Graduating and Earning Recognition

Exactly a week before graduating with her Bachelor’s degree, emerging photographer/publisher Clare Steele, was in charge of PSC’s very own photobook exhibition stall at the National Gallery of Victoria Art Book fair of 2016. Third year students Sophie Pigram, Olivia Mroz, Sarah Walker, Mac Lawrence, Nathan Larkin and Lucie McGough were involved in selling photobooks – all of which were created and published by them and their fellow classmates.

There were more than 71 stalls during the weekend of April 29 to May 1 – with photobooks made by Nathan Larkin, Olivia Mroz and Clare Steele selected by the State Library of Victoria for their permanent collection.

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Image of Clare Steele at the National Gallery of Victoria, by Daniel Boetker Smith

Clare Steele was excited to be at the event, as she always looks forward to getting feedback from interested audiences who are keen to find out more about the thought processes behind the books. Clare loves being part of the photobook community, thanks to her course at PSC where she was introduced to the particular area of the industry. After publishing her first photobook for her final folio piece last year, she has gone on to publish more work on her own, submitting them to international competitions.

“I very much appreciate the amazing photographers/curators/writers (Katrin Koenning, Hoda Afshar, Pippa Milne, Daniel Boetker-Smith) who have enlightened me and opened my eyes to what photography can be, and given me the rare opportunity to have complete creative freedom to work really hard on my project. Likewise, receiving great feedback and support for that work while also being informed about the difficulties real-world photographers face.”

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Clare plans to travel to Ireland and be a part of Photo Ireland – thanks to the industry connections facilitated by teacher Katrin Koenning.

“I’m looking forward to the chance of sharing and talking about my work to those who’ve never seen it before, hearing their different views and interpretations… to travel and open my eyes even more, while always improving my craft and continue to develop photographic series from stories I’m passionate about.”

We are proud of Clare and are excited to see her graduate this Friday, May 6 !

April Highlights at the PrintShop @PSC

April has definitely been an eventful month, with numerous student activities and international competitions taking place. We’ve had our students win major prizes at the AIPP Victorian State Awards, graduate Emma McEvoy’s magical ‘Sand Castles’ exhibition, teacher Katrin Koenning’s showcase at the Australian Centre for Photography, as well as our first ever secondary school collaborative-workshop session! The PrintShop @PSC has been equally if not more busy, with a stream of professional photographers visiting Peter, in order to print their award-worthy photographs. Here’s a snapshot of the happenings at the PrintShop during April, with quotes from Peter’s clients:

Trevor Neal

Image of Trevor Neal's series, 'Interrobang?!' taken by Peter Hatzipavlis

Image of Trevor Neal’s series, ‘Interrobang?!’ taken by Peter Hatzipavlis

Project:

‘Interrobang?!’ is an image I took in Berlin last year and forms part of a series called Berlin Walls. I shoot with a FujiFilm X Pro-1these days and whilst it is a great camera it does have its limitations. With Peter’s assistance I was able to put together a limited edition fine art print run which recently sold out.

Journey as a Photographer:

Photography has always been close to me in some way or another. Early introductions came courtesy of my Grandfather, his “box brownie” and the multitude of black and white photographs scattered throughout his makeshift darkroom. As a small boy, that room, the focal point of  a “shed complex” which lay behind a modest regional Australian home, was both a mystery and an intrigue.

Years later, sport had become  the focus of life and I remember my passion for photography being ignited through, what I respectfully call, the “Steffi Graf” years.  It was a time spent exploring the beauty of “black and white” and the perfect sporting image. As life rolled on, I found myself travelling more and more. These experiences seemed to trigger a deeper curiosity about the world; its vastness, beauty and that sense of being. Subsequently, my interpretation of landscape and streetscape photography began to transition from simple travelogue, to a more vigorous pursuit of the photographic art form. As I set about sharpening both my skills and appreciation for this, a different set of questions began to emerge.

Today, the inspiration for my photography comes from an effort to make sense of a world that’s mine, particularly as I continue to navigate the murkiness of midlife. I find myself in awe of those with the courage to confront their vulnerability.  I’m even more admiring of those willing to use this as a foundation for their artistic expression. To me, this requires a great authenticity and has become something to which I aspire. 

I recently heard a renowned photographer say that …good photography begins with having something to say….  I am learning about that. And as the journey evolves, I am hopeful that my images and their intention might touch someone in some way, no matter how small or different that may be.

