music lessons instead of actual class- often to the disgust of our other teachers. For me music was my means of escaping the stresses of day to day life when I played, I did not think of my worries, but was able to get lost in the rhythm.

What are you working on now?
I am in the middle of a series documenting a small town ‘Population of 7’ which is located in the Anakie Hills. This series documents the people and the landscape of Stieglitz. (It’s still a work-in-progress; I’m trying a few things at the moment but I haven’t decided on anything for certain yet)

Kaitlyn Church, ‘Population 7’, 2017

What are some challenges you have overcome?
I find every series I do challenging in some aspect. I actually started a completely different topic for this assignment but had to abandon it on the day due to terrible weather.

What series of work so far are you most proud of?
My series ‘Reborn’ which was recently on display at The Queen Victoria Women’s Centre is probably the one I’m most proud of. It was such a strange subject matter but I didn’t want to portray it as creepy-as these dolls are often deemed- and I think I was pretty successful in doing so.

Kaitlyn Church, ‘Reborn’, 2017

Do you have any plans for what you want to do with photography after studying?
I’m still not entirely sure where I want my photography to take me, I definitely have a strong interest in documentary and photojournalism so something along those lines would be great, but I don’t have any specific plans as of yet!

What was your experience of Obscura?
Obscura was fantastic! I worked with Leonard Pongo. It was challenging, but in a good way. It pushed me to produce work that is different to what I normally do, and change my practice; I can definitely see the changes since I’ve come back.

Did you learn anything about yourself/photography?
I went to Obscura with the intentions of doing something completely different to what I have done before, I wanted to challenge myself photographically. What I did not realise is how much it would push me in other aspects of my life. I was photographing people on public transport, which forced me to be more confident; especially when shooting.


Kaitlyn Church, 2017

What was your favourite moment?
The whole trip was fantastic, but I must say the screening was a standout moment. During the workshop week, I was always out shooting, so I didn’t get a chance to see what my peers were creating. Being able to view not only my own work on a large screen (which was an awesome experience) but to also see what everyone else had been doing that week was great! The quality of the work was outstanding- especially considering it was produced in a week.

Did it change your perception?
It was good to spend a week focusing on something completely different, and it has definitely encouraged me to approach my current work in another direction. I have been experimenting with some of the techniques I used to create that work, with the work I’m currently creating.

What was your work about? 
The work visually explores my habit of people watching especially on public transport.  I find it interesting how public transport brings together people who wouldn’t have been brought together in any other circumstance, and may never see each other again Whether it be the business man returning home from his 9-5 job who falls asleep as soon as he gets to his seat, or the tourist who only came up for the day, staring in awe at all the lights as the train pulls from the station.


Kaitlyn Church, 2017

How did you arrive at this idea?
I had been thinking about doing a project based on public transport for a while now. But I never really had the guts to pursue it. I was struggling to come up with an idea for my project for Obscura so I decided to finally continue with this concept.

What were some of the challenges you faced?
I’m not the most confident person or photographer, so jumping on a crowded bus with a large DSLR was not the easiest thing for me to do. Until this project I never noticed how loud a cameras shutter could be I was so scared someone would yell at me for taking their photo.


To see more of Kaitlyn’s work, follow her on Instagram

Feature Friday 1st September 2017; James Bugg

After almost missing an entry to the national awards, one of our final year Bachelor of Photography students James Bugg has won a silver at the Australian Professional Photography Awards in the landscape category.

James Bugg, 2017


What got you started in photography?

I had an interest ever since I was introduced to my father’s camera kit, my interest grew throughout high school and then I was just hooked.

When you first started at PSC did you have an idea of the photographer you wanted to be?
I always knew the kind of work I liked and was drawn to, however when I started at PSC  the photographer I wanted to become was different to the one I am now. PSC refined the vision I had for myself and my knowledge and inspirations broadened. I guess ultimately I hope the photographer I want to become constantly evolves and changes with time.
What has PSC taught you?
PSC has taught me so much, from technical aspects to information about the industry, It has really expanded my photographic knowledge. However the most beneficial thing PSC has given me is constant inspiration from the staff to push myself and my thinking.
What are you working on at the moment?
At the moment I am working on a project called “The Pines” which documents a small town in Melbourne’s south-east. The town, once a pine plantation is now a community struggling to get by. A prevalent culture of drugs, violence and socioeconomic status cause harsh realities to be prominent. The work deals with ideas of escapism and struggling Australian sub culture and will be presented in book form at the end of the year. See Work In Progress 
What do you do when you are not taking photos?
When I’m not taking photos I like to play music or get outside and go camping. I’m normally taking photos though, or looking at them at least.
Do you have a dream job/shoot? 
Not really, my dream clients would be Time, The New York Times and The Guardian, as well as publications such as Aint-Bad and British Journal of Photography.
To see more of James’ work, follow him on Instagram, or take a look at his website.

Feature Friday 4th August 2017; Kadek Thatcher

For Friday August 4th, we are featuring final year Advanced Diploma Photojournalist major Kadek Thatcher.

Kadek Thatcher

How did you get into photography?
Well I originally wanted to be an actress but mum told me I wasn’t going to step out of high school and be in Hollywood, so I picked up the camera in year 10 and have never looked back.
Did you have any plans of what sort of photography you wanted to get into? 
When I started I knew I needed to learn my camera and the basics of photography back to front before I really thought about what I wanted to do but also always knew I wanted to do sport photography particularly AFL.
What is the most beneficial thing you have learned in your time at PSC?
Probably networking and experience are definitely the main things I have learnt in life and photography. As well as do something that you love and not what someone else would want you to do.
Have you had any challenging moments? 
My most challenging moment would be stepping out of my comfort zone. I am not one to go well with directing people when doing studio shoots but have learnt a lot through the past 3 years at PSC to overcome and be the master of the camera.
What about rewarding moments?
 Most rewarding moment would be seeing my photography improve each time I shoot. Knowing that I have come so far since starting has been amazing to see.

Kadek Thatcher

Have you noticed a development in your style of shooting?
Well before PSC I didn’t really do much sport and I used Auto, which let’s just say was not a proud moment. Now using Manual, and over the years at PSC I have seen that through shooting each week for footy, I try to be different and capture moments that people may miss in the games as well as trying to make them look different and stand out from the usual footy photos you see. I am still learning and experimenting each week.

Do you have a body of work you are most proud of?
Can I say my football photos? All of them. Especially really starting to get into it last year and being able to volunteer with AFL Victoria and seeing my work out there makes me so proud. But also getting to shoot the first season of TAC Cup Girls was a proud moment to be a part of that history making competition.
Are you working on anything right now?
At the moment, I am photographing each weekend for AFL Victoria, shooting VFL and VFLW.
What do you do when you’re not taking photos?
Literally shooting every weekend but pretty much going to the AFL. I am a massive Hawthorn supporter, watching Netflix like any student would be and hanging out with my two dogs.
Where do you find your motivation?
 I find my motivation with seeing my work being out there on the AFL Victoria website or VFL website and their social media pages. Knowing that my work is out there makes me feel motivated to know where I could be in the next few years.
Who/what inspires you?
I am inspired by everyone in my class everyday. Seeing their work being improved from 1st year to now is amazing. As well as AFL Photographers, I absolutely love seeing their photos each week from the weekend’s games. Also my mentor Darrian Traynor, a past student of PSC; his work in AFL/Sport and Photojournalism is why I wanted him as my mentor.
What is your dream job/shoot?
My dream is to be working for the AFL as a photographer and even for an AFL club as a photographer for them. That is the main goal for me.
 To stay up to date with Kadek, follow her on Instagram 

Kadek Thatcher

Feature Friday 21st July 2017: Noah Thompson

The July 21st Feature Friday is a quick insight of second year bachelor student Noah Thompson. Earlier this year Noah was a finalist in the National portrait prize, he was involved in an exhibition at the Melbourne Immigration Museum titled “They Cannot Take The Sky” which was made into a book. Noah was also successful in receiving the Maribyrnong City Council art grant that allowed him to have a solo exhibition at the Trocadero Art Space in Footscray and put his work”Footscray Hair” into a book.


We had a chat with the busy artist and learned about where he is now and where he wants to be as he prepares for his fourth semester at PSC.


Noah Thompson, 2017, ‘Footscray Hair’


Why did you choose photography?
I moved around quite a bit growing up, going from Tasmania to remote parts of the Northern Territory to living overseas for a couple of years, I think this gives anyone impressions of places and people that are hard to articulate with words. Which I think is what photography allows me to do, though I’ve only realised this recently. I also like people and am interested in their stories and how individual circumstance often relates to wider social, environmental, economic or political situation. I completed a BA in International Studies which involved studying sociology, international development, conflict studies, etc. It has always been my intention to combine these two interests.
Where do you want to go with photography?
I want to get involved with photojournalism and NGO work as well as work on longer-term documentary projects. At the moment I’m interested in exploring a wide variety of subjects relating to social justice, war, migration, economics, refugees and community. I think photography is an important tool in generating discussion around difficult, controversial or important issues and also invaluable in disseminating untold aspects of a given issue.
Who/what inspires you?
Kind people, my mum.
What do you enjoy about photography?
I like that it gets me out and about, talking to people, asking questions, out of my comfort zone.
Stay up to date on Noah’s work by following him on Instagram

Noah Thompson, 2017, ‘Footscray Hair’

2016 Graduate Feature; Rachel Hickey

To kick off our last week of graduate features, we’re catching up with photojournalist Rachel Hickey to hear more abut her time at PSC.

Rachel Hickey, ‘Beyond Bikes’, 2016

Hey Rachel, what got you started in photography?
I’m not sure if there was a particular moment that inspired me… But I realised photography was a part of me when I wore out my first camera, a point and shoot Olympus. I was obsessed with images, always trying to get a different perspective and do something different. Actually, I remember the first ever photography job I did was on that little camera; it was at our local racecourse, photographing the horse racing. I had no idea what I was doing, but running from place to place and meeting new people was incredibly exciting and at the end of the day, to have a story of the events and little details that so many people would have missed was really an honour.
When you first started at PSC, what kind of photographer did you imagine you would become? 
Ha! I was convinced that I would be a stills photographer for films. However I have never once been on a movie set.
What is the most beneficial thing you have learned?
The worst someone can ever say is no.
I have learned to accept that no one sees the same thing in the exact same way, I have also learned to not be pressured by “should”. That is when people say “You should photograph like that” or “You should do that”.