Experiences with the PrintShop @ PSC: 

I have been using Peter’s services for a couple of years now and can’t recommend him highly enough. I certainly value his knowledge, expertise and attention to detail, however I also think its his kind, helpful approach and responsiveness to any request which sets him apart. Not only do I walk away with a high quality print every time but I always feel like I’ve learnt something along the way!

Website: www.trevornealphotography.com


Serap Osman

Image by Serap Osman

Image by Serap Osman

Image by Serap Osman

Image by Serap Osman

Project:

The series featured is called “after hours”. The images were shot on 120mm film using a plastic camera. The film was cross-processed, producing the colours you see in the images attached. All the images were shot on rainy Melbourne winter’s evenings. Hopefully they prove that some beauty can still be found in miserable conditions.

Journey as a Photographer:

For as long as I can remember I was always fascinated by photography. I vividly remember my Dad’s Pentax KX camera and saving up my pocket money for my first camera when I was 10 years old. After high school, I did a degree in media in Turkey and continued to learn more about photography, including black & white processing and printing.

I then arrived in Australia and completed the BA Photography degree course at RMIT. The period in which I studied at RMIT mean I had to shoot film during the first 2 years of the program and could also shoot digital images in the final year. The course opened my eyes to the possibilities to combine film and digital technologies and also taught me to respect both formats. 13 years on, I still love shooting both film and digital images and sometimes combine the two.

 It took me years to realise that my work was fine art and not necessarily commercial. The biggest change in my photography has been embracing that notion and exploring my ideas to their conclusion. I am looking forward to expanding on m knowledge, technique and ideas as the years go on.

Experiences with the PrintShop @ PSC: 

I was first introduced to Peter, and the PrintShop, back in 2015. Fellow Photographer Cameron Clarke and I were preparing for an exhibition as part of the stills co-op. Peter helped me prepare my exhibition images for print and since then I have never looked back. It has been a pleasure to work with Peter through the scanning and printing process. I have grown to respect his opinion and listen to his thoughts given his experience in producing fine art prints.

Website: www.seraposman.com.au


Julian Dolman

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Image by Julian Dolman

Image by Julian Dolman

Image by Julian Dolman

Project:

These two images are taken from a series captured over a 3 week road trip across America in 2014. They were taken as personal work but closely followed the narrative of a book being authored by a friend with the ideas firmly rooted around the idea of freedom. Shot on 35mm film using a Contax G1 the colour image was shot on our way out of New York into Pennsylvania by train, the second image which for my eye is the quintessential America road shot was taken from the window of a Mustang while driving from San Francisco down to LA. The plan is to go back next year following a different route and capture on a medium format digital rig to allow further expansion of the printing process.

Journey as a Photographer:

I fell in love with Photography as a child, hugely fascinated by being able to capture images so closely resembling how they looked in real life. My studies were completed at NMIT back in 2003 where I was primarily interested in Landscapes but as the studies came to a close I had caught the portrait bug and I have spent the last 15 or so years photographing Actors. Looking back I feel strongly that the studies taught me how to use a camera creatively and that through going out into the world and working I have slowly learned how to be a photographer and run a photography business.These days I run the Headshot business from my East Brunswick Studio and it affords me the luxury to travel and photograph on the street which just takes me back to taking pictures for love not money which is a great feeling to get back.

Experiences with the PrintShop @ PSC: 

Put simply the experience of working with Peter has been hugely inspiring and his work and passion for what he does I believe is unmatched in Melbourne. Peter takes great care and immense skill to bring images to life as prints, and in a digital world where printing your work can become such a rare treat, this just makes you fall in love with photography all over again.

Website: www.headshotphotographer.com.au


Jessica Ledwich

Image of Jessica Ledwich and her work, taken by Peter Hartzipavlis

Image of Jessica Ledwich and her work, taken by Peter Hartzipavlis

Project: 

The Golden Bird explores western cultures obsession with material goods and the absurdity of what we choose to assign value to. A desiccated bird, undesirable in its true form is transformed into an object of beauty and desire.

Journey as a Photographer:

When I look at my early work I can clearly see the influence of the photographers I admired.  I think the biggest development in my photographic practice has been the refinement of my own visual language and style. Through continually shooting and experimenting I have developed a language and style that best expresses my concepts. This is still developing but I can now see a ‘voice’ in my work that wasn’t there in the beginning. This is a natural journey that all photographers have, and continue to have until they put down the camera.

Experiences with the PrintShop @ PSC: 

The reason why I choose Peter at the PSC Print shop is because of his expertise and experience with all aspects of the photographic print. He brings his technical knowledge and creative insights into the process so I can make the most out of my images. My work is often difficult to resolve within a print context due to the aesthetic devices I employ, but Peter understands the communicative potential of the photographic print and because of that I completely trust the outcome of my prints in his hands.

Website: www.jessicaledwich.com

Vicki Bell

Image of Peter Hatzipavlis at work, by Vicki Bell

Image of Peter Hatzipavlis at work, by Vicki Bell

Project:

I have a great passion for people and family life so this commission was creating a wall collection for a client I have photographed for many years . This was a home shoot in the client’s newly built  home and they wanted to create a feature in the hallway to celebrate their young family and their new chapter. 

Journey as a Photographer:

The best part of being a photographer over 20 years is being apart of the evolution and revolution. Beginning form the darkroom film days was a great starting block. I have loved the challenge of learning new technology and embracing the possibilities of image making in the digital era. The business of photography has definitely been the biggest change because it is so accessible to the masses; this has been the biggest challenge to remain competitive in the market as a portrait photographer. Again establishing good relationships with clients, making good first impressions and having integrity is key in the longevity of any business.

Experiences with the PrintShop @ PSC: ‘

f there’s one thing I have learnt in all my years as a photographer is the importance of establishing strong relationships with industry partners that you can trust and rely; I have certainly found that with Peter. He provides great service and quality but most of all he can finesse my file so it translates perfectly on the right paper for the image. Knowing that Peter is also a photographer with years of experience and a passion for the craft of printing means my work is in excellent hands.

Website: http://vickibellphotography.com.au/

April has been such an inspiring month at the PrintShop. We encourage readers and students to visit the PrintShop to learn as much as they can from Peter. We thank the photographers who gave their time to tell us about their stories and can’t wait for the chance to see their work exhibited in the near future! Thank you for the update, Peter – we look forward to the month of May.

Trinity College Colac visits PSC for a Photography Workshop

Last week PSC sparked inspiration in the hearts of twenty year 12 students from Trinity College Colac – a secondary school that pushes boundaries with its extra-curricular focus. Students who came to PSC were those with media classes, interested in exploring different styles in photography, with the best college in Asia- Pacific.

Image by Taylor Ferne-Morris

Image by Taylor Ferne-Morris

Led by PSC course director, Daniel Boetker Smith, students were first introduced to the concept of ‘Instagram Photography’. He broadened their understanding about new frontiers of the art and medium, giving them a list of leading Instagram photographers to seek inspiration from, for the workshop session of the day.

‘Students chose from leading photographers like Chien Chi Chang, Stacy Kranitz, Victor Cobo, Boogie Photographer, and PSC’s Katrin Koenning to use as their inspiration for the workshop. We discussed the way Instagram can be a vibrant gallery for showing off your work, and that plenty of careers have been made off the back of Instagram. The workshop was really a starting point to test out different styles and approaches. Students were encouraged to take away some important messages about the power of the photographic image.’ (Daniel Boetker Smith)

Image by Taylor Ferne-Morris

Image by Taylor Ferne-Morris

Image by Taylor Ferne Morris

Image by Taylor Ferne Morris

Trinity College Colac teacher, Ryan Geary accompanied our students and was impressed by the outcome of the workshop:

‘The session was perfectly timed in our content and the students gained an enormous insight as well as skills which will benefit them as soon as next week.The session was informative, interesting and interactive which our students loved. After the initial shock of having to use their Instagram accounts they were soon coming up to me and saying how others were liking and commenting on their photography which also gave them confidence.’

Thanks to Maria Duarte, the communications and students officer for full time studies, images of students were reposted on the PSC Instagram account:

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This was yet another successful collaboration between our teaching staff and aspiring photographers from Australia. Secondary students from Trinity College Colac absolutely enjoyed the exposure they received thanks to spending a day at PSC. They received professional feedback for the work they jubilantly created, giving them a slice of the PSC life! We are looking forward to our next workshop in May.