Rachel Hickey, ‘Beyond Bikes’, 2016

Rachel Hickey, ‘Beyond Bikes’, 2016

What was your most challenging moment at PSC?
 To be honest; going through a breakup three weeks before a folio was due when that was my subject matter, was possibly the most stressful.
What was your most rewarding moment at PSC?
Presenting my final folio and being genuinely proud of myself and the amount of dedication and persistence I put in to every single image. It was an overwhelming moment of emotion when I realised I had presented my last ever folio at PSC- huge accomplishment!
How has your style developed?
My style is always developing. It started with being very formally composed, but it’s now more focused on details of something to add insight to the larger picture, without actually showing the larger picture. I like to think it’s less biased in that sense.
What was your graduating folio about? How did you arrive at this idea?
My graduating folio ‘Beyond Bikes’ is looking deep into the community of cycling, specifically track racing. I grew up around cycling and after moving to Melbourne, I noticed whenever I was talking to non-cycling friends about the velodrome and the thrill of riding that they didn’t have any idea of what I was going on about. I wanted to show that there is more to cycling than bikes.

Rachel Hickey, ‘Beyond Bikes’, 2016

Rachel Hickey, ‘Beyond Bikes’, 2016

What are you working on at the moment? 
I’m brainstorming ideas for new projects, but also taking some time away from the camera to broaden my eye. In saying that I am a part of the PSC Alumni in which we hope to have a group exhibition in the next couple of months. I’m also doing a bit of freelancing.
What advice would you give to current students?
Have a go! You are in the best environment to learn and make mistakes, don’t be concerned that anyone will ever think less of you because you don’t know everything about photography. Go ahead and make the mistakes.
What do you do when you’re not taking photos?
I love to ride my bike! Either on the velodrome or on the road.
Where do you find your motivation?
From being around like-minded people, that is something I loved about PSC.
Who/what inspires you?
Looking at other photographers’ work and not limiting myself. Thinking about future possibilities is huge inspiration for me, it makes me look a little more internally to what I actually want to do.
What is your dream job/shoot?
I would love the opportunity to photograph a professional cycling race team for a season. I also dream of/plan on living in Europe or Canada and creating smaller bodies of work in my downtime.
To see more of Rachel’s work, check out her website! 



Rachel Hickey, ‘Beyond Bikes’, 2016

Rachel Hickey, ‘Beyond Bikes’, 2016


2016 Graduate Feature: Tom Rogers

Today we are catching up with Tom Roger graduating photojournalist.


Tom Roger, 2016


What got you started in photography?
Back in high school, one of my teachers showed us the darkrrom process and I instantly fell in love with the process, how you can take a piece of paper and dip it in some chemicals and magically these forms and lines and tones and all of it evolves and creates an image right in front of you.


When you first started at PSC, what kind of photographer did you imagine you would become?
I was definitely going to be a National Geographic photographer tackling dramatic social issues around the world.

What is the most beneficial thing you have learned?
 To trust your instincts and to be bold with decision-making.


What was your most challenging moment at PSC?
 Learning to drive myself along and shoot freely in my own specific way rather then leaning on tutors and photographing in a way to try and please them.


Tom Roger, 2016


What was your most rewarding moment at PSC?
Making my final photobook. I love the process, I love the finished outcome and I was proud of how far I’d come.

How has your style developed?
I’d stopped trying to be other people that I thought I wanted to be and just photographed from my heart and what was true to me. I know now how best I work and how to get what I want rather then try and emulate someone else.

What was your graduating folio about? How did you arrive at this idea?
My graduating folio was about searching for intimacy within myself whilst maturing into adulthood, experiencing the world around me. 


Tom Roger, 2016


What are you working on at the moment?
A couple of smaller projects, one continuing on from my graduating folio as it forms a kind of diary for me personally as well as a documentary on the hospitality scene in Melbourne.

What advice would you give to current students?
Just shoot the c**p out of the world and trust your tutor. Katrin was endlessly helpful and I can not speak more highly of her and how she helped not just me but for everyone in our class.

What do you do when you’re not taking photos?
I’m working behind a bar saving to do a Vietnam photo trip and then a European travel.


Tom Roger, 2016

Where do you find your motivation?
Everywhere from seeing other peoples images and stories on the internet to just walking down the street and discovering something new and unexpected, I want to share what I see with others

Who/what inspires you?
I am inspired by those around me, everyone has a story and everyones story deserves to be shared.

What is your dream job/shoot?
I would seriously love to be on long term assignments documenting society, whether it be social issues, minorities or just interesting people. I want to be immersed in something that’s different to my form of normal and to share that with the wider community.


To keep up to date with Tom, follow his work on Instagram




Tom Roger, 2016