“The workshop was a great opportunity to get back to basics, we just got out into the street and were shooting really raw and improvised ideas. We had fun, and the students really came away with the understanding that there is never a right or wrong answer with photography, you’ve just got to do what feels right.” (Daniel Boetker Smith)

Stella Nguyen on the Process of Building a Folio

Stella Nguyen, part time student at PSC and full time secondary teacher, won two silver awards at the AIPP Victorian State Awards. Currently running her own portrait photography business in addition to her other commitments, Stella was kind to give us a walk through her process of getting work AIPP-ready!

'Be Here with Me' - Image by Stella Nguyen

‘Be Here with Me’ – Image by Stella Nguyen

By Stella Nguyen:

Image selection
•My first selection was based on support from Craig Wetjen, fellow students at PSC, Instagram and friend likes and my personal favourites. The second stage of selection was based on those favoured or struck curiosity from judges at the AIPP AN INSIGHT INTO CREATING AWARD IMAGES & CRITIQUE NIGHT. •The third was combining both work I loved and what I thought might be unique enough for the judges.

Freak out and set a goal
Being second year I was intimidated by the judges and other photographers at the AIPP Info night. The work was amazing and I was in awe. Freaking out was good for me as it provided a challenge and pushed me to drive myself further. In short ‘I felt the fear and did it anyway’ with the goal and hope of achieving one silver.

Research
I looked at past winners from AIPP to get a further understanding of what AIPP Judges would look for, of favoured ‘styles’ and also what images have been ‘done’ so I can consider my point of difference.

'The Mist' - Image by Stella Nguyen

‘The Mist’ – Image by Stella Nguyen

Test print
Test printing and refining were key as well as seeking feedback and advice. I test printed:
•- For paper selection
•- For different combinations (tri-typch)
•- To re-evaluate pretty ordinary first few prints and test print again

Working with Peter
Peter has a good eye and knows his paper stocks well so when I knew something wasn’t right with my prints Peter could pin point what the issues were and share his knowledge of how to edit for specific papers and his knowledge of AIPP and their expectations. Peter was a great guide to tell me when I went too far or need to go further. It built a great learning curve for me to edit for print.

Let go
At some point I think I had to realise that I had to let go and leave the print alone, there was no more at that stage that I could see or do within my knowledge of printing at that time.

 

To follow Stella’s photography on Instagram check out @wide_eyed_stella  – also read more about learning photography with us part time, here.

Featuring Jo-Anne Cripps

Jo Anne Cripps was recently given an honourable mention by the 9th International Color Awards (LA) for her photograph in the abstract category. This is an amazing accomplishment for Jo, as the category saw a total of around 5700 submissions! She has also been titled as the finalist for the landscape category in the Head On Photography festival and won two silver awards at the Epson AIPP Victoria State Awards, this year.

Image by Jo-Anne Cripps

 

Image by Jo-Anne Cripps, taken at Bingalong Bay, Tasmania

Image by Jo-Anne Cripps, taken at Bingalong Bay, Tasmania

Jo-Anne made the decision of quietening down her own business as a legal conveyancer to pursue her passion for photography, within a year of being at PSC. She did have bouts of self doubt, wondering if she had taken ‘too drastic a step’€“ but she knew that if she hadn’€™t applied to the bachelor program with us, she would have regretted it all her life:

“It’€™s about stepping out of that familiar zone where you know everything and follow a routine everyday. For the first time in my life I’€™m doing something that I really want to do; not because I have to do it. I’€™m surrounded by students of varied ages, who are my friends, my support system that I collaborate with at and outside of college.”€

Jo-Anne believes that her sense of maturity has been an important aspect in giving her the freedom to immerse herself in photography.

Image by Jo-Anne Cripps from her series 'Threigl Amser - Passage of Time'

Image by Jo-Anne Cripps from her series ‘Threigl Amser – Passage of Time’

 

Image by Jo-Anne Cripps, selected as a Finalist by Viewbug in the 'Celebrating Fashion' competition

Image by Jo-Anne Cripps, selected as a Finalist by Viewbug in the ‘Celebrating Fashion’ competition

Now in her third year at PSC, she has a deeper understanding of how her work communicates with audiences, thanks to the constant critiquing she has received in her classes. She was initially daunted by this process, but since shedding her apprehensions she has noticed that her work has evolved considerably. The result of her personal and creative development with the art has made her more confident in submitting work to competitions;€“ something she never really thought she would do.

“Competitions are great platforms for getting your work seen and critiqued by amazing professionals. Thanks to being at PSC I also realised that when I work with concepts I love, it shows in my work and the results are gratifying. It’s not about taking ‘pretty€™ pictures’, it’€™s about building bodies of work that are meaningful.”

Jo-Anne is currently developing her series called ‘€˜Colours of Australia’€™, which will take her travelling all over the country. She describes this as a playful series , quite different to her other project which is about the ‘Stolen Generation’€™- a personal subject which she’€™s extremely connected to. The inspiration for this project is her adopted brother, someone who has and will continue to inspire her.

Image by Jo Anne Cripps, from her first folio series at PSC

Image by Jo Anne Cripps, from her first folio series at PSC

“I’€™ve found something I want to do for the rest of my life;€“ as well as the impetus to do it.”

Jo-Anne advises people to think about what is really important to them rather than always focusing on what’s expected of them by others. She feels that if people followed their dreams, they will  be pleasantly surprised by the support from their loved ones. She urges us to ‘€˜take the plunge’€™ and see what’€™s out there.

As for her preferences shooting locations, Jo-Anne loves the rugged and rough conditions of South Island, New Zealand. She loves the peace and isolation in such places, because it gives her a lot of inspiration.

An image of Jo-Anne, working in her favourite environment.

An image of Jo-Anne, working in her favourite environment.

Her goals are to take a year off to develop her personal photography projects, before doing her masters, as she aims to teach in the near future. Jo-Anne’€™s tips for photographers are to put cameras on manual and stick with it, and go out to a variety of locations no matter what the weather has in store for them:

“Do everything you possibly can when you shoot, and let your style come through!”

Learn more about our courses here and follow Jo-Anne Cripps on her Instagram profile for updates @joceephotography .

Elma Gradascevic’s Plans for Photography

Elma Banner
Recently completing her Advanced Diploma (art major) in December 2015, Elma Gradascevic keeps herself busy with photography, after PSC. Working in the HR industry for more than 20 years, Elma decided to learn photography part time so that she had a creative outlet that she could express herself with. Essentially, she wanted a life change that would make her more fulfilled.

After conquering the challenge of building her technical skills within the first few months at PSC, Elma discovered a newfound ability to produce creative projects within short deadlines.

Image by Elma Grad

Image by Elma Gradascevic

“I never thought I had it within me to be so creative week after week and deliver results for each assignment – I surprised myself!”
– Elma Gradascevic

Making the most of the business unit our students take during their final semester, Elma constructed a solid business plan, combining her passion for photography and fashion. She is now following that through with her own venture of printed scarves – using her photography. She’s also developing a series called ‘Rodeo’ based on the community at Lang Lang and Stony Creek, Victoria. Quite varied from her usual focus, which is art and fashion photography (a style which she recently exhibited in the Queen Victoria Women’s Centre), Elma’s Rodeo series shows her varied range of subject matter.

Image by Elma Grad, from 'Rodeo'

Image by Elma Gradascevic, from ‘Rodeo’

 

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Image by Elma Gradascevic

 

This series will soon be published as a photobook; a medium which has been Elma’s latest inspiration as she currently manages the Boyd Studios (Southbank) – the same venue that hosted the Asia-Pacific Photobook Archive.

APPA showcase at the Boyd Studios. image by Elma Grad)

APPA showcase at the Boyd Studios. image by Elma Gradascevic)

Elma produced her own photobook (titled ‘Sarajevo Roses’) last year as part of her digital class assignment with teacher Nic Kocher. She plans to revisit this photobook and work on it more, in the long run. The class gave her the confidence and skills to pursue her own personal book assignment after leaving PSC.

“I think photobooks are a wonderful way of sharing our images and stories. It is becoming a growing industry.”

'A DIY photobook manual and manifesto by Bruno Ceschel' - photography taken by Elma Gradascevic

‘A DIY photobook manual and manifesto by Bruno Ceschel’ – photography taken by Elma Gradascevic

PSC is driven to make students independent thinkers in the field of photography; encouraging them to expand their skills and self-publish to get their projects seen by the wider public. Under the guidance of Daniel Boetker-Smith (course director), our 2nd and 3rd year students have created their own photography books which are promoted and showcased during exhibitions – such as the upcoming NGV Art Book Fair (April 29 – May 1). Our students will be setting up their booth, where they will be selling photobooks created by students from our college.

Elma attended the NGV Book Fair last year and was awestruck. She bought her first ever photobook at the event and looks forward to this year’s showcase:

“I was overwhelmed by the variety and styles of the NGV Book Fair last year and cannot wait to go again this year, especially now, to see some of the students’ books on display.”

The Boyd Studios still hosts an eclectic collection of photobooks published by distinguished students and professional  photographers alike. Elma Gradascevic is enjoying her time managing this space every Friday (11am – 5pm) and still visits PSC, as teachers and staff members are always happy to give advice. This is one thing that Elma feels proud about, the fact that the campus is accessible to students and graduates as a creative hub, where they can still rely on their peers and mentors as they hone their talents in photography.

For more information about studying with us, visit our website. You can also follow Elma’s Instagram channel to keep up with her amazing photography: @elmagrad.

 

Emma McEvoy stuns Melbourne with ‘Sand Castles’

Last week, our very own PSC graduate (of the Advanced Diploma and Pathways program) showcased breathtaking work in the most unique space in the world. Emma McEvoy created a series around her trip to an abandoned diamond mining town in the heart of Namibia and exhibited her work in a house that was about to be demolished, in Melbourne’s quirky capital of Fitzroy. Filling up the house with sand to recreate the experience she had in Namibia, crowds of visitors were astonished by the creative presentation and the glorious work of Emma’s that was presented on the walls.

The exhibition was only open for four days and this was enough to get the attention of the most influential media names in the world. Here is a quick kaleidoscope of the wonder behind Emma McEvoy’s recent work (click to play):

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Emma was also interviewed by PSC senior fellow and award winning photographer, Michael Coyne (who was the lead photographer at publications such as the National Geographic, Newsweek and Time Magazine). Here’s a short podcast about Emma’s inspiration behind her series and why she chose to design her exhibition space in a house that was up for demolition:

 

Here’s what setting up the exhibition looked like (click to play):

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Within the first few hours of her exhibition opening, Broadsheet Melbourne (a leading online magazine that covers the latest news about Melbourne culture) wrote a story about her incredible exhibition concept:

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Not surprisingly, Emma was then interviewed by Stephanie Ferrier from ABC News! Here is the entire story:

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The PSC community support has been unconditional. I’ve never once felt like I need to conform to any particular style or genre, i’ve been free to express my creativity however I please & that encouragement has been invaluable in helping me get to where I am now. After the overwhelming response from this exhibition I might look at exhibiting it elsewhere in Australia and no doubt i’ll be off on another overseas trip soon to create a new body of work, possibly in rural China.
– Emma McEvoy

We are really proud of Emma’s awesome work and look forward to sharing more updates about her progress!

Celebrating PSC’s Winning Students of AIPP VPP

This year for the 2016 state-wide AIPP Victorian Epson Professional Photography Awards, PSC students submitted their work to one of the most prestigious competitions in the photography industry. 47 photographs from PSC received silver and gold awards, with students Neville Jones and Robert Palmer receiving notably high points at the awards – not to mention Allison Rose’s overall highest scoring point in print in the entire state!

The three top winning students all come from our part time group of classes, signifying the enriching photographic experience they receive from our award winning college.

PSC is excited to celebrate the achievements of all students at the AIPP awards, on Thursday (April 7) with a special toast to our talented students. Here are some thoughts from Neville, Robert and Allison:

 

Images by Allison Rose

Images by Allison Rose

“I was overwhelmed by the positive responses to my recent series “The Readymade” selected for exhibition over summer at PSC, then at the show for Emerging Women Photographers at Queen Victoria Centre as part of International Womens Day Celebrations & finally awarded the highest score for a print in the Victorian State AIPP Awards.

The series itself is a futuristic view of the ultimate consumerism, readymade babies, raising questions about the hollowness of technology, balanced against the natural sweetness of creation.  The language, imagery & colour palette reference the pop & dada movements.

The images were created as still life arrangements using a digital Xray machine as the camera, & then coloured in photoshop.  I was concerned in the first instance about where they would fit in the scheme of the AIPP awards.  Clearly they arise from an alternative process, but this avenue, in the AIPP awards is restricted to processes with an analogue output.  As a conceptual series, the images are not easy to interpret without contextualisation, again not part of the awards system, so I was uneasy about the reception in the illustrative category. Thanks to advice from (PSC teacher) Julie Wajs I printed a grid of the images to aid in the appreciation of the narrative.  Indeed 3 judges left the panel at the time of judging because they felt unable to contribute (my heart fell as I watched the live stream) and Julie Ewing, a grand master, stepped in.  She awarded the highest of the judges scores, but also gave an excellent explanation about what she believed the series was about, so I was very excited to hear that someone actually understood what it was that I was trying to say.  

The exposure & commentary has given me the further confidence to pursue conceptual art photography as a medium for me to have my say.   It is a rare privilege to be able to do this in any small way & this recent success has been huge in my purview.”


– Allison Rose

'Serenity' by Neville Jones

‘Serenity’ by Neville Jones

“I credit Neil Stanyer, my second year teacher PSC, for transforming my approach to photography. I commenced second year practicing photography as a technology-driven pursuit. By the end of second year I was seeing through the camera not looking at it.”

– Neville Jones

Image by Robert Palmer

Image by Robert Palmer

‘PSC has been instrumental in getting me here, at this level & experience of photography.’
– Robert Palmer

We will keep you updated about our celebrations and stories from our AIPP VPPY award winning students. To find out more learning photography with us part time, click here.

 

 

PSC Student Jo-Anne Cripps wins at the International Color Awards (LA)

Jo-Anne Cripps, a full time student in the 3rd year of the Bachelor of Photography program won an Honorable Mention at the world’s leading awards for the field of colour photography. She received this prize under the ‘Abstract’ category in the 9th International Color Awards (Los Angeles) during the last week of March. Jo-Anne is currently in the running for another prize with a very prominent photography festival, which we will share details of in the next few days!

Image by Jo-Anne Cripps

Image by Jo-Anne Cripps

 

Here are some words from our amazing student-photographer, herself:

“During the past 2 years I have come to think of PSC as my second home. The encouragement and support from lecturers, staff and other students have contributed to my personal growth as a photographer.  The skills and knowledge I have gained has not only allowed me to understand ‘why’ I want to take a particular image but also ‘how’ I  visually want to convey the meaning of that image to the viewer.  I am majoring in Photojournalism and Documentary in the last year of my Bachelor of Photography. With the support of my lecturer, Katrin Koening, I intend to continue to develop my skills, both practical and personal and continue my growth as a photographer in a contemporary world. ”

Jo-Anne also won a silver award at the Epson AIPP Victorian Epson Professional Photography Awards for her image. We are extremely proud of her and are excited to share a feature on her this week!

Mastering The Foundation of Photography

Our Tier 1 students of 2016 are on an interesting path of developing their unique vision in photography with teachers Anat Cossen and Craig Wetjen. Introduced to the concept of constructing personal techniques in visual communication, students were encouraged to apply their styles and analyse a breadth of work from across the field.

Exploring areas of colour, light and composition our new group of student photographers were asked to develop a small portfolio of work that touched upon themes of ‘pattern and repetition’, ‘harmonious colours’ and ‘leading line’. Students came to class to have their work seen by their group, where elements were analysed and ideas about future photoshoots were brainstormed.

Image by Emily Skelton

Image by Emily Skelton

Image by Christina Tainsh

Image by Christina Tainsh

Image by Dan A'vard

Image by Dan A’vard

Anat also encouraged her students to make mix media collages to develop their understanding of communicating with imagery.

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With Jonathan Shaw in the mix this month, we also had the privilege of taking part in an international online collaboration with Disruptive Media, Coventry University and Europeana Space, called #photomediations. Students enjoyed showcasing their collages online and playing a vital role in an international conversation about the technology of photography and ‘open access’.

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During this time, Anat led her class to a Pat Brassington exhibition at the Arc One gallery, to immerse them in the current photography scene of Melbourne. Each student analysed one piece of work from the exhibition to further apply their practice of visual communication, with real world examples.

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While students were looking at building their understanding of image design, they were taken on a hands-on exercise of lighting design with Craig Wetjen. The tier 1 class learnt about shape and form through lighting. Craig taught them different techniques that utilized ‘backlight’, ‘sidelight’ with reflectors and natural light.

 

 

 

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Students transferred their understanding of lighting to their practice of image design, to successfully build a strong foundation in visual communications. We look forward to hearing about their assessments for their first module will go in the upcoming weeks! To know more about our curriculum, visit our website